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of a church. ff. 151v-155v added texts in different contemporary hands. f. 156 is a thick piece of vellum and was probably used formerly as binding.The paper dated 1449-1453.The text recounts an expedition said to have been made in 1465
of a church. ff. 151v-155v added texts in different contemporary hands. f. 156 is a thick piece of vellum and was probably used formerly as binding.The paper dated 1449-1453.The text recounts an expedition said to have been made in 1465
humanists Janus Vitez (index John Vitez) and Petrus Garazda (index Peter Garazda), medallions with saints (probably the Fathers of the Church: three of them are bishops and the fourth one is probably Peter), a wolf and hen, winged putti, a
The cathedral church of Exeter (see Wright 1972).Edward Stillingfleet (b. 1635, d. 1699), bishop of Worcester and theologian: MS. 146 in his library inventory, now Harley 7644 (see Wright 1972). Edward Stillingfleet (b. 1661, d. 1708), physician and Church of
Church, Canterbury (see f. 2; Gameson 1999 p. 94).Dover Priory, by 14th century: inscribed with its press mark 'D VII' and title (f. 2); included in the 1389 catalogue.John Joscelin [Joscelyn] (b. 1529, d. 1603), Old English scholar and
correspond to the years 1444-1500), imperfect The parish church of All Saints on the Pavement, York, late 15th or early 16th century: the calendar includes the feast of the dedication of the church, 14 May (f. 4v).Samuel Knott, rector of
group of men outside a church, one pulling a garment off of the other. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous
initial 'D'(ominus) with Pope Gregory the Great, putti, Jerome and another Church father, and the arms of Ferdinand I of Aragon, king of Naples. Vertical catchwords.Ruled in hardpoint.Covers of a previous red leather Harleian binding are pasted inside the present
capitals at the beginning of each line in red. Carmen Paschale; poems Part 1: The Benedictine cathedral priory of Christ Church, Canterbury: (see Temple 1976).Part 2: The abbey of St Remi at Reims: inscribed in a 10th-century hand: 'Lib[er] s[anc]ti
I of Aragon, king of Naples (b. 1424, d. 1494): his arms (f. 10).S. Andrea [? della Valle, the mother church of the Theatines, founded in Rome in 1524]: late-16th century book stamp (entirely effaced): 'BIBLIOTECAE S. ANDREAE ROMAE' (f.
cardinal, bishops, and other men and women, with the fathers of the church, Gregory, Augustine, Jerome, and Ambrose at its walls and men and women representing vices, with a full border containing a space for a coat of arms, and
the Immaculate Conception in London (founded in 1503): another manuscript suggesting Henry VII's connection with this confraternity is Oxford, Christ Church Ms. 179, containing a petition to the king requesting permission to establish a confraternity for French residents in London
the Immaculate Conception in London (founded in 1503): another manuscript suggesting Henry VII's connection with this confraternity is Oxford, Christ Church Ms. 179, containing a petition to the king requesting permission to establish a confraternity for French residents in London
the Immaculate Conception in London (founded in 1503): another manuscript suggesting Henry VII's connection with this confraternity is Oxford, Christ Church Ms. 179, containing a petition to the king requesting permission to establish a confraternity for French residents in London
wedding of Cleridius and Meliadice at the church door. Included two romances in French, the 'Cleriadus et Meliadice', probably composed in the early 1440s (ff. 1-209v), and 'Historia Apollonii regis Tyri' translated in French as 'La cronique et histoire des
ends 'Say we so alle . pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands,
. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding
. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding
at the windows, surrounded by the fathers of the church, Gregory, Augustine, Jerome, and Ambrose, with a group of women and men. In two volumes, the second volume is Royal 17 F VII.Includes a list of contents (ff. 1-21v).Catchwords written
woman at the centre window, surrounded by the fathers of the church, Gregory, Augustine, Jerome, and Ambrose, with a group of women and one man, on the right and a crowd of attacking Jews on the left; with a full