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University of Paris (f. 4). John Batayle, a canon of St Bartholomew's at Smithfield, mentioned among other canons in a clerical subsidy roll of 1379 and named in a will of 1382, made by John Chyshull, another canon of St
University of Paris (f. 4). John Batayle, a canon of St Bartholomew's at Smithfield, mentioned among other canons in a clerical subsidy roll of 1379 and named in a will of 1382, made by John Chyshull, another canon of St
University of Paris (f. 4). John Batayle, a canon of St Bartholomew's at Smithfield, mentioned among other canons in a clerical subsidy roll of 1379 and named in a will of 1382, made by John Chyshull, another canon of St
of a bearded John seated before a lectern; his name inscribed above him. 4 miniatures (evangelist portraits: ff, 6v, 90v, 142v, 226v), before each Gospel. Four foliate headpieces (ff. 7, 91, 143, 227), titles in gold, and large initials in
pasted onto an unfoliated paper flyleaf; ff. iii-vi are notes on paper; ff. vii-viii are pages from the preface by John Romilly to a printed edition describing the manuscript; f. 200 is a lined parchment leaf, ff. 202-204 are parchment
pasted onto an unfoliated paper flyleaf; ff. iii-vi are notes on paper; ff. vii-viii are pages from the preface by John Romilly to a printed edition describing the manuscript; f. 200 is a lined parchment leaf, ff. 202-204 are parchment
pasted onto an unfoliated paper flyleaf; ff. iii-vi are notes on paper; ff. vii-viii are pages from the preface by John Romilly to a printed edition describing the manuscript; f. 200 is a lined parchment leaf, ff. 202-204 are parchment
pasted onto an unfoliated paper flyleaf; ff. iii-vi are notes on paper; ff. vii-viii are pages from the preface by John Romilly to a printed edition describing the manuscript; f. 200 is a lined parchment leaf, ff. 202-204 are parchment
pasted onto an unfoliated paper flyleaf; ff. iii-vi are notes on paper; ff. vii-viii are pages from the preface by John Romilly to a printed edition describing the manuscript; f. 200 is a lined parchment leaf, ff. 202-204 are parchment
pasted onto an unfoliated paper flyleaf; ff. iii-vi are notes on paper; ff. vii-viii are pages from the preface by John Romilly to a printed edition describing the manuscript; f. 200 is a lined parchment leaf, ff. 202-204 are parchment
pasted onto an unfoliated paper flyleaf; ff. iii-vi are notes on paper; ff. vii-viii are pages from the preface by John Romilly to a printed edition describing the manuscript; f. 200 is a lined parchment leaf, ff. 202-204 are parchment
pasted onto an unfoliated paper flyleaf; ff. iii-vi are notes on paper; ff. vii-viii are pages from the preface by John Romilly to a printed edition describing the manuscript; f. 200 is a lined parchment leaf, ff. 202-204 are parchment
of the Emperor John enthroned, with a courtier and a messenger, who points to the lower part of the initial that extends into the margin, where John's knights are assaulting two men. 25 historiated initials, with zoomorphic extensions into the
pasted onto an unfoliated paper flyleaf; ff. iii-vi are notes on paper; ff. vii-viii are pages from the preface by John Romilly to a printed edition describing the manuscript; f. 200 is a lined parchment leaf, ff. 202-204 are parchment
addressing Zacharias, father of John the Baptist, who kneels in front of an altar. Horizontal catchwords.Miniature curtains, likely of silk, once protected the full-page minitures. These are no longer extant, but the holes and thread, by means of which these
with the Virgin and St John, within the text on the mass of the Holy Cross. The miniature of the Crucifixion (f. 2) is inserted in the text of a mass of the Holy Cross (ff. 1v-2v).An original table of
with in two compartments John the Baptist pointing his disciples to Christ, and the crucifixion of Andrew, full border and bas-de-page scene with Christ calling Andrew and Peter from their fishing-boat. Musical notation.For a large number of images of the
'S'(tabat) with two compartments, of John the Baptist pointing his disciples towards Christ, and Andrew being tied upon his cross. Musical notation.For a large number of images of the other part of the manuscript, Verdun, Bibliothèque municipale, ms. 107, see
charters The dates 1295 and 1296 appear in original portions of the text, the latter relating to the imprisonement of John Balliol in the Tower of London on 1 August 1296 (ff. 21v, 90, 90v, 91, 160; see Watson 1979).
charters The dates 1295 and 1296 appear in original portions of the text, the latter relating to the imprisonement of John Balliol in the Tower of London on 1 August 1296 (ff. 21v, 90, 90v, 91, 160; see Watson 1979).