• Puzzle initial 'S'(amaritanus) with pen-flourishing at the beginning of book 4 of Peter Lombard's Sententiae., Sententiae (index Sentences), with marginal gloss, imperfect

1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723 (see Wright 1972).The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st

• Champ initial 'C'(redo) combined with a bar border ending in foliate feathering in the margins., Breviary, imperfect

1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• Text page with a description of the author's mistress, and complaints about her cruelty., Various texts including secular and religious lyrics (also known as the 'Harley Lyrics'), including King Horn and the Follies of Fashion, and Psalms listed for recitation at certain times (imperfect)

1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• A song about the good effects of the spring; a song about Isomen; a ditty in which the poet repents of his former sinful life., Various texts including secular and religious lyrics (also known as the 'Harley Lyrics'), including King Horn and the Follies of Fashion, and Psalms listed for recitation at certain times (imperfect)

1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• Text page, with 24 lines of verse to the Virgin Mary, 'Mayden Moder Milde,' and 9 opening lines of the Gesta of King Horn., Various texts including secular and religious lyrics (also known as the 'Harley Lyrics'), including King Horn and the Follies of Fashion, and Psalms listed for recitation at certain times (imperfect)

1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• Miniature of an angel showing John a vision of the fall of Babylon, from Revelation 18., Apocalypse (Revelation)

an angel showing John a vision of the fall of Babylon, from Revelation 18. Manuscript mentioned in Yates Thompson Appendix 52-54.Glossed French prose.ff. i-iv are paper flyleaves. 1 large historiated initial, accompanied by a full foliate border, in colours and

• Decorated initial 'A'(nno) with foliate forms, in a cartulary of Chertsey abbey., Register of Chertsey abbey

left for initials. Register of Chertsey abbey ? The Benedictine abbey of St Peter, Chertsey, Surrey, during the abbacy of John de Rutherwyk, including charters from 1307 to 1344; see ~Chertsey Cartularies~ p. iii.Henry Powle (bap. 1630, d. 1692), politician:

• null, Register of Chertsey abbey

left for initials. Register of Chertsey abbey ? The Benedictine abbey of St Peter, Chertsey, Surrey, during the abbacy of John de Rutherwyk, including charters from 1307 to 1344; see ~Chertsey Cartularies~ p. iii.Henry Powle (bap. 1630, d. 1692), politician:

• null, Register of Chertsey abbey

left for initials. Register of Chertsey abbey ? The Benedictine abbey of St Peter, Chertsey, Surrey, during the abbacy of John de Rutherwyk, including charters from 1307 to 1344; see ~Chertsey Cartularies~ p. iii.Henry Powle (bap. 1630, d. 1692), politician:

• Detail of a miniature of an angel showing John a vision of the fall of Babylon, from Revelation 18., Apocalypse (Revelation)

of an angel showing John a vision of the fall of Babylon, from Revelation 18. Manuscript mentioned in Yates Thompson Appendix 52-54.Glossed French prose.ff. i-iv are paper flyleaves. 1 large historiated initial, accompanied by a full foliate border, in colours

• Miniature of John, holding a palm, and a crowned elder, from Revelation 7:13; miniature of seven angels with trumpets, and another angel holding a golden cense, from Revelations 8:1-3; miniature of the first angel who sounded the trumpet, and hail and fire burning the earth, from Revelation 8:7., Apocalypse (Revelation)

of John, holding a palm, and a crowned elder, from Revelation 7:13; miniature of seven angels with trumpets, and another angel holding a golden cense, from Revelations 8:1-3; miniature of the first angel who sounded the trumpet, and hail and

• Bas-de-page scene of John the Baptist preaching holding a disk before a seated group of people., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John the Baptist preaching holding a disk before a seated group of people. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important

• Bas-de-page scene of John the Baptist before a seated Herod with a sword., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John the Baptist before a seated Herod with a sword. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to

• Bas-de-page scene of John being pushed into a prison tower by a man holding a club., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John being pushed into a prison tower by a man holding a club. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important

• Bas-de-page scene of John kneeling in a tower doorway, with an executioner holding him by the hair and a raised sword, and behind him Salome holding a golden bowl., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John kneeling in a tower doorway, with an executioner holding him by the hair and a raised sword, and behind him Salome holding a golden bowl. The style and subject, especially the many bas-de-page narratives ranging from romance

• Bas-de-page scene of Salome presenting the head of John in a golden bowl to her seated mother., Book of Hours, Use of Sarum ('The Taymouth Hours')

presenting the head of John in a golden bowl to her seated mother. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought

• Bas-de-page scene of two men holding bones in their arms, and the skeleton of John in a tomb., Book of Hours, Use of Sarum ('The Taymouth Hours')

in their arms, and the skeleton of John in a tomb. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to have

• Bas-de-page scene of Peter and John visiting the sepulchre and removing the sudarium., Book of Hours, Use of Sarum ('The Taymouth Hours')

of Peter and John visiting the sepulchre and removing the sudarium. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to have

• Bas-de-page scene of Christ beckoning Peter and John while they are out fishing., Book of Hours, Use of Sarum ('The Taymouth Hours')

Christ beckoning Peter and John while they are out fishing. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to have been

• Bas-de-page scene of the standing figure of John holding a scroll., Book of Hours, Use of Sarum ('The Taymouth Hours')

the standing figure of John holding a scroll. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to have been illuminated in