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The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
Musical notation (ecphonetic).Contents:Daily readings in John (ff. 1-65v);Saturday-Sunday readings in Matthew (ff. 66v-103);Saturday-Sunday readings in Luke (ff. 104-143);Saturday-Sunday readings in Mark (ff. 143v-187);Holy Week readings (ff. 187v-245v);Synaxarion (ff. 246-359).f. 66 is a blank leaf.The portrait of Luke has been misbound;
colours and gold. Musical notation (ecphonetic).Contents:Daily readings in John (ff. 1-65v);Saturday-Sunday readings in Matthew (ff. 66v-103);Saturday-Sunday readings in Luke (ff. 104-143);Saturday-Sunday readings in Mark (ff. 143v-187);Holy Week readings (ff. 187v-245v);Synaxarion (ff. 246-359).f. 66 is a blank leaf.The portrait of Luke
Headpiece with geometric and foliate decoration and inscribed with title in coloured display capitals, and decorated initial 'T'. Missing leaves at the beginning and after ff. 1, 23, 36, 135, 197, 219.Pericopes arranged according to the ecclesiastical calendar. Headpieces
altar with statues of the Crucifixion with Mary and John, with the instruction for the illuminator reading 'Fia[n]t ymagi[n]es sup[er] / altare', next to the initial. The only known, and probably autograph copy of the Omne Bonum of James le
Crucifixion with Mary and John; 2. the Deposition; 3. the Entombment; 4. the Descent into Limbo. The only known, and probably autograph copy of the Omne Bonum of James le Palmer, being a general encyclopaedia arranged in alphabetical order. Bound
'Rex Regum', surrounded by the busts of twelve saints including John the Baptist, Jerome, and a bishop, with foliate extension of acanthus leaves and bezants. Cutting from a choir book John Matthew Gutch (b. 1776, d. 1861), journalist and author:
a standing John Chrysostom. 2 full-page miniatures in colours and gold of standing saints (ff. 2v, 21v ). 3 large historiated headpieces in colours and gold (ff. 3, 22, 49). Large historiated initials in colours and gold (ff. 3, 6,
manuscripts form one of the foundation collections of the British Library. Decorated initial and border John Gobych John Gobych John Waleys (index John of Wales, John Wallensis, Johannes Vallensis), Nicholas Trevet (index Nicholaus Trevet), Pierre d'Ailly (index Petrus Aliacensis, Petrus
vol. 2).Purchased by the British Museum from the Royal Society together with 549 other Arundel manuscripts in 1831. Illuminated initial John of Munkgate, clerk of York. John of Munkgate John of Abbeville, and others Fountains abbey England, N. (Fountains abbey)
by the British Museum from the Royal Society together with 549 other Arundel manuscripts in 1831. Detail of iIlluminated initial John of Munkgate, clerk of York. John of Munkgate John of Abbeville, and others Fountains abbey England, N. (Fountains abbey)
1, vol. 2).Purchased by the British Museum from the Royal Society together with 549 other Arundel manuscripts in 1831. Inscriptions John of Munkgate, clerk of York. John of Munkgate John of Abbeville, and others Fountains abbey England, N. (Fountains abbey)