• Foliate initial 'D'(omine) with a full border, at the beginning of Psalm 89., Commentary on the Psalms

with human heads. Commentary on the Psalms John Russell, fellow of Merton College, Oxford, and a prebendary of Peterborough Cathedral, author of the ~Proposals for Printing the Holy Bible~, (1721): his initials, 'J[ohn] R[ussell]' and note numbering the manuscript as

• Detail of a miniature of Semiramis seated, with a sword, with her son before her and men in armour behind., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Deianira and Nessus crossing a river on horseback, with Hercules with a drawn bow., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Jocasta killing herself, while Oedipus puts out his eyes and Polynices and Eteocles kill each other., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Minerva, crowned, instructing men in making armour, while a man uses counters and another plays the flageolet., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Marpesia and Lampeto, queens of the Amazons, with armed attendants and a shield bearer., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Medea, with Jason on a horse and a slaughter of a child with his sword, at the beginning of chapter 17., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Pamphila collecting cocoons of silk worms from trees and spinning the silk., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of men digging the grave of Rhea Silvia, with a wolf and twins behind., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Athaliah ordering the slaughter of the princes of Judah, with her death by stoning behind., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Theoxena in a ship, fleeing from Philip V of Macedon, and taking poison., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of the queen of Orgiagon presenting the head of her ravisher to the king of the Gaulgres., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Aemilia, wife of Scipio Africanus, condoning her husband's affair with a slave., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Seneca and his wife Pompeia Paulina being bled to death., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Faustina, the wife of Marcus Aurelius, with one of her lovers, and a man with an anvil., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Jeanne, queen of Jerusalem and Sicily, receiving gifts from her subjects., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of the Erithrean Sibyl writing, with a partial border and a foliate initial 'E'(rithire), at the beginning of chapter XXI., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature composed of four compartments of Boccaccio presenting the book to Andrea Acciaiuoli and a group of women., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Miniature of John the Baptist, and hybrid creature in the margin., Book of Hours, Use of Sarum

of John the Baptist, and hybrid creature in the margin. 9 full-page miniatures, followed by large historiated initials, with full foliate borders including birds and hybrid figures, in colours and gold (ff. 50v, 60v, 76v, 82v, 86v, 90v, 94v, 98v,

• Miniature of John with his Evangelist symbol, the eagle., Book of Hours

of John with his Evangelist symbol, the eagle. 3 diptychs of full-page miniatures with foliate borders, in colours and gold, inserted as a separate quire after the calendar (ff. 18v-21). 37 full-page miniatures in semi-grisaille against coloured backgrounds, with large