of Bishop Ranulf on 15 September (f. 8); and of the precentor's father John on 24 April (f. 5v), and mother Avicia on 26 September (f. 8).? John Howard (? d. 1426) and his wife Alice Tendring: erased 15th-century inscription
note on the contents, beginning 'Liber sancti edmundi in quo continentur', c. 1375 (f. 1).? Possibly notes of 'the librarian', John of Boston 'Boston Buriensis', a monk of Bury St Edmunds (said to have fl. c. 1410) (ff. 1, 159);
of Bishop Ranulf on 15 September (f. 8); and of the precentor's father John on 24 April (f. 5v), and mother Avicia on 26 September (f. 8).? John Howard (? d. 1426) and his wife Alice Tendring: erased 15th-century inscription
of Bishop Ranulf on 15 September (f. 8); and of the precentor's father John on 24 April (f. 5v), and mother Avicia on 26 September (f. 8).? John Howard (? d. 1426) and his wife Alice Tendring: erased 15th-century inscription
of Bishop Ranulf on 15 September (f. 8); and of the precentor's father John on 24 April (f. 5v), and mother Avicia on 26 September (f. 8).? John Howard (? d. 1426) and his wife Alice Tendring: erased 15th-century inscription
Inscription in English. Copied, directly or indirectly, from Oxford, Bodleian Library, Bodley 441, omitting some passages due to defects in the Bodley manuscript (Marc 16:14-20, Luke 16:14- 17:1, and 24: 51-53). The first and last omission was supplied with
Initial 'P'(roxime), at the beginning of the prologue. Originally in 3 volumes, each containing the commentary to 50 Psalms, now in 2 volumes, Royal 2 E XIII and Royal 2 E XIV bound together; the last volume containing Psalms
Decorated initial 'U'(t) with display script, at the beginning of the Expositio psalmorum. Includes the commentaries on Psalms 50-100.According to unpublished notes by Michael Gullick this manuscript was made in the same scriptorium as Royal 4 C.IX, Royal 6
(including Johannes Eleemosynarius), Paradisus, and a book on visions, with a table of contents (ff. 1v-2v), imperfect at the end John Gibson (fl. 1720-1726), dealer; sold to Harley on 22 June 1726(see ~Diary~ 1966; Wright 1972).The Harley Collection, formed by
Historiated initial 'P'(rincipia) of Peter Lombard holding a scroll with an inscription, 'Petrus Lombard', at the beginning to the prologue to Peter Lombard's Commentary on Epistles. Catchwords, bifolium signatures, and notes 'cor' in brown or red ink. Guide letters
acquired by the Upper Library at Westminster after the inventory of 1542; in the select list of works noted by John Bale of c. 1548 as 'Pully super Psalterium'; in the catalogue of 1666, Royal Appendix 71, f. 15v; and
126v); included in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 6v (see Carley 2000). The Old
laudibus virginitatis; letter of Aldhelm to Ehfridus Added fragment of an ecclesiastical writ dated in 540, 16th century (f. 1). John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator: inscribed with his name (f. 1); listed
laudibus virginitatis; letter of Aldhelm to Ehfridus Added fragment of an ecclesiastical writ dated in 540, 16th century (f. 1). John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator: inscribed with his name (f. 1); listed
Text pages Initial in brown with penwork decoration (f. 82). End words with leaf decoration (ff. 82-84). Rubrics and chapter numbers in red. Small initials in brown, some with outline drawings of a face (f. 49v). Text in triangular
Text pages Initial in brown with penwork decoration (f. 82). End words with leaf decoration (ff. 82-84). Rubrics and chapter numbers in red. Small initials in brown, some with outline drawings of a face (f. 49v). Text in triangular
Text pages with triangular-shaped text. Initial in brown with penwork decoration (f. 82). End words with leaf decoration (ff. 82-84). Rubrics and chapter numbers in red. Small initials in brown, some with outline drawings of a face (f. 49v).
Text pages Initial in brown with penwork decoration (f. 82). End words with leaf decoration (ff. 82-84). Rubrics and chapter numbers in red. Small initials in brown, some with outline drawings of a face (f. 49v). Text in triangular
James’s Palace (see ~Catalogi librorum manuscriptorum Angliae et Hiberniae~ (Oxford: Sheldonian, '1697'), no. 7886.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Decorated initial Waller scribe 3 John Cassian England, S.E. (Rochester)
James’s Palace (see ~Catalogi librorum manuscriptorum Angliae et Hiberniae~ (Oxford: Sheldonian, '1697'), no. 7886.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Decorated initial Waller scribe 3 John Cassian England, S.E. (Rochester)