• Detail of a miniature of cranes., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

Sheldonian, '1697', but 1698?), II, no. 6557.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 167.Charles

• Miniature of cranes., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

Sheldonian, '1697', but 1698?), II, no. 6557.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 167.Charles

• Miniature of doves, including one on a nest in a bird house., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

Sheldonian, '1697', but 1698?), II, no. 6557.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 167.Charles

• Text page., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

Sheldonian, '1697', but 1698?), II, no. 6557.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 167.Charles

• Detail of a miniature of a man with a dragon., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

Sheldonian, '1697', but 1698?), II, no. 6557.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 167.Charles

• Miniature of a man with a dragon., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

Sheldonian, '1697', but 1698?), II, no. 6557.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 167.Charles

• Detail of a drawing of the skyline of the city of York in the lower margins and two kings pointing the text in the outer margin., Historia regum Britanniae (index Gesta Britonum) (ff. 1-133), prologue to the Prophecies of Merlin, and the epistle to Alexander, bishop of Lincoln

an abridgement of Geoffrey of Monmouth: inscribed with his name 'Ponticus Virunius' (f. 1).Added marginal annotations in a 16th-century hand. John Theyer (bap. 1598, d. 1673), antiquary: his monogram (f. 133) and notes in his hand (e.g., ff. 1, 132v-133);

• Detail of a drawing of the city of Gloucester., Historia regum Britanniae (index Gesta Britonum) (ff. 1-133), prologue to the Prophecies of Merlin, and the epistle to Alexander, bishop of Lincoln

an abridgement of Geoffrey of Monmouth: inscribed with his name 'Ponticus Virunius' (f. 1).Added marginal annotations in a 16th-century hand. John Theyer (bap. 1598, d. 1673), antiquary: his monogram (f. 133) and notes in his hand (e.g., ff. 1, 132v-133);

• Detail of a miniature of John and representatives of churches., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a miniature of John and representatives of churches. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen Mary Master or

• Detail of a miniature of John, and the Son of Man between seven candlesticks., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a miniature of John, and the Son of Man between seven candlesticks. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the

• Detail of a miniature of John writing, with an angel before him., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a miniature of John writing, with an angel before him. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen Mary

• Detail of a miniature of John and the angel pointing to the walls of New Jerusalem., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a miniature of John and the angel pointing to the walls of New Jerusalem. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution

• Detail of a miniature of John being raised by an angel, with the head of God above., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a miniature of John being raised by an angel, with the head of God above. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The

• Detail of a miniature of John kneeling before Christ., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a miniature of John kneeling before Christ. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen Mary Master or to

• Detail of a miniature of John, the lamb on the mount, and worshippers., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a miniature of John, the lamb on the mount, and worshippers. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen

• Detail of a miniature of John, a flying angel, and kneeling figures., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a miniature of John, a flying angel, and kneeling figures. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen Mary

• Detail of a miniature of God giving John a measuring rod, with the Temple on the right., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

miniature of God giving John a measuring rod, with the Temple on the right. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution

• Detail of a miniature of John and a crowned Elder., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a miniature of John and a crowned Elder. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen Mary Master or

• Historiated initial 'P'(ost hec)., De moribus (second part of De virtutibus et vitiis)

Philosophical Institution, founded shortly before his death. The New Philosophical Institution, Beaumont Square, Mile End: stamps (ff. 1, 174v). Sir John Trelawny: his sale, 28 June 1921, lot 162; bought by Edwards for £38. Henry Yates Thompson (b. 1838, d.

• Coloured initials in blue with pen-flourished decoration in red and blue., Leaf from an Antiphonary containing the chants for the office of St Cecilia.

of a collection of fragments from manuscripts and printed books, including maps and drawings, assembled by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716) for historical purposes. 190 printed book fragments from the volume were transferred to the