• Decorated initial 'V'(ictus), at the beginning of book 1., Sermons, with a list of the sermons (f. 4)

4).Henry Savile of Banke, Yorkshire (b. 1568, d. 1617), collector of manuscripts, probably acquired by him from John Nelton: shorthand inscription deciphered as 'John Netlton. Henry Savil' (ff. 4, 5v) (see Warner and Gilson 1921).The Old Royal Library (the English

• Decorated initial 'X'(cp), at the beginning of book 2., Sermons, with a list of the sermons (f. 4)

4).Henry Savile of Banke, Yorkshire (b. 1568, d. 1617), collector of manuscripts, probably acquired by him from John Nelton: shorthand inscription deciphered as 'John Netlton. Henry Savil' (ff. 4, 5v) (see Warner and Gilson 1921).The Old Royal Library (the English

• Decorated initial 'V'(entrem) at the beginning of book 6., Sermons, with a list of the sermons (f. 4)

4).Henry Savile of Banke, Yorkshire (b. 1568, d. 1617), collector of manuscripts, probably acquired by him from John Nelton: shorthand inscription deciphered as 'John Netlton. Henry Savil' (ff. 4, 5v) (see Warner and Gilson 1921).The Old Royal Library (the English

• Decorated initial 'Q'(uid), at the beginning of book 8., Sermons, with a list of the sermons (f. 4)

4).Henry Savile of Banke, Yorkshire (b. 1568, d. 1617), collector of manuscripts, probably acquired by him from John Nelton: shorthand inscription deciphered as 'John Netlton. Henry Savil' (ff. 4, 5v) (see Warner and Gilson 1921).The Old Royal Library (the English

• Decorated initial 'P'(roficiscenti) at the beginning of the preface., Sermons, with a list of the sermons (f. 4)

4).Henry Savile of Banke, Yorkshire (b. 1568, d. 1617), collector of manuscripts, probably acquired by him from John Nelton: shorthand inscription deciphered as 'John Netlton. Henry Savil' (ff. 4, 5v) (see Warner and Gilson 1921).The Old Royal Library (the English

• Text page., Sermons, with a list of the sermons (f. 4)

4).Henry Savile of Banke, Yorkshire (b. 1568, d. 1617), collector of manuscripts, probably acquired by him from John Nelton: shorthand inscription deciphered as 'John Netlton. Henry Savil' (ff. 4, 5v) (see Warner and Gilson 1921).The Old Royal Library (the English

• Decorated initial 'D'(e solennitate) at the beginning of book 4., Sermons, with a list of the sermons (f. 4)

4).Henry Savile of Banke, Yorkshire (b. 1568, d. 1617), collector of manuscripts, probably acquired by him from John Nelton: shorthand inscription deciphered as 'John Netlton. Henry Savil' (ff. 4, 5v) (see Warner and Gilson 1921).The Old Royal Library (the English

• Decorated initial 'D'(esiderabam) at the beginning of book 5., Sermons, with a list of the sermons (f. 4)

4).Henry Savile of Banke, Yorkshire (b. 1568, d. 1617), collector of manuscripts, probably acquired by him from John Nelton: shorthand inscription deciphered as 'John Netlton. Henry Savil' (ff. 4, 5v) (see Warner and Gilson 1921).The Old Royal Library (the English

• null, De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Argia discovering the dead body of her husband, Polynices., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Manto, the daughter of Tiresias, stirring a fire., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Camilla, queen of the Volscians, hunting., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Miniature of Camilla, queen of the Volscians, hunting., De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of Regnet slaying Bertoullet with a sword, while outside are the four sons of Bayard., Renaut de Montauban (or Les Quatre Fils Aimon)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• Detail of a miniature of the sons robbing travellers in the forest., Renaut de Montauban (or Les Quatre Fils Aimon)

manuscripts produced for John Talbot, earl of Shrewsbury: Royal 15 E VI, a collection of romances presented to Margaret of Anjou in honour of her marriage to Henry VI in 1445; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book

• null, Heroides, with glosses

possibly in his sale, 29 March 1742, p. 95 lot 104.? Unidentified owner: perhaps in John Egerton, ~Catalogue of Books, including the Library of John Smeaton … and Many Other Collections~, 1794, item 3891, priced £3 3s.Sir Robert Smyth (b.

• Puzzle initial 'A(nno), with penwork decoration in the form of leaves., Polychronicon to the year 1352, with table

or blue. Diagrams in red or brown. Polychronicon to the year 1352, with table Added, near comtemporary text (ff. 238v-239v). John Macclesfield, in 1416-1417: inscription (f. 6v).John Hunt: 18th-century inscription (f. 2). W. Ford: his note about the manuscript pasted

• Puzzle initial., Psalter, a metrical version (the Surtees Psalter version)

version (the Surtees Psalter version) Inscription 'Will (?) Bonnell' (f. 1v).John Fauntleroy: inscription in calligraphy (f. 1*); inscription (f. 1); 'John Fauntlero' (f. [101v].Bought by the British Museum in 1836, using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis

• Detail of decorated headpiece., Homilies on John (index In Ioannem), imperfect

initials in red with penwork decoration, a few also with black penwork decoration. Small simple letters in red. Homilies on John (index In Ioannem), imperfect 16th-century (?) note of 8 missing leaves (f. 330v; see also ff. 10v, 12v).? Thomas

• Coloured drawings depicting Sir John Mandeville as a witness to the earth-dwelling people of Tracoda Island, and the idol-worship of the dog-headed "Cynocephales" on Nacumera Island., Travels (index Itinerarium)

depicting Sir John Mandeville as a witness to the earth-dwelling people of Tracoda Island, and the idol-worship of the dog-headed "Cynocephales" on Nacumera Island. Written in a Norfolk dialect. Combination of the beginning of text B with the end of