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Initial 'M'(emoratis with zoomorphic and foliate decoration at the beginning of Homily V of the last ten homilies. From f. 103v onwards the decorated initials are unfinished.An excerpt from Quaestiones in vetus testamentum by Isidore of Seville is on
Decorated initials 'd'(ilectissimo) and 'D'(ei omnipotentis) at the beginning of Gregory's epistle to Marinium and Homily I. From f. 103v onwards the decorated initials are unfinished.An excerpt from Quaestiones in vetus testamentum by Isidore of Seville is on the
Initial 'Q'(uia) with zoomorphic and foliate decoration at the beginning of Homily I of the last ten homilies. From f. 103v onwards the decorated initials are unfinished.An excerpt from Quaestiones in vetus testamentum by Isidore of Seville is on
of the preface to John and John (ff. 59, 59v). Diagrams in brown ink (ff. 3v, 6v). Paraphs in brown with penwork decoration. Small paraphs in red. Rubrics in red. Leviticus, glossed (ff. 7-58), and John, glossed, imperfect, with short
of the preface to John and John (ff. 59, 59v). Diagrams in brown ink (ff. 3v, 6v). Paraphs in brown with penwork decoration. Small paraphs in red. Rubrics in red. Leviticus, glossed (ff. 7-58), and John, glossed, imperfect, with short
of the preface to John and John (ff. 59, 59v). Diagrams in brown ink (ff. 3v, 6v). Paraphs in brown with penwork decoration. Small paraphs in red. Rubrics in red. Leviticus, glossed (ff. 7-58), and John, glossed, imperfect, with short
of the preface to John and John (ff. 59, 59v). Diagrams in brown ink (ff. 3v, 6v). Paraphs in brown with penwork decoration. Small paraphs in red. Rubrics in red. Leviticus, glossed (ff. 7-58), and John, glossed, imperfect, with short
of the preface to John and John (ff. 59, 59v). Diagrams in brown ink (ff. 3v, 6v). Paraphs in brown with penwork decoration. Small paraphs in red. Rubrics in red. Leviticus, glossed (ff. 7-58), and John, glossed, imperfect, with short
of the preface to John and John (ff. 59, 59v). Diagrams in brown ink (ff. 3v, 6v). Paraphs in brown with penwork decoration. Small paraphs in red. Rubrics in red. Leviticus, glossed (ff. 7-58), and John, glossed, imperfect, with short
of the preface to John and John (ff. 59, 59v). Diagrams in brown ink (ff. 3v, 6v). Paraphs in brown with penwork decoration. Small paraphs in red. Rubrics in red. Leviticus, glossed (ff. 7-58), and John, glossed, imperfect, with short
of the preface to John and John (ff. 59, 59v). Diagrams in brown ink (ff. 3v, 6v). Paraphs in brown with penwork decoration. Small paraphs in red. Rubrics in red. Leviticus, glossed (ff. 7-58), and John, glossed, imperfect, with short
Lamentations (ff. 1, 1v). Initials in green, or red. Commentary on Lamentations The Benedictine abbey of the Virgin and St. John the Evangelist, Reading: inscribed 'Hic est liber sancte Marie de Rading[ia]. Que[m] qui celav[er]it / vel fraude[m] de eo
'William le Poher lord of Pirton' (see 'Parishes: Pirton', in ~The Victoria History of the County of Worcester~, ed. by John William Willis-Bund and H. Arthur Doubleday, 5 vols (London: A. Constable, 1901-1926), vol. 4 (1924), pp. 180-184; available at
Historiated initial 'O' (intemerata) with John the Evangelist, at the beginning of a prayer to the Virgin and John the Evangelist. The Veronica image is the earliest in Western art, according to Lewis 1987 p. 127.This is the earliest richly
the list of kings (f. 71r-v) apparently by the same scribe, ends with Henry VI (1422-1471).John Benson: late 15th-century inscription 'John Benson' (f. 71v).William Vagger of Sussex: inscribed in the late 15th century 'Constat Willelmo Vagger de Sussex' (f. 1v).John
ownership stamps of John Thomas Barber Beaumont and the Philosophical Institution. 10 historiated initials, each divided into two levels, one for the representation of the virtues and the other for the vices, with decorated extensions into the margins, in colours
beginning of the prologue to John. First page probably missing: inscribed 'prima pagina deficit' (f. 1).Catchwords and instruction for running titles. Indication of 'pecia'?: inscribed 'XVII pecia' (f. 44).Numerous pointing hands (maniculae).Some margins incised (ff. 37, 98, 175, 239, 258,
his signature; possibly obtained from his estate by Ives. Cf. Paul Grinke, 'John Ives and the LIbrary of 'Honest' Tom Martin', ~in The Warden's Meeting: A Tribute to John Sparrow~ (Oxford: Oxford University Society of Bibliophiles, 1977), pp. 39-42 (p.
his signature; possibly obtained from his estate by Ives. Cf. Paul Grinke, 'John Ives and the LIbrary of 'Honest' Tom Martin', ~in The Warden's Meeting: A Tribute to John Sparrow~ (Oxford: Oxford University Society of Bibliophiles, 1977), pp. 39-42 (p.
his signature; possibly obtained from his estate by Ives. Cf. Paul Grinke, 'John Ives and the LIbrary of 'Honest' Tom Martin', ~in The Warden's Meeting: A Tribute to John Sparrow~ (Oxford: Oxford University Society of Bibliophiles, 1977), pp. 39-42 (p.