• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.

• Foliate initial 'S'(cripta), followed by display script, at the beginning of Prudentius' 'Peristephanon'., Cathemerinon (2-16); Peristephanon (16-62); and other smaller texts including letters to/from Berengar of Tours

Added, 12th century: notes and glosses (ff. 1, 1v and in the margins of the main text). Matthew de Varenne, London bookseller and auctioneer (fl. 1723/4): his sale (through Nathaniel Noel), 21 December 1723, lot 34.The Harley Collection, formed by

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.

• Illuminated initial 'R' with the arms of Henry Despenser, bishop of Norwich, and a partial border, and in the upper margin, the signature of 'William Howarde 1579'., Historia ecclesiastica (ff. 1-99), De muliere forti, Epistola Cuthberti

and politician.Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum

• Unfinished illuminated initial 'N'(octiam) with a drawing of a seated man (possibly Bede) writing at the desk holding a quill and a knife., Historia ecclesiastica (ff. 1-99), De muliere forti, Epistola Cuthberti

and politician.Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum