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in gold and blue. Histoire Ancienne jusqu'a César, Le Fet des Romains Bought by the British Museum from Thomas Thorpe, London bookseller, 13th July 184 (note on 1st flyleaf verso), using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis
in gold and blue. Histoire Ancienne jusqu'a César, Le Fet des Romains Bought by the British Museum from Thomas Thorpe, London bookseller, 13th July 184 (note on 1st flyleaf verso), using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis
in gold and blue. Histoire Ancienne jusqu'a César, Le Fet des Romains Bought by the British Museum from Thomas Thorpe, London bookseller, 13th July 184 (note on 1st flyleaf verso), using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis
in gold and blue. Histoire Ancienne jusqu'a César, Le Fet des Romains Bought by the British Museum from Thomas Thorpe, London bookseller, 13th July 184 (note on 1st flyleaf verso), using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis
in gold and blue. Histoire Ancienne jusqu'a César, Le Fet des Romains Bought by the British Museum from Thomas Thorpe, London bookseller, 13th July 184 (note on 1st flyleaf verso), using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis
Statuta Angliae, Statute book) from Edward III to Richard II Inscription, 15th century, partly erased (f. 225v). C. Meyer, book-seller, London, late 18th century: a pink label inscribed 'Bound & Sold by C. Meyer. Bookseller & Binder to the Queen
as supporters two lions [argent]; a couronne de marquis surmounting the shield (f. 1*).Thomas Ballard, bookseller and book auctioneer in London; his sale, 20 February 1720/21, lot 16, bought for Edward Harley through Thomas Bacon.The Harley Collection, formed by Robert
as supporters two lions [argent]; a couronne de marquis surmounting the shield (f. 1*).Thomas Ballard, bookseller and book auctioneer in London; his sale, 20 February 1720/21, lot 16, bought for Edward Harley through Thomas Bacon.The Harley Collection, formed by Robert
and politician.Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the
II being delivered to the citizens of London. Illustrated by the Virgil Master (fl. in Paris, c. 1309-1420).Jean Creton (fl. 1386–1420), historian and poet. This work was commissioned between November 1401 and March 1402 by Philip the Bold, duke of
delivered to the citizens of London. Illustrated by the Virgil Master (fl. in Paris, c. 1309-1420).Jean Creton (fl. 1386–1420), historian and poet. This work was commissioned between November 1401 and March 1402 by Philip the Bold, duke of Burgundy. On
delivered to the citizens of London. Illustrated by the Virgil Master (fl. in Paris, c. 1309-1420).Jean Creton (fl. 1386–1420), historian and poet. This work was commissioned between November 1401 and March 1402 by Philip the Bold, duke of Burgundy. On
form one of the foundation collections of the British Library. Opening Scribe of Egerton 1991 and Oxford, Corpus Christi College, MSS 67 and 198. Geoffrey Chaucer (b. c. 1340, d. 1400) London England, S. E. (probably London or East Anglia)
four-line staves visible through the gold of the initial matches those of the initials at the Victoria and Albert Museum, London, which have been identified as belonging to two volumes of a Temporale from the lost San Michele Graduals: MS
in gold and blue. Histoire Ancienne jusqu'a César, Le Fet des Romains Bought by the British Museum from Thomas Thorpe, London bookseller, 13th July 184 (note on 1st flyleaf verso), using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis
of Corne so ever that it be' ( ~A Catalogue of the Harleian Manuscripts in the British Museum~, 4 vols (London: Eyre and Strahan, 1808-12), II (1808), no. 2332. 12 calendar pages, one opening for each month, with tinted drawings
of Corne so ever that it be' ( ~A Catalogue of the Harleian Manuscripts in the British Museum~, 4 vols (London: Eyre and Strahan, 1808-12), II (1808), no. 2332. 12 calendar pages, one opening for each month, with tinted drawings
of Corne so ever that it be' ( ~A Catalogue of the Harleian Manuscripts in the British Museum~, 4 vols (London: Eyre and Strahan, 1808-12), II (1808), no. 2332. 12 calendar pages, one opening for each month, with tinted drawings
of Corne so ever that it be' ( ~A Catalogue of the Harleian Manuscripts in the British Museum~, 4 vols (London: Eyre and Strahan, 1808-12), II (1808), no. 2332. 12 calendar pages, one opening for each month, with tinted drawings
of Corne so ever that it be' ( ~A Catalogue of the Harleian Manuscripts in the British Museum~, 4 vols (London: Eyre and Strahan, 1808-12), II (1808), no. 2332. 12 calendar pages, one opening for each month, with tinted drawings