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manuscriptorum Angliae et Hiberniae~, 3 vols. (Oxford: Sheldonian, '1697', but 1698?), II, no. 6649.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and
manuscriptorum Angliae et Hiberniae~, 3 vols. (Oxford: Sheldonian, '1697', but 1698?), II, no. 6649.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and
manuscriptorum Angliae et Hiberniae~, 3 vols. (Oxford: Sheldonian, '1697', but 1698?), II, no. 6649.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and
was added to the image of the Trinity (f. 1). See Scott 2007 and ~Royal Manuscripts: The Genius of Illumination~ (London: British Library, 2011), no. 37 [exhibition catalogue]. 8 full borders in colours and gold with rinceaux decoration, floral and
was added to the image of the Trinity (f. 1). See Scott 2007 and ~Royal Manuscripts: The Genius of Illumination~ (London: British Library, 2011), no. 37 [exhibition catalogue]. 8 full borders in colours and gold with rinceaux decoration, floral and
was added to the image of the Trinity (f. 1). See Scott 2007 and ~Royal Manuscripts: The Genius of Illumination~ (London: British Library, 2011), no. 37 [exhibition catalogue]. 8 full borders in colours and gold with rinceaux decoration, floral and
was added to the image of the Trinity (f. 1). See Scott 2007 and ~Royal Manuscripts: The Genius of Illumination~ (London: British Library, 2011), no. 37 [exhibition catalogue]. 8 full borders in colours and gold with rinceaux decoration, floral and
was added to the image of the Trinity (f. 1). See Scott 2007 and ~Royal Manuscripts: The Genius of Illumination~ (London: British Library, 2011), no. 37 [exhibition catalogue]. 8 full borders in colours and gold with rinceaux decoration, floral and
was added to the image of the Trinity (f. 1). See Scott 2007 and ~Royal Manuscripts: The Genius of Illumination~ (London: British Library, 2011), no. 37 [exhibition catalogue]. 8 full borders in colours and gold with rinceaux decoration, floral and
was added to the image of the Trinity (f. 1). See Scott 2007 and ~Royal Manuscripts: The Genius of Illumination~ (London: British Library, 2011), no. 37 [exhibition catalogue]. 8 full borders in colours and gold with rinceaux decoration, floral and
was added to the image of the Trinity (f. 1). See Scott 2007 and ~Royal Manuscripts: The Genius of Illumination~ (London: British Library, 2011), no. 37 [exhibition catalogue]. 8 full borders in colours and gold with rinceaux decoration, floral and
was added to the image of the Trinity (f. 1). See Scott 2007 and ~Royal Manuscripts: The Genius of Illumination~ (London: British Library, 2011), no. 37 [exhibition catalogue]. 8 full borders in colours and gold with rinceaux decoration, floral and
the sale, 6 May 1856, by Boone according to an annotated Western Manuscripts departmental copy of the sale catalogue.William Boone, London bookseller trading 1815-1870: purchased from him on the same day by the British Museum. Adoration of the Magi Rome
the sale, 6 May 1856, by Boone according to an annotated Western Manuscripts departmental copy of the sale catalogue.William Boone, London bookseller trading 1815-1870: purchased from him on the same day by the British Museum. The Presentation in the Temple
the sale, 6 May 1856, by Boone according to an annotated Western Manuscripts departmental copy of the sale catalogue.William Boone, London bookseller trading 1815-1870: purchased from him on the same day by the British Museum. Christ on the Road to
but 1698?), II, no. 6420.Charles Theyer (b. 1651): inscribed 'Lib[er] Caroli Theyer' (f. 296v).Robert Scott (b. c. 1632, d. 1709/10), London bookseller: perhaps included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge
was added to the image of the Trinity (f. 1). See Scott 2007 and ~Royal Manuscripts: The Genius of Illumination~ (London: British Library, 2011), no. 37 [exhibition catalogue]. 8 full borders in colours and gold with rinceaux decoration, floral and
was added to the image of the Trinity (f. 1). See Scott 2007 and ~Royal Manuscripts: The Genius of Illumination~ (London: British Library, 2011), no. 37 [exhibition catalogue]. 8 full borders in colours and gold with rinceaux decoration, floral and
was added to the image of the Trinity (f. 1). See Scott 2007 and ~Royal Manuscripts: The Genius of Illumination~ (London: British Library, 2011), no. 37 [exhibition catalogue]. 8 full borders in colours and gold with rinceaux decoration, floral and
was added to the image of the Trinity (f. 1). See Scott 2007 and ~Royal Manuscripts: The Genius of Illumination~ (London: British Library, 2011), no. 37 [exhibition catalogue]. 8 full borders in colours and gold with rinceaux decoration, floral and