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was added to the image of the Trinity (f. 1). See Scott 2007 and ~Royal Manuscripts: The Genius of Illumination~ (London: British Library, 2011), no. 37 [exhibition catalogue]. 8 full borders in colours and gold with rinceaux decoration, floral and
have watermarks similar to Edward Heawood, ~Watermarks~ (Monumenta Chartae Papyraceae Historiam Illustrantia, I) (Hilversum: Paper Publication Society, 1950), no. 2745 [London, 1755].Erasures by a censor (e.g. on ff. 38, 54v, 55, 264v, 266, 272v). 1 title page surrounded by penwork
have watermarks similar to Edward Heawood, ~Watermarks~ (Monumenta Chartae Papyraceae Historiam Illustrantia, I) (Hilversum: Paper Publication Society, 1950), no. 2745 [London, 1755].Erasures by a censor (e.g. on ff. 38, 54v, 55, 264v, 266, 272v). 1 title page surrounded by penwork
have watermarks similar to Edward Heawood, ~Watermarks~ (Monumenta Chartae Papyraceae Historiam Illustrantia, I) (Hilversum: Paper Publication Society, 1950), no. 2745 [London, 1755].Erasures by a censor (e.g. on ff. 38, 54v, 55, 264v, 266, 272v). 1 title page surrounded by penwork
have watermarks similar to Edward Heawood, ~Watermarks~ (Monumenta Chartae Papyraceae Historiam Illustrantia, I) (Hilversum: Paper Publication Society, 1950), no. 2745 [London, 1755].Erasures by a censor (e.g. on ff. 38, 54v, 55, 264v, 266, 272v). 1 title page surrounded by penwork
have watermarks similar to Edward Heawood, ~Watermarks~ (Monumenta Chartae Papyraceae Historiam Illustrantia, I) (Hilversum: Paper Publication Society, 1950), no. 2745 [London, 1755].Erasures by a censor (e.g. on ff. 38, 54v, 55, 264v, 266, 272v). 1 title page surrounded by penwork
have watermarks similar to Edward Heawood, ~Watermarks~ (Monumenta Chartae Papyraceae Historiam Illustrantia, I) (Hilversum: Paper Publication Society, 1950), no. 2745 [London, 1755].Erasures by a censor (e.g. on ff. 38, 54v, 55, 264v, 266, 272v). 1 title page surrounded by penwork
have watermarks similar to Edward Heawood, ~Watermarks~ (Monumenta Chartae Papyraceae Historiam Illustrantia, I) (Hilversum: Paper Publication Society, 1950), no. 2745 [London, 1755].Erasures by a censor (e.g. on ff. 38, 54v, 55, 264v, 266, 272v). 1 title page surrounded by penwork
the sale, 6 May 1856, by Boone according to an annotated Western Manuscripts departmental copy of the sale catalogue.William Boone, London bookseller trading 1815-1870: purchased from him on the same day by the British Museum. Adoration of the Magi Rome
the sale, 6 May 1856, by Boone according to an annotated Western Manuscripts departmental copy of the sale catalogue.William Boone, London bookseller trading 1815-1870: purchased from him on the same day by the British Museum. The Presentation in the Temple
the sale, 6 May 1856, by Boone according to an annotated Western Manuscripts departmental copy of the sale catalogue.William Boone, London bookseller trading 1815-1870: purchased from him on the same day by the British Museum. Christ on the Road to
but 1698?), II, no. 6420.Charles Theyer (b. 1651): inscribed 'Lib[er] Caroli Theyer' (f. 296v).Robert Scott (b. c. 1632, d. 1709/10), London bookseller: perhaps included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge
248v previously believed to be represented in the portrait of Humfrey Wanley by Thomas Hill in the Society of Antiquaries, London (see Heyworth 1989, frontispiece).Additional leaves on paper added by Covel probably in the late 17th century (ff. 1, 2,
the late 1080s (see Gullick 1998).f. 25 [part 12]:? Hew Herte, possibly identifiable with Hugh Herte (d. 1467), barber-surgeon in London: his name on the upper margin of f. 25, originally f. 107 in New York, Academy of Medicine, MS.
the late 1080s (see Gullick 1998).f. 25 [part 12]:? Hew Herte, possibly identifiable with Hugh Herte (d. 1467), barber-surgeon in London: his name on the upper margin of f. 25, originally f. 107 in New York, Academy of Medicine, MS.
the late 1080s (see Gullick 1998).f. 25 [part 12]:? Hew Herte, possibly identifiable with Hugh Herte (d. 1467), barber-surgeon in London: his name on the upper margin of f. 25, originally f. 107 in New York, Academy of Medicine, MS.
was added to the image of the Trinity (f. 1). See Scott 2007 and ~Royal Manuscripts: The Genius of Illumination~ (London: British Library, 2011), no. 37 [exhibition catalogue]. 8 full borders in colours and gold with rinceaux decoration, floral and
was added to the image of the Trinity (f. 1). See Scott 2007 and ~Royal Manuscripts: The Genius of Illumination~ (London: British Library, 2011), no. 37 [exhibition catalogue]. 8 full borders in colours and gold with rinceaux decoration, floral and
was added to the image of the Trinity (f. 1). See Scott 2007 and ~Royal Manuscripts: The Genius of Illumination~ (London: British Library, 2011), no. 37 [exhibition catalogue]. 8 full borders in colours and gold with rinceaux decoration, floral and
was added to the image of the Trinity (f. 1). See Scott 2007 and ~Royal Manuscripts: The Genius of Illumination~ (London: British Library, 2011), no. 37 [exhibition catalogue]. 8 full borders in colours and gold with rinceaux decoration, floral and