• Detail of historiated initial 'U' with an angel holding a book., Epistola de vita S. Dunstani; Life of St Dunstan

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Detail of a miniature of a tower symbolising the Virgin, with coats of arms., Speculum humanae salvationis

notes underneath the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures holding scrolls (ff.

• Miniatures of the death of Codrus, king of Athens: disguised as a peasant, he seeks to be killed by enemy soldiers to save his city, because he had learned from the oracle that the side whose king fell would be victorious ; and on the right, Eleazar, brother of Judas Maccabeus, kills an elephant of war and is killed himself when the elephant falls on him., Speculum humanae salvationis

Catchwords. Middle Dutch notes underneath the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures

• Detail of miniatures of the Deposition; and of Joseph's blood-stained coat being shown to Jacob, who tears his clothes on seeing the garment, illustrating chapter 26., Speculum humanae salvationis

Catchwords. Middle Dutch notes underneath the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures

• Miniatures of the Resurrection, with the elect and the damned; and on the right, the three Hebrews in the fiery furnace., Speculum humanae salvationis

Catchwords. Middle Dutch notes underneath the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures

• Detail of miniatures of the giving of the Tablets the Law to Moses; and on the right, the widow's oil, illustrating chapter 34., Speculum humanae salvationis

Catchwords. Middle Dutch notes underneath the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures

• Miniatures of hell and the torments of the damned, illustrating chapter 41., Speculum humanae salvationis

underneath the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures holding scrolls (ff. 51v-52).

• Detail of a miniature of an angel playing an instrument, illustrating chapter 42., Speculum humanae salvationis

notes underneath the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures holding scrolls (ff.

• Miniature of figures holding scrolls., Speculum humanae salvationis

in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures holding scrolls (ff. 51v-52). 1 partial border

• Detail of a miniature of Christ enthroned, illustrating chapter 42., Speculum humanae salvationis

the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures holding scrolls (ff. 51v-52). 1

• Detail of a miniature depicting a woman at a fountain handing a chalice to a man, while two camels drink from the fountain (the Samarian woman and Christ at the well?), Speculum humanae salvationis

Catchwords. Middle Dutch notes underneath the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures

• Detail of a miniature of the betrayal of Christ., Speculum humanae salvationis

the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures holding scrolls (ff. 51v-52). 1

• Miniatures of the Feast of Ahasuerus, with musicians., Speculum humanae salvationis

miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures holding scrolls (ff. 51v-52). 1 partial

• Detail of a miniature of the Feast of Ahasuerus, with musicians., Speculum humanae salvationis

underneath the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures holding scrolls (ff. 51v-52).

• Decorated initial 'M'(ulta), and a full foliate border with John Morton's arms, at the beginning of Johannes de Giglis's Libellus de Canonizatione sanctorum., Libellus de Canonizatione sanctorum

1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: 'XIII.7.37', f. ii).Purchased by the British Museum from the Royal Society of London together with

• Decorated initial 'D'(icto), and a full foliate border with a rebus of a bird perching on a tun inscribed 'MOK' (sic), at the beginning of the second part of Johannes de Giglis's Libellus de Canonizatione sanctorum., Libellus de Canonizatione sanctorum

1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: 'XIII.7.37', f. ii).Purchased by the British Museum from the Royal Society of London together with

• Decorated initial 'M'(ulta), at the beginning of Johannes de Giglis's Libellus de Canonizatione sanctorum., Libellus de Canonizatione sanctorum

1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: 'XIII.7.37', f. ii).Purchased by the British Museum from the Royal Society of London together with

• Lower part of a full foliate border with John Morton's arms, at the beginning of Johannes de Giglis's Libellus de Canonizatione sanctorum., Libellus de Canonizatione sanctorum

1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: 'XIII.7.37', f. ii).Purchased by the British Museum from the Royal Society of London together with

• Decorated initial 'D'(icto), at the beginning of the second part of Johannes de Giglis's Libellus de Canonizatione sanctorum., Libellus de Canonizatione sanctorum

1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: 'XIII.7.37', f. ii).Purchased by the British Museum from the Royal Society of London together with

• Lower part of a full foliate border with a rebus of a bird perching on a tun inscribed 'MOK' (sic), at the beginning of the second part of Johannes de Giglis's Libellus de Canonizatione sanctorum., Libellus de Canonizatione sanctorum

1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: 'XIII.7.37', f. ii).Purchased by the British Museum from the Royal Society of London together with