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British Library Catalogue of Illuminated Manuscripts
Initial-word panel ~Bereshit~ (in the beginning) in gold letters, embedded into a full-page miniature of a Gothic arched structure inhabited by a spread eagle, a deer, a lion and four dragons at the corners, at the beginning of Genesis.
Micrography of the ram stuck in the bush in the outer margin, at the Sacrifice of Isaac (Genesis 22). Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite Mahzor (Add 22413) and the
Full-page miniature of a Gothic structure inhabited by dragons and incorporating the initial-word panel ~We-elleh~ (and these), at the beginning of Exodus. The circular form of the initial-word panel is surrounded by 16 small medallions inhabited by different kinds
Full-page miniature with diamonds inhabited by lions and spread eagles both crowned, and with the initial-word panel ~Wa-yiqra~ (and [the Lord] called) in its centre, at the beginning of Leviticus. Ruling and pricking are sometimes visible. Gilt edges.The manuscript
Micrography of a dragon with foliate tail in the outer margin, at Genesis 13. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite Mahzor (Add 22413) and the Gradual of Saint Katharinental (Zürich,
Full-page panel inhabited by hybrids and dragons, and four knights holding banners with the symbols of the four tribes camped around the Tabernacle (Judah, Reuben, Ephraim, Dan), and with the initial-word panel ~Wa-yedabber~ (and [the Lord] spoke) in its
Initial-word panel ~Elleh~ (these) in gold letters, placed in the centre of a full-page miniature of a Gothic architectural structure inhabited by dragons, hybrids and an elephant embedded into a Star of David, at the beginning of Deuteronomy. Ruling
Initial-word panel ~Wa-yehi~ (and it came to pass) inhabited by hybrids, a lion and a deer, at the beginning of Ruth. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite Mahzor (Add 22413)
Initial-word panel ~Shir~ (song) with Gothic architectural structure inhabited by a unicorn and a bear, in colours. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite Mahzor (Add 22413) and the Gradual of
Initial-word panel ~Divrei~ (words) at the beginning of Ecclesiastes. The initial word is surrounded by small medallions inhabited by animals and embedded into a Gothic architectural structure with King David playing harp in the middle flanked by a lion
Initial-word panel ~Wa-yehi~ (and it came to pass) embedded into a Gothic structure inhabited by dragons and different kinds of animals, at the beginning of Esther. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to
Initial-word panel ~Koh~ (so) incorporated into a Gothic architectural structure inhabited by two armed hybrids and two unicorns, at the beginning of the ~Haftarot~. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite
Decorated initial word, at the beginning of Joshua. The older flyleaves have a watermark of a coat of arms with a man in the moon, not found in Briquet (C. M. Briquet, Les Filigranes: Dictionnaire historique des marques du
~Carmina figurata~ of a fleur-de-lis, at Ezekiel. The older flyleaves have a watermark of a coat of arms with a man in the moon, not found in Briquet (C. M. Briquet, Les Filigranes: Dictionnaire historique des marques du papier
Micrography, at the beginning of Isaiah. The older flyleaves have a watermark of a coat of arms with a man in the moon, not found in Briquet (C. M. Briquet, Les Filigranes: Dictionnaire historique des marques du papier dès
Micrography, ~carmina figurata~, the colophon of the scribe, and a censor's signature. The older flyleaves have a watermark of a coat of arms with a man in the moon, not found in Briquet (C. M. Briquet, Les Filigranes: Dictionnaire
or blue. Display script in alternate red and blue letters or in blue. Rubrics in red. Gloss on the Psalms (Magna glosatura), imperfect (to Psalm 73), with preface (ff. 1-2) Numerous/extensive notes and horizontal tree-diagrams added by different 13th-century hands.Sir
or blue. Display script in alternate red and blue letters or in blue. Rubrics in red. Gloss on the Psalms (Magna glosatura), imperfect (to Psalm 73), with preface (ff. 1-2) Numerous/extensive notes and horizontal tree-diagrams added by different 13th-century hands.Sir
or blue. Display script in alternate red and blue letters or in blue. Rubrics in red. Gloss on the Psalms (Magna glosatura), imperfect (to Psalm 73), with preface (ff. 1-2) Numerous/extensive notes and horizontal tree-diagrams added by different 13th-century hands.Sir
commentary on each of these is written in single-spaced lines in French. It is an adaptation of Peter Lombard's Latin 'Magna glosatura' written after 1163 for Laurette, daughter of Thierry d'Alsace, count of Flanders. The text refers to Count Ralph