Search Results

You searched for:

Your search found 302 results in 1 resource

Category

  • Literary Manuscripts (302)
  • Non-literary Manuscripts (0)
  • Official Documents (government, civic, legal, religious) (0)
  • Literary Printed Books (0)
  • Non-literary Printed Books (0)
  • Maps and Works of Art (0)

Format

Date

Access Type

British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

302 results from this resource . Displaying 81 to 100

Initial-word panel ~Wa-yehi~ (and it came to pass) inhabited by hybrids, a lion and a deer, at the beginning of Ruth. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite Mahzor (Add 22413)

Initial-word panel ~Shir~ (song) with Gothic architectural structure inhabited by a unicorn and a bear, in colours. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite Mahzor (Add 22413) and the Gradual of

Initial-word panel ~Wa-yehi~ (and it came to pass) embedded into a Gothic structure inhabited by dragons and different kinds of animals, at the beginning of Esther. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to

Initial-word panel ~Koh~ (so) incorporated into a Gothic architectural structure inhabited by two armed hybrids and two unicorns, at the beginning of the ~Haftarot~. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite

Decorated initial word, at the beginning of Joshua. The older flyleaves have a watermark of a coat of arms with a man in the moon, not found in Briquet (C. M. Briquet, Les Filigranes: Dictionnaire historique des marques du

~Carmina figurata~ of a fleur-de-lis, at Ezekiel. The older flyleaves have a watermark of a coat of arms with a man in the moon, not found in Briquet (C. M. Briquet, Les Filigranes: Dictionnaire historique des marques du papier

Micrography, at the beginning of Isaiah. The older flyleaves have a watermark of a coat of arms with a man in the moon, not found in Briquet (C. M. Briquet, Les Filigranes: Dictionnaire historique des marques du papier dès

Micrography, ~carmina figurata~, the colophon of the scribe, and a censor's signature. The older flyleaves have a watermark of a coat of arms with a man in the moon, not found in Briquet (C. M. Briquet, Les Filigranes: Dictionnaire

Full foliate border at Deuteronomy 32. f. 1 is cut off most part. Folios 1 and 4 are later additions.Hebrew foliation from f. 5, starting with 2 until the end of the Pentateuch (f. 99).In the colophon (f. 184),

Full foliate border at Deuteronomy 32. f. 1 is cut off most part. Folios 1 and 4 are later additions.Hebrew foliation from f. 5, starting with 2 until the end of the Pentateuch (f. 99).In the colophon (f. 184),

Full-page miniature of the Temple implements. f. 1 is cut off most part. Folios 1 and 4 are later additions.Hebrew foliation from f. 5, starting with 2 until the end of the Pentateuch (f. 99).In the colophon (f. 184),

Full border of geometric design at the Song of the Sea (Ex. 15). f. 1 is cut off most part. Folios 1 and 4 are later additions.Hebrew foliation from f. 5, starting with 2 until the end of the

End of Deuteronomy framed by micrographical design (f. 191v), and ~masorah~ in micrographical form framing a scribal formula (f. 192). Some micrographical motifs are similar to the ones in Harley 5774. ~Masorah~ in the margin written in micrographic form.

Detail of a page: initial-word panel ~Shir~ (song) inhabited by a bear and a unicorn, at the beginning of Song of Songs. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite Mahzor (Add

Cite this page:

"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 12 July 2024), https://www.manuscriptsonline.org/search/results?ct=lm&kw=magna%20carta&sdf=1299&sdt=1400&sr=ci&st=80