• Full border of geometric design at the Song of the Sea (Ex. 15)., Bible with ~masorah~ ('First Ibn Merwas Bible')

Full border of geometric design at the Song of the Sea (Ex. 15). f. 1 is cut off most part. Folios 1 and 4 are later additions.Hebrew foliation from f. 5, starting with 2 until the end of the

• Decorated initial 'D'(ominus)., Gloss on the Psalms (Magna glosatura), imperfect (to Psalm 73), with preface (ff. 1-2)

or blue. Display script in alternate red and blue letters or in blue. Rubrics in red. Gloss on the Psalms (Magna glosatura), imperfect (to Psalm 73), with preface (ff. 1-2) Numerous/extensive notes and horizontal tree-diagrams added by different 13th-century hands.Sir

• Decorated initial 'B'., Gloss on the Psalms (Magna glosatura), imperfect (to Psalm 73), with preface (ff. 1-2)

or blue. Display script in alternate red and blue letters or in blue. Rubrics in red. Gloss on the Psalms (Magna glosatura), imperfect (to Psalm 73), with preface (ff. 1-2) Numerous/extensive notes and horizontal tree-diagrams added by different 13th-century hands.Sir

• Decorated initial 'D'(ixi)., Gloss on the Psalms (Magna glosatura), imperfect (to Psalm 73), with preface (ff. 1-2)

or blue. Display script in alternate red and blue letters or in blue. Rubrics in red. Gloss on the Psalms (Magna glosatura), imperfect (to Psalm 73), with preface (ff. 1-2) Numerous/extensive notes and horizontal tree-diagrams added by different 13th-century hands.Sir

• Text page with decorated initials., Commentary on the Psalms (51-100)

commentary on each of these is written in single-spaced lines in French. It is an adaptation of Peter Lombard's Latin 'Magna glosatura' written after 1163 for Laurette, daughter of Thierry d'Alsace, count of Flanders. The text refers to Count Ralph

• Framed initial 'Q' with foliate decoration., Commentary on the Psalms (51-100)

commentary on each of these is written in single-spaced lines in French. It is an adaptation of Peter Lombard's Latin 'Magna glosatura' written after 1163 for Laurette, daughter of Thierry d'Alsace, count of Flanders. The text refers to Count Ralph

• Initial 'C' with foliate decoration and display script. Decorated initials., Commentary on the Psalms (51-100)

commentary on each of these is written in single-spaced lines in French. It is an adaptation of Peter Lombard's Latin 'Magna glosatura' written after 1163 for Laurette, daughter of Thierry d'Alsace, count of Flanders. The text refers to Count Ralph

• Detail of an initial-word panel ~Elleh~ (these) decorated with penwork, at the beginning of Exodus., Bible with ~masorah magna~ and ~parva~

Detail of an initial-word panel ~Elleh~ (these) decorated with penwork, at the beginning of Exodus. Bible in two volumes: Harley 5710 (vol. 1) and Harley 5711 (vol. 2). 9 initial-word panels with penwork decoration, medallions and foliated borders inhabited

• Detail of an initial-word panel ~Elleh~ (these) decorated with penwork, at the beginning of Deuteronomy., Bible with ~masorah magna~ and ~parva~

Detail of an initial-word panel ~Elleh~ (these) decorated with penwork, at the beginning of Deuteronomy. Bible in two volumes: Harley 5710 (vol. 1) and Harley 5711 (vol. 2). 9 initial-word panels with penwork decoration, medallions and foliated borders inhabited

• Detail of an initial-word panel ~We-ha-melekh~ (and the king) decorated with penwork and inhabited by two birds, at the beginning of 1 Kings., Bible with ~masorah magna~ and ~parva~

Detail of an initial-word panel ~We-ha-melekh~ (and the king) decorated with penwork and inhabited by two birds, at the beginning of 1 Kings. Bible in two volumes: Harley 5710 (vol. 1) and Harley 5711 (vol. 2). 9 initial-word panels

• Initial 'B'(eatus) at the beginning of Psalm 1 of Peter Lombard's 'Gloss on the Psalms'., Gloss on the Psalms (Magna glosatura), imperfect (to Psalm 73), with preface (ff. 1-2)

or blue. Display script in alternate red and blue letters or in blue. Rubrics in red. Gloss on the Psalms (Magna glosatura), imperfect (to Psalm 73), with preface (ff. 1-2) Numerous/extensive notes and horizontal tree-diagrams added by different 13th-century hands.Sir

• Full-page panel inhabited by hybrids and dragons, and four knights holding banners with the symbols of the four tribes camped around the Tabernacle (Judah, Reuben, Ephraim, Dan), and with the initial-word panel ~Wa-yedabber~ (and [the Lord] spoke) in its centre, at the beginning of Numbers., Pentateuch (the 'Duke of Sussex's German Pentateuch') with Targum Onkelos (ff. 1-290), small pieces on the feasts (ff. 291-293v), Five Scrolls (ff. 294-313v) and ~Haftarot~ with ~masorah magna~ and ~parva~ (ff. 314-358).

Full-page panel inhabited by hybrids and dragons, and four knights holding banners with the symbols of the four tribes camped around the Tabernacle (Judah, Reuben, Ephraim, Dan), and with the initial-word panel ~Wa-yedabber~ (and [the Lord] spoke) in its

• Initial-word panel ~Divrei~ (words) at the beginning of Ecclesiastes. The initial word is surrounded by small medallions inhabited by animals and embedded into a Gothic architectural structure with King David playing harp in the middle flanked by a lion and a stag., Pentateuch (the 'Duke of Sussex's German Pentateuch') with Targum Onkelos (ff. 1-290), small pieces on the feasts (ff. 291-293v), Five Scrolls (ff. 294-313v) and ~Haftarot~ with ~masorah magna~ and ~parva~ (ff. 314-358).

Initial-word panel ~Divrei~ (words) at the beginning of Ecclesiastes. The initial word is surrounded by small medallions inhabited by animals and embedded into a Gothic architectural structure with King David playing harp in the middle flanked by a lion

• Detail of a full-page panel: initial-word panel ~Wa-yehi~ (and it came to pass) inhabited by hybrids, a lion and a deer, at the beginning of Ruth., Pentateuch (the 'Duke of Sussex's German Pentateuch') with Targum Onkelos (ff. 1-290), small pieces on the feasts (ff. 291-293v), Five Scrolls (ff. 294-313v) and ~Haftarot~ with ~masorah magna~ and ~parva~ (ff. 314-358).

Detail of a full-page panel: initial-word panel ~Wa-yehi~ (and it came to pass) inhabited by hybrids, a lion and a deer, at the beginning of Ruth. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to

• Detail of a page: initial-word panel ~Shir~ (song) inhabited by a bear and a unicorn, at the beginning of Song of Songs., Pentateuch (the 'Duke of Sussex's German Pentateuch') with Targum Onkelos (ff. 1-290), small pieces on the feasts (ff. 291-293v), Five Scrolls (ff. 294-313v) and ~Haftarot~ with ~masorah magna~ and ~parva~ (ff. 314-358).

Detail of a page: initial-word panel ~Shir~ (song) inhabited by a bear and a unicorn, at the beginning of Song of Songs. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite Mahzor (Add

• Detail of a page: initial-word panel ~Divrei~ (words) with King David playing harp in the middle flanked by a lion and a stag, at the beginning of Ecclesiastes., Pentateuch (the 'Duke of Sussex's German Pentateuch') with Targum Onkelos (ff. 1-290), small pieces on the feasts (ff. 291-293v), Five Scrolls (ff. 294-313v) and ~Haftarot~ with ~masorah magna~ and ~parva~ (ff. 314-358).

Detail of a page: initial-word panel ~Divrei~ (words) with King David playing harp in the middle flanked by a lion and a stag, at the beginning of Ecclesiastes. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related

• Detail of a page: initial-word panel ~Wa-yehi~ (and it came to pass) embedded into a Gothic structure inhabited by dragons and different kinds of animals, at the beginning of Esther., Pentateuch (the 'Duke of Sussex's German Pentateuch') with Targum Onkelos (ff. 1-290), small pieces on the feasts (ff. 291-293v), Five Scrolls (ff. 294-313v) and ~Haftarot~ with ~masorah magna~ and ~parva~ (ff. 314-358).

Detail of a page: initial-word panel ~Wa-yehi~ (and it came to pass) embedded into a Gothic structure inhabited by dragons and different kinds of animals, at the beginning of Esther. Ruling and pricking are sometimes visible. Gilt edges.The manuscript

• Detail of a page: initial-word panel ~Koh~ (so) incorporated into a Gothic architectural structure inhabited by two armed hybrids and two unicorns, at the beginning of the ~Haftarot~., Pentateuch (the 'Duke of Sussex's German Pentateuch') with Targum Onkelos (ff. 1-290), small pieces on the feasts (ff. 291-293v), Five Scrolls (ff. 294-313v) and ~Haftarot~ with ~masorah magna~ and ~parva~ (ff. 314-358).

Detail of a page: initial-word panel ~Koh~ (so) incorporated into a Gothic architectural structure inhabited by two armed hybrids and two unicorns, at the beginning of the ~Haftarot~. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related

• Marginal micrographic design of foliate scroll., Pentateuch (the 'Duke of Sussex's German Pentateuch') with Targum Onkelos (ff. 1-290), small pieces on the feasts (ff. 291-293v), Five Scrolls (ff. 294-313v) and ~Haftarot~ with ~masorah magna~ and ~parva~ (ff. 314-358).

Marginal micrographic design of foliate scroll. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite Mahzor (Add 22413) and the Gradual of Saint Katharinental (Zürich, Schweizerisches Landesmuseum, Frauenfeld, LM 26117). 5 full-page miniatures

• Detail: ~masorah~ written in micrographic form of an arcade framing the initial word with a fleur-de-lis, two towers, two birds and two lions, at the beginning of Daniel., Former and Latter Prophets (ff. 1-267v) and Hagiographa (ff. 268-424), with ~masorah magna~ and ~parva~

Detail: ~masorah~ written in micrographic form of an arcade framing the initial word with a fleur-de-lis, two towers, two birds and two lions, at the beginning of Daniel. Originally part of a complete bible. Latin titles of the books