• Miniature of the personification of Charity., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

under his protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Charity Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)

• Miniature of Cassandra kneeling., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

under his protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Cassandra Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)

• Miniature of a peacock., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

under his protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Peacock Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)

• Miniature of two banners, of Anjou (fleur-de-lys on blue ground) and another in yellow and red, kept by a young man., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

his protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Two banners Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)

• Miniature of an armed knight of Prato on horseback., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

his protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Armed knight Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)

• Miniature of the Tree of the Royal House of France, bearing the crowns of France, Jerusalem, Sicily, Navarre, and Hungary., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

(c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Royal House of France Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)

• Puzzle initial 'O'(mnipotens)., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

his protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Puzzle initial Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)

• Puzzle initial 'T'(u es rex)., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

his protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Puzzle initial Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)

• Text page., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

his protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text page Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)

• Miniature of the personification of Philosophy, crowned and holding a sceptre., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

under his protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Philosophy Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)

• Puzzle initial 'U'(t)., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

his protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Puzzle initial Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)

• Blank folio., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

his protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Blank folio Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)

• Miniature of Pegasus at the foot of a mountain., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

under his protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Pegasus Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)

• Miniature of the personification of the Seven Liberal Arts: Astronomy, Music, Arithmetic, Geometry, Rhetoric, Logic and Grammar., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Seven Liberal Arts Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)

• Miniature of Four Muses: Clio (history), Melpomene (tragedy), Euterpe (music) and Thalia (comedy)., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

his protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Four Muses Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)

• Miniature of Four Muses: Polyhymnia (choral poetry), Erato (lyric poetry), Terpsichore (dance) and Urania (astrology)., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

his protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Four Muses Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)

• Miniature of Calliope, the muse of heroic or epic poetry. She stands before a vase-shaped fountain with water flowing out, and plays a horn., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

under his protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Calliope Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)

• Miniature with Cebes and an Old Man pointing to the Tabula Cebetis, facing a decorated initial with a full border, at the beginning of Philippus Albericus's Tabula Cebetis. A foreigner, Cebes, enters the temple of Saturn. He sees a painted tablet, now worn by withering age, the meaning of which he was not at all able to make out. An Old Man, who was a native of the place, saw that he and his companions were uncertain about the picture. When asked by Cebes, he uncovered the meanings veiled in the figures and, taking up a pointer, he explained the whole thing in order (see Carlson 1993)., Tabula Cebetis, De mortis effectibus and other poems

Cebes and an Old Man pointing to the Tabula Cebetis, facing a decorated initial with a full border, at the beginning of Philippus Albericus's Tabula Cebetis. A foreigner, Cebes, enters the temple of Saturn. He sees a painted tablet, now

• Historiated initial 'D'(ominus) of the prophet Samuel anointing David, with a hound chasing a hare in the bas-de-page., Psalter, imperfect, with calendar and hymns, Breviary (Augustinian use)

the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and

• Detail of a historiated initial 'C' (antate) of two monks singing at a lecturn, with one conducting., Psalter, imperfect, with calendar and hymns, Breviary (Augustinian use)

the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and