• Diagrams showing men and animals going around the earth and meeting on the other side., L'image du monde

became part of the Royal Library.The Old Royal Library (the English Royal Library): included in the catalogue of 1666 (f. 11).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Diagrams Gautier de

• Ink diagram of a game entitled 'la fourme de la table rounde'., L'image du monde

became part of the Royal Library.The Old Royal Library (the English Royal Library): included in the catalogue of 1666 (f. 11).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. La fourme de

• Ink diagram of day and night., L'image du monde

became part of the Royal Library.The Old Royal Library (the English Royal Library): included in the catalogue of 1666 (f. 11).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Night and Day

• Text page with large and small initials and rubric., L'image du monde

became part of the Royal Library.The Old Royal Library (the English Royal Library): included in the catalogue of 1666 (f. 11).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text page Gautier

• Miniature with Cebes and an Old Man pointing to the Tabula Cebetis, facing a decorated initial with a full border, at the beginning of Philippus Albericus's Tabula Cebetis. A foreigner, Cebes, enters the temple of Saturn. He sees a painted tablet, now worn by withering age, the meaning of which he was not at all able to make out. An Old Man, who was a native of the place, saw that he and his companions were uncertain about the picture. When asked by Cebes, he uncovered the meanings veiled in the figures and, taking up a pointer, he explained the whole thing in order (see Carlson 1993)., Tabula Cebetis, De mortis effectibus and other poems

Cebes and an Old Man pointing to the Tabula Cebetis, facing a decorated initial with a full border, at the beginning of Philippus Albericus's Tabula Cebetis. A foreigner, Cebes, enters the temple of Saturn. He sees a painted tablet, now

• Historiated initial 'D'(ominus) of the prophet Samuel anointing David, with a hound chasing a hare in the bas-de-page., Psalter, imperfect, with calendar and hymns, Breviary (Augustinian use)

the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and

• Detail of a historiated initial 'C' (antate) of two monks singing at a lecturn, with one conducting., Psalter, imperfect, with calendar and hymns, Breviary (Augustinian use)

the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and

• Historiated initial 'B'(eatus) with the annointing of David and David and Goliath., Psalter (the 'Suneson Psalter'), for Danish use, with calendar, prayers and litany

Sueorum', Ingerdis, Queen of Sweden, and Queen Rikiza of Sweden: see Franks 1881 p. 247.The calendar and litany have many English saints, e.g., Oswald, Cuthbert, Dunstan, Botulf, Wilfrid, Ethedreda, Sexburga, and Withburga, as well as Cnut and Olav.Inscription 'An 1613

• Full bar border with a historiated initial 'B'(eatus) of David harping and a hound and a stag in the bas-de-page., Psalter, imperfect, with calendar and hymns, Breviary (Augustinian use)

the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and

• Detail of a historiated initial 'D'(ominus) of the prophet Samuel anointing David, with a hound chasing a hare in the bas-de-page., Psalter, imperfect, with calendar and hymns, Breviary (Augustinian use)

the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and

• Detail of illuminated initial and catchwords 'mala autem' with a face., Psalter, imperfect, with calendar and hymns, Breviary (Augustinian use)

the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and

• Historiated initial 'S'(alvum) of Jonah riding the whale., Psalter, imperfect, with calendar and hymns, Breviary (Augustinian use)

the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and

• An historiated initial 'C'(antate) depicting two monks singing at a lectern, with one conducting; musical notation and border decoration with grotesques., Psalter, imperfect, with calendar and hymns, Breviary (Augustinian use)

the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and

• Miniature of the Crucifixion, with the Virgin and John the Evangelist, at the beginning of the Te igitur in a Missal., Missal

146v, 147. Missal The cathedral of St. Kylian, Würzburg, between 1443 and 1455: the calendar includes the dedication of the old church of Würzburg (26 July), in black, and the feasts of Kylian, its octave (8 and 15 July), and