Your search found 17 results in 1 resource
penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth, with prologues Written by George Rorer in Regensburg in 1465: with his colophon
penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth, with prologues Written by George Rorer in Regensburg in 1465: with his colophon
penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth, with prologues Written by George Rorer in Regensburg in 1465: with his colophon
penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth, with prologues Written by George Rorer in Regensburg in 1465: with his colophon
penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth, with prologues Written by George Rorer in Regensburg in 1465: with his colophon
penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth, with prologues Written by George Rorer in Regensburg in 1465: with his colophon
penwork decoration, many with faces. Small initials in red or blue. Rubrics in red. Highlighting of letters in red. Cadels. Old Testament (volume 2), from Psalms Written by George Rorer of Regensburg in 1465: with the colophon 'Explicit vetus Testamentum
penwork decoration, many with faces. Small initials in red or blue. Rubrics in red. Highlighting of letters in red. Cadels. Old Testament (volume 2), from Psalms Written by George Rorer of Regensburg in 1465: with the colophon 'Explicit vetus Testamentum
penwork decoration, many with faces. Small initials in red or blue. Rubrics in red. Highlighting of letters in red. Cadels. Old Testament (volume 2), from Psalms Written by George Rorer of Regensburg in 1465: with the colophon 'Explicit vetus Testamentum
penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth, with prologues Written by George Rorer in Regensburg in 1465: with his colophon
penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth, with prologues Written by George Rorer in Regensburg in 1465: with his colophon
penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth, with prologues Written by George Rorer in Regensburg in 1465: with his colophon
in blue with red pen-flourishing, or in red with purple pen-flourishing. Highlighting of letters in yellow. Catalan version of the Old Testament (Genesis to Psalms) Written in 1465 by Marchus: colophon 'Qui scripsit scribat semper cum domino vivat/ Marchus vocatur
in blue with red pen-flourishing, or in red with purple pen-flourishing. Highlighting of letters in yellow. Catalan version of the Old Testament (Genesis to Psalms) Written in 1465 by Marchus: colophon 'Qui scripsit scribat semper cum domino vivat/ Marchus vocatur
in blue with red pen-flourishing, or in red with purple pen-flourishing. Highlighting of letters in yellow. Catalan version of the Old Testament (Genesis to Psalms) Written in 1465 by Marchus: colophon 'Qui scripsit scribat semper cum domino vivat/ Marchus vocatur
in the middle of the commentary on Psalm 9 and ending in the middle of the commentary on Psalm 146) English annotations, 16th century (ff. 17, 23, 74v, 119v).William Reynolds, 17th century: (signature, ff. 60, 115, and partial copy of
in the middle of the commentary on Psalm 9 and ending in the middle of the commentary on Psalm 146) English annotations, 16th century (ff. 17, 23, 74v, 119v).William Reynolds, 17th century: (signature, ff. 60, 115, and partial copy of