• Detail of a miniature of traitors being hanged., Chroniques de France ou de Saint Denis (from 1108 to 1270)

and numerous Beaufort's badges of a portcullis, used by Henry VII (e.g. ff. 3v, 4v, 7v, 69, etc).The Old Royal Library (the English Royal Library): perhaps to be identified with the 'Croniques de France' included in the list of books

• Detail of a miniature of Hugues de Puisac with the king in a palace, and outside, plotting, while behind, traitors are hanged., Chroniques de France ou de Saint Denis (from 1108 to 1270)

and numerous Beaufort's badges of a portcullis, used by Henry VII (e.g. ff. 3v, 4v, 7v, 69, etc).The Old Royal Library (the English Royal Library): perhaps to be identified with the 'Croniques de France' included in the list of books

• Miniature of an assault on a city and castle., Chroniques de France ou de Saint Denis (from 1108 to 1270)

and numerous Beaufort's badges of a portcullis, used by Henry VII (e.g. ff. 3v, 4v, 7v, 69, etc).The Old Royal Library (the English Royal Library): perhaps to be identified with the 'Croniques de France' included in the list of books

• Detail of a page with an historiated initial 'L'(e duc) and a decorated border., Chroniques de France ou de Saint Denis (from 1108 to 1270)

and numerous Beaufort's badges of a portcullis, used by Henry VII (e.g. ff. 3v, 4v, 7v, 69, etc).The Old Royal Library (the English Royal Library): perhaps to be identified with the 'Croniques de France' included in the list of books

• Detail of a miniature of the capture of Evreux., Chroniques de France ou de Saint Denis (from 1108 to 1270)

and numerous Beaufort's badges of a portcullis, used by Henry VII (e.g. ff. 3v, 4v, 7v, 69, etc).The Old Royal Library (the English Royal Library): perhaps to be identified with the 'Croniques de France' included in the list of books

• Detail of a miniature of the burning of heretics., Chroniques de France ou de Saint Denis (from 1108 to 1270)

and numerous Beaufort's badges of a portcullis, used by Henry VII (e.g. ff. 3v, 4v, 7v, 69, etc).The Old Royal Library (the English Royal Library): perhaps to be identified with the 'Croniques de France' included in the list of books

• Detail of a miniature of the attack on St James in Normandy., Chroniques de France ou de Saint Denis (from 1422 to 1460)

by Henry VII, and a white rose of York combined with a red rose of Lancaster (f. 9v).The Old Royal Library (the English Royal Library): perhaps to be identified with the 'Croniques de France' included in the list of books

• Miniature of the siege of Montargis and the drowning of Pierre de Giac., Chroniques de France ou de Saint Denis (from 1422 to 1460)

by Henry VII, and a white rose of York combined with a red rose of Lancaster (f. 9v).The Old Royal Library (the English Royal Library): perhaps to be identified with the 'Croniques de France' included in the list of books

• Text page with a space left for a miniature (which was never begun), at the beginning of a chapter., Chroniques de France ou de Saint Denis (from 1270 to 1364)

VII (b. 1457, d. 1509), king of England and lord of Ireland: see Royal 20 E I-III, V-VI.The Old Royal Library (the English Royal Library): perhaps to be identified with the 'Croniques de France' included in the list of books

• Miniature of Childebert and Clothaire before Saragossa meeting a bishop of Saragossa, with the bishop and clergy bringing out relics of Vincent, with a full border containing the royal arms of England surmounted by a crowned lion, a dragon holding a banner with the Yorkist motto 'Dieu et mon droit', and two red roses of Lancaster; and an illuminated initial 'L'(e roy) with a portcullis, the badge of Beauforts, used by Henry VII., Chroniques de France ou de Saint Denis (from Priam of Troy to 768)

roses of York (f. 48), and the Beaufort's badge of a portcullis, used by Henry VII (f. 47).The Old Royal Library (the English Royal Library): perhaps to be identified with the 'Croniques de France' included in the list of books

• Historiated initial 'In' with intwined figures., fragments from the end of Joshua and the beginning of Judges; and the end of Judges to the beginning of Ruth

ff. 76-77.f. 130, Leaf from an early 13th century English Breviary. Musical notation: neumes on red four-line staves (C, D, F and B clefs).f. 131, leaf from a late 13th century English Troper (Sanctus and Agnus tropes). Musical notation: square

• Historiated initial 'D'(ilexi) with the Vigil of the Dead at the beginning of the Office of the Dead., Book of Hours, Use of Sarum

Jerome's Psalter (ff. 180-204), the fifteen O's of St Bridget introduced by a long rubric in English (ff. 204-221). Some long rubrics in English. Catchwords.Quire signatures. 2 historiated initial in gold and colours with acanthus leaves, with full border with

• Coloured print with Christ as Man of Sorrows being adored by a Carthsian, pasted to a page painted in red covered with streaming blood. A Carthusian kneels before a bloody Christ, who stands beside his cross. They converse by means of scrolls with texts in latin. The Carthusian petitions Christ: ‘O Lord I beseech, send me salvation’ (Domine obsecro dirige ad me salutem). He replies: ‘Son, shun (temptation, understood), subdue (it), say nothing, keep quiet (Fili fuge, vince, tace, quiesce). The formulation is found in Abelard’s Epistle VII on the foundation of a women’s convent, and the context is how to avoid the temptation to sin. Below is a caption in English: ‘The greatest comfort in al temptacyon Is the remembraunce of Crystes passyon.’, Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

of a women’s convent, and the context is how to avoid the temptation to sin. Below is a caption in English: ‘The greatest comfort in al temptacyon Is the remembraunce of Crystes passyon.’ The most remarkable example of a book

• Coloured print with Christ as the Man of Sorrows surrounded by symbols of the Passion pasted to a page painted in red covered with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It begins with three pages, each painted black, on which large drops of blood trickle

• Coloured print with the symbols of the Passion pasted to a page painted in red covered with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It begins with three pages, each painted black, on which large drops of blood trickle

• Pages painted black with red drops of blood, representing the wounds of Christ, worn, perhaps as the result of kissing., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It begins with three pages, each painted black, on which large drops of blood trickle

• Print with the Virgin nursing the Child., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It begins with three pages, each painted black, on which large drops of blood trickle down. The third

• Pages painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It begins with three pages, each painted black, on which large drops of blood trickle down. The third

• Page painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It begins with three pages, each painted black, on which large drops of blood trickle down. The third

• Miniature of Christ the Redeemer, at the beginning of an added prayer in English., Added miniature for an inscribed prayer in English

the beginning of an added prayer in English. Traces of pilgrim badges (f. 27v). 1 full-page miniature including heraldic arms, in colours and gold (f. 3v). Added miniature for an inscribed prayer in English A member of the Gower family,