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branches, in gold and purple. All text pages framed in gold. Rubrics in gold. Prayer Book Apparently designed for an English owner: inscribed by Henry VIII and Cardinal Wolsey: see Backhouse 1994.Inscriptions in French, 16th-century: 'en priant a saintte George…',
Edward :4: the book was made beyond the seas…' (verso).John Brickeston(?), 16th century: inscription (verso).Thomas Hall(?), 16th century: inscription in English (verso). ? Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th earl of Surrey, and 1st earl
Edward :4: the book was made beyond the seas…' (verso).John Brickeston(?), 16th century: inscription (verso).Thomas Hall(?), 16th century: inscription in English (verso). ? Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th earl of Surrey, and 1st earl
of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It begins with three pages, each painted black, on which large drops of blood trickle
in the margin in English, beside the beginning of a prayer. Branner includes the Psalter (Part 1) in a group of Psalters that he calls the 'Henry VIII group'. These include: Montpellier, Faculté de Médecine, H. 196; Paris, Bibliothèque nationale,
owned by him: white roses of York joined with red roses of Lancaster (ff. 1, 2v).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Presentation of the book Edward of York England
viribus herbarum. Note that this is the oldest copy of the Old High German glosses on this text. 1puzzle initial in red and blue with red and blue pen-flourishing (f. 2). Other simple initials in red. Paraph marks in red.
Gilson 1921).In the catalogue of 1666, Royal Appendix 71, f. 42, no, 3.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Calligraphic specimens Petruccio Ubaldini Petruccio Ubaldini London England, S. E. (London)
1989 they were lifted from the album, remounted and stored in a box. Citations in publications often refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1]. To
1989 they were lifted from the album, remounted and stored in a box. Citations in publications often refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1]. To
1989 they were lifted from the album, remounted and stored in a box. Citations in publications often refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1]. To
1989 they were lifted from the album, remounted and stored in a box. Citations in publications often refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1]. To
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other