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refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
they were lifted from the album, remounted individually and stored in a box. Citations in publications often refer to their old folio numbers. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1]. To
they were lifted from the album, remounted individually and stored in a box. Citations in publications often refer to their old folio numbers. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1]. To
armorials of English knights. 1 large initial in red with red penwork decoration, now oxidised (f. 1). 9 large initials in red or green (ff. 3, 4 (x 2), 6v, 7v, 9, 10v (x 2), 11). Miscellany, including a cartulary
armorials of English knights. 1 large initial in red with red penwork decoration, now oxidised (f. 1). 9 large initials in red or green (ff. 3, 4 (x 2), 6v, 7v, 9, 10v (x 2), 11). Miscellany, including a cartulary
of English knights. 1 large initial in red with red penwork decoration, now oxidised (f. 1). 9 large initials in red or green (ff. 3, 4 (x 2), 6v, 7v, 9, 10v (x 2), 11). Miscellany, including a cartulary from
of English knights. 1 large initial in red with red penwork decoration, now oxidised (f. 1). 9 large initials in red or green (ff. 3, 4 (x 2), 6v, 7v, 9, 10v (x 2), 11). Miscellany, including a cartulary from
of English knights. 1 large initial in red with red penwork decoration, now oxidised (f. 1). 9 large initials in red or green (ff. 3, 4 (x 2), 6v, 7v, 9, 10v (x 2), 11). Miscellany, including a cartulary from
of English knights. 1 large initial in red with red penwork decoration, now oxidised (f. 1). 9 large initials in red or green (ff. 3, 4 (x 2), 6v, 7v, 9, 10v (x 2), 11). Miscellany, including a cartulary from
the title of the work, in gold letters; behind him, to the left, two lions support the old arms of Burgundy, with shelves of books on the right. The text is ascribed traditionally to Olivier de la Marche, but it
6) is datable to the 2nd or 3rd quarter of the 13th century. It is one of the earliest surviving English maps.Wanting a few leaves ~passim~.For details on the scribes and the collation see Ransford 1989. Diagram of waterworks for
our Lorde 1525. Wyttenesse Robert Lytylbouroug Sayewell etc, the viiith day of May', together with other inscriptions in French and English in Gothic cursive (f. 130v).? John Starky (d. 1613), father of Ralph Starkey, a close associate of Sir Robert