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British Library Catalogue of Illuminated Manuscripts
Brygandyn, clerk: sixteenth-century additions to the calendar (obit of his wife's death in 1536) (f. 3); and added prayers in English and annotations in his hand (e.g., f. 70) (see Wright 1972).Sir William Collier: inscription recording his gift of the
from Troyes, Chartres, and Châlons-sur-Marne, dating from last quarter of the 15th century.Various English owners/readers, 16th century, several of them of Aldermaston, Berkshire: inscriptions, mainly in English, include mention of 'thys boke p(er)tenit to John …' (f. 1, effaced), 'Wyllyam
from Troyes, Chartres, and Châlons-sur-Marne, dating from last quarter of the 15th century.Various English owners/readers, 16th century, several of them of Aldermaston, Berkshire: inscriptions, mainly in English, include mention of 'thys boke p(er)tenit to John …' (f. 1, effaced), 'Wyllyam
from Troyes, Chartres, and Châlons-sur-Marne, dating from last quarter of the 15th century.Various English owners/readers, 16th century, several of them of Aldermaston, Berkshire: inscriptions, mainly in English, include mention of 'thys boke p(er)tenit to John …' (f. 1, effaced), 'Wyllyam
in the margin in English, beside the beginning of a prayer. Branner includes the Psalter (Part 1) in a group of Psalters that he calls the 'Henry VIII group'. These include: Montpellier, Faculté de Médecine, H. 196; Paris, Bibliothèque nationale,
owned by him: white roses of York joined with red roses of Lancaster (ff. 1, 2v).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Presentation of the book Edward of York England
viribus herbarum. Note that this is the oldest copy of the Old High German glosses on this text. 1puzzle initial in red and blue with red and blue pen-flourishing (f. 2). Other simple initials in red. Paraph marks in red.
Gilson 1921).In the catalogue of 1666, Royal Appendix 71, f. 42, no, 3.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Calligraphic specimens Petruccio Ubaldini Petruccio Ubaldini London England, S. E. (London)
Large puzzle initial 'P'(rimus) with penwork decoration. Part 1: Remains of quire marks (in the centre of the lower margin of the verso of the last leaf of the quires).Part 2: Leaf signatures: 'ci'-'ciiii'. 1 large puzzle initial in
Vol 1 and 2 (edited from early manuscripts of 8th and 9th C)For an English translation of the Etymologies:Priscilla Throop Isidore of Seville’s Etymologies, the complete English translation (Charlotte, Vt: MedievalMS, 2005) Vol 1 and 2 (based on W M
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other