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anchor and shears, the royal arms and Prince of Wales's feathers, dated 1623, and initials NF; anchor andsheep, the arms of London and of the Merchant Taylors' Company, dated 1619, and initials BW; a sun, dated 1625, and initials
of sheepand a group of people talking. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated and
by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford and Mortimer, politician, and Edward Harley (b. 1689, d. 1741), 2nd earl of Oxford and Mortimer, book collector and patron of the arts, inscribed as usual by their librarian,
a landscape with sheep, goats, cattle, sheep-shearing, and milking. 17 miniatures with large historiated or decorated initials and full borders, with all'antica elements including putti, candelabrae, swags, cornucopiae, dolphins, sphinxes, masks, trophies and heraldic decoration, in colours and gold, at
a landscape with sheep, goats, cattle, sheep-shearing, and milking. 17 miniatures with large historiated or decorated initials and full borders, with all'antica elements including putti, candelabrae, swags, cornucopiae, dolphins, sphinxes, masks, trophies and heraldic decoration, in colours and gold, at
back turned) and birds, with two medallions of a squirrel and a pig (?) and including the first owner’s inscription in decorated panels. Parallel Hebrew foliation. Gilt edges.Censors’ erasures (e.g., ff. 2, 8v, 154, 155v, 178v, 183)Hair side and flesh
physician and collector: inscription 'Bibliotheca Sloaniana' (f. 1).Former shelfmark (?) '5Vh' , and crossed out (ff. 1, 1v). Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Plant and
calendar pages with tinted drawings in colours of the labours of the months and the signs of the zodiac, and various pictures and emblems representing saints' days and other feasts (ff. 5-16). Drawings in colours of notable events; written above
of a fox, having grown old and setting off on a pilgrimage, refusing the companionship of the watch-dog, the wild ass, the bear, the lion, the peacock, the wolf, the pig,and the mule, and choosing the companionship of the
drawing water and a pig being slaughtered. The date 1582 is inscribed in gold in a roundel on f. 15 and on blocks of stone on ff. 27, 28. 22 full page miniatures of alchemical subjects in colours and gold
in colours and gold at the beginning of Psalms 38, 68, 97, 101, 109 and other divisions and at Lauds, Prime, Terce, Vespers and Compline of the Hours of the Virgin, and other divisions, including the Penetential Psalms and the
a sheep in its mouth and a crippled hybrid creature (f. 47v), a man climbing a vine and a hybrid creature wrestling a bear (f. 88v). Numerous initials in gold and colours, some with with tendrils of gold leaves and
border in gold and colours, with a bird (f. 54). Four partial borders in gold and colours (ff. 4, 18, 26, 43v). A historiated initial in gold and colours (f. 4) and other foliate initials in gold and colours. Unfinished
and a hybrid figure and an historiated initial 'D'(omine) of sheep, oxen and calves being killed and eaten. The former 18th-century binding now kept separately as Egerton 3277B. 15 very large historiated initials with three-sides bar borders in colours
in colours and gold at the beginning of Psalms 38, 68, 97, 101, 109 and other divisions and at Lauds, Prime, Terce, Vespers and Compline of the Hours of the Virgin, and other divisions, including the Penetential Psalms and the
in colours and gold at the beginning of Psalms 38, 68, 97, 101, 109 and other divisions and at Lauds, Prime, Terce, Vespers and Compline of the Hours of the Virgin, and other divisions, including the Penetential Psalms and the
Donatian and Rogatian in red (24th May; venerated in Nantes and in the diocese of Meaux), and Fara (7th December, venerated in Faremoutier in Brie), but it includes as well both John and Genevieve (3rd January, f. 1), and the
tugs on his hood, and a standing man holds a pig by his hind legs, in illustration of Paradiso XXIX. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral,
tugs on his hood, and a standing man holds a pig by his hind legs, in illustration of Paradiso XXIX. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral,
the Vienna and Copenhagen Toison d’Or (ff. 14v, 281v, 284).Catchwords and bifolium signatures. Foliation in red beginning on f. 10.Written instructions to the illuminator. 5 half-page miniatures in colours and gold, with full borders, and initials in colours and gold