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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

180 results from this resource . Displaying 21 to 40

followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following

followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following

followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following

Goffredus Tranensis's Summa super titulis Decretalium. Most quires have on their last verso a count of the number of paraphs in the quire, e.g. 'cxxii' (f. 13v), 'c' (f. 24v), 'cxx' (f. 37v), etc. 5 large puzzle initials in red

Goffredus Tranensis's Summa super titulis Decretalium. Most quires have on their last verso a count of the number of paraphs in the quire, e.g. 'cxxii' (f. 13v), 'c' (f. 24v), 'cxx' (f. 37v), etc. 5 large puzzle initials in red

followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following

followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following

followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following

followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following

followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following

followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following

visible. Flesh side and hair side are distinguishable. Quires start with flesh side. On the dating, see Pasternak, 2009. 5 decorated initial-word panels in colours and gold accompanied by partial foliate borders at the beginnings of the books (ff. 1,

torso and a rabbit. Ruling is visible. Flesh side and hair side are distinguishable. Quires start with flesh side. On the dating, see Pasternak, 2009. 5 decorated initial-word panels in colours and gold accompanied by partial foliate borders at the

a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of

a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of

a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of

a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of

proposed by Patricia Stirnemann. Numerous large puzzle initials in red and blue with pen-flourishing in the same colours (except in quires viii and ix). The flourishing includes a fantastic animal on f. 1. Numerous smaller initials in red or blue

is attached to the centre of the diagram. Inconspicuous quire marks (on the verso of the last leaf of the quires). A thread used to hold a missing parchment disc in place for working with one circular diagram remains in

the last leaf of the quire); leaf signatures (on the recto of the leaves of the first half of some quires: 'I'-'iiii'); catchwords.f. 1 is a medieval parchment flyleaf; remains of a lost parchment flyleaf is pasted on f. 1

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 1 July 2024), https://www.manuscriptsonline.org/search/results?ct=lm&kw=quires&sdf=1202&sdt=1303&sr=ci&st=20