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B I in script and decoration.Quire signatures in the form of letters, at the beginning and at the end of quires 14 initials in red or blue outline drawing, some on blue or red grounds, at the beginning of the
B I in script and decoration.Quire signatures in the form of letters, at the beginning and at the end of quires 14 initials in red or blue outline drawing, some on blue or red grounds, at the beginning of the
B I in script and decoration.Quire signatures in the form of letters, at the beginning and at the end of quires 14 initials in red or blue outline drawing, some on blue or red grounds, at the beginning of the
B I in script and decoration.Quire signatures in the form of letters, at the beginning and at the end of quires 14 initials in red or blue outline drawing, some on blue or red grounds, at the beginning of the
B I in script and decoration.Quire signatures in the form of letters, at the beginning and at the end of quires 14 initials in red or blue outline drawing, some on blue or red grounds, at the beginning of the
a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of
a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of
a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of
a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of
a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of
a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of
a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of
third of three volumes; the first is Harley 3052, and the second is Harley 3053. Running headers. Quire marks for quires 1-15. Quire signature for quire 16. Guide script for rubricator in lower margins (e.g., f. 43v). 12 large and
secunda pars epistolarum aurelii augustini yponiensis episcopi'. Quire marks. Catchwords (added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork
secunda pars epistolarum aurelii augustini yponiensis episcopi'. Quire marks. Catchwords (added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork
secunda pars epistolarum aurelii augustini yponiensis episcopi'. Quire marks. Catchwords (added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork
secunda pars epistolarum aurelii augustini yponiensis episcopi'. Quire marks. Catchwords (added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork
secunda pars epistolarum aurelii augustini yponiensis episcopi'. Quire marks. Catchwords (added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork
63); 'q xviiij' (f. 68v); '.a.' (f. 76v), '.B.' (f. 84v). Some marks indicating pages which face each other within quires: 'a' (ff. 23v, 24; 34v, 35), 'b' (ff. 25v, 26; 36v, 37), 'c' (ff. 27v, 28). Numerous initials in
from an earlier (11th century ?) manuscript including two simple initials in red (oxidised). Apart from the last two, all quires have quire marks. Trace of metal fitting: one rust stain in centre of outer margin of f. 92. 1