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Historiated initial 'M'(agnifice) of Guilelmus de Monte Lauduno presenting his book to the pope, at the beginning of the Lectura super Clementinis. Contains the Constitutuions Clementinae, a collection of constitutions of Clement V promulgated by John II in 1317, with
de Weston, dean ofYork (1347-1349), inscription recording a pledge at Oxford: inscribed 'ph[ilippus] de Weston. In Glaucestr[e] schire ap[ud] Mariol hall co[n]t[r]a offic[ium] Jornal[e] p[ro] II mar[cis] et dim[idio], 14th century (f. 236v).The Benedictine abbey of St Mary, Reading,
of Therouanne; the translation of Audomar of Therouanne (St Omer); the translation of Bertin (Tournai); Audomar of Therouanne in red; and Maximus (Ghent) in red. 1 large miniature, in colours and gold (f. 7); 1 missing at the beginning
of Therouanne; the translation of Audomar of Therouanne (St Omer); the translation of Bertin (Tournai); Audomar of Therouanne in red; and Maximus (Ghent) in red. 1 large miniature, in colours and gold (f. 7); 1 missing at the beginning
Detail of historiated initial of the Annunciation to the Shepherds, at the beginning of Terce in the Hours of the Virgin. Recto: Hours of the Virgin, begining imperfectly at the end of Matins (ff. 1-6); O intemerata (f. 6); Penitential
Detail of historiated initial of the Adoration of the Magi, at the beginning of Sext in the Hours of the Virgin. Recto: Hours of the Virgin, begining imperfectly at the end of Matins (ff. 1-6); O intemerata (f. 6); Penitential
Detail of historiated initial of the Slaughter of the Innocents, at the beginning of None in the Hours of the Virgin. Recto: Hours of the Virgin, begining imperfectly at the end of Matins (ff. 1-6); O intemerata (f. 6); Penitential
Detail of historiated initial of the Flight into Egypt, at the beginning of Vespers in the Hours of the Virgin. Recto: Hours of the Virgin, begining imperfectly at the end of Matins (ff. 1-6); O intemerata (f. 6); Penitential Psalms,
of Charlemagne welcoming Clement Scotus and another, and giving the Abbey of Tours to Alcuin ofYork. With over 400 illustrations, this manuscript is one of the moxt luxurious French manuscripts of the 14th century.According to Hedeman 1991, one
the date of the dedication of the Ludlow parish church of St. Laurence,French Psalter followed by other liturgical prayers (ff. 8-53v, 53v-59),Hours of the Virgin and of the Dead (ff. 59v-67v, 68-69v, imperfect), Richard de Fournival, Bestiary of love (ff.
the date of the dedication of the Ludlow parish church of St. Laurence,French Psalter followed by other liturgical prayers (ff. 8-53v, 53v-59),Hours of the Virgin and of the Dead (ff. 59v-67v, 68-69v, imperfect), Richard de Fournival, Bestiary of love (ff.
the date of the dedication of the Ludlow parish church of St. Laurence,French Psalter followed by other liturgical prayers (ff. 8-53v, 53v-59),Hours of the Virgin and of the Dead (ff. 59v-67v, 68-69v, imperfect), Richard de Fournival, Bestiary of love (ff.
the date of the dedication of the Ludlow parish church of St. Laurence,French Psalter followed by other liturgical prayers (ff. 8-53v, 53v-59),Hours of the Virgin and of the Dead (ff. 59v-67v, 68-69v, imperfect), Richard de Fournival, Bestiary of love (ff.
Miniature of Peter of Capua mediating between Philip Augustus and Richard I of England, with an illuminated initial 'P'(helippes). With over 400 illustrations, this manuscript is one of the moxt luxurious French manuscripts of the 14th century.According to Hedeman 1991,
Detail of a miniature of Peter of Capua mediating between Philip Augustus and Richard I of England. With over 400 illustrations, this manuscript is one of the moxt luxurious French manuscripts of the 14th century.According to Hedeman 1991, one of
Miniature of Louis d'Outremer taking possession of the young Duke Richard. With over 400 illustrations, this manuscript is one of the moxt luxurious French manuscripts of the 14th century.According to Hedeman 1991, one of nine illustrated copies made before 1350,
of drawings portray kings of England up to Edward II, who is referred to as a prince in the Latin inscription. ff. 152v-154v: Copy of a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King
of drawings portray kings of England up to Edward II, who is referred to as a prince in the Latin inscription. ff. 152v-154v: Copy of a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King
Miniature of Rufus on this throne, wounded by arrows. Peter of Langtoft's Chronicle is prefaced by ten folios (the first quire) of tinted drawings with inscriptions, distichs, or longer poems. The final set of drawings portray kings of England up
Miniature of Henry I on his throne, mourning, with a genealogical table of his children with Matilda, and a drawing of the sinking of the white ship. Peter of Langtoft's Chronicle is prefaced by ten folios (the first quire) of