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'Etymologies' of Isidore, of Rabanus Maurus (b. c. 776, d. 856), abbot of Fulda and later archbishop of Mainz (ff. 6-282v), preceded by the letters to Louis the Germanic, king of Germany (843-876) (ff. 1-2), and to Haymo, bishop of
'Etymologies' of Isidore, of Rabanus Maurus (b. c. 776, d. 856), abbot of Fulda and later archbishop of Mainz (ff. 6-282v), preceded by the letters to Louis the Germanic, king of Germany (843-876) (ff. 1-2), and to Haymo, bishop of
acquired by the Upper Library at Westminster after the inventory of 1542; in the catalogue of 1666, Royal Appendix 71, f. 2v; and in the 1698 catalogue of the library of St James’s Palace (see [Edward Bernard], ~Catalogi librorum manuscriptorum
acquired by the Upper Library at Westminster after the inventory of 1542; in the catalogue of 1666, Royal Appendix 71, f. 2v; and in the 1698 catalogue of the library of St James’s Palace (see [Edward Bernard], ~Catalogi librorum manuscriptorum
acquired by the Upper Library at Westminster after the inventory of 1542; in the catalogue of 1666, Royal Appendix 71, f. 2v; and in the 1698 catalogue of the library of St James’s Palace (see [Edward Bernard], ~Catalogi librorum manuscriptorum
decorated (f. 168). Camillo Jaghel, censor: inscribed with his name, 1619 (f. 231v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 50-56.Owner's inscription in Italian, partially illegible: 'Questo lib[ro] .. David a
15-25v), Edward I's Charter of the Forrest (ff. 25v- 30v), an extract from a register from the Benedictine Priory of Eye in Suffolk (ff. 68-71), the statutes of Berewike (possibly Berwick-on-Tweed, Northumberland; ff. 191-192) and York (ff. 262v-267), and the
Detail of a miniature of a battle with Richard I of England at Arques. With over 400 illustrations, this manuscript is one of the moxt luxurious French manuscripts of the 14th century.According to Hedeman 1991, one of nine illustrated copies
Detail of a miniature of a battle with Richard I of England before Gisors. With over 400 illustrations, this manuscript is one of the moxt luxurious French manuscripts of the 14th century.According to Hedeman 1991, one of nine illustrated copies
Detail of a miniature of the coronation ofRichard I. With over 400 illustrations, this manuscript is one of the moxt luxurious French manuscripts of the 14th century.According to Hedeman 1991, one of nine illustrated copies made before 1350, and
Miniature of Duke Richardof Normandy giving presents to his knights. With over 400 illustrations, this manuscript is one of the moxt luxurious French manuscripts of the 14th century.According to Hedeman 1991, one of nine illustrated copies made before 1350,
Detail of a miniature of the death-bed of Duke Richardof Normandy. With over 400 illustrations, this manuscript is one of the moxt luxurious French manuscripts of the 14th century.According to Hedeman 1991, one of nine illustrated copies made before
Miniature of the deathbed of Duke Richardof Normandy. With over 400 illustrations, this manuscript is one of the moxt luxurious French manuscripts of the 14th century.According to Hedeman 1991, one of nine illustrated copies made before 1350, and illuminated
beginning of the prologue. Catchwords, quire signatures in upper or lower margins, guide numbers for chapter numbers, numerous corrections and corrector's signatures 'corr' next to catchwords.According to Michael A. Michael, this manuscript was designed as part of a set of
Detail of an historiated initial 'F'(rater) of Jerome writing, at the beginning of the prologue. Catchwords, quire signatures in upper or lower margins, guide numbers for chapter numbers, numerous corrections and corrector's signatures 'corr' next to catchwords.According to Michael A.
(f. 1), included in the inventory of books in the Upper Library at Westminster of 1542.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Days of Creation with Adam and Eve cycle
Detail of a miniature of Adam and Eve, at the beginning of Genesis. Catchwords, quire signatures in upper or lower margins, guide numbers for chapter numbers, numerous corrections and corrector's signatures 'corr' next to catchwords.According to Michael A. Michael, this
beginning of Leviticus. Catchwords, quire signatures in upper or lower margins, guide numbers for chapter numbers, numerous corrections and corrector's signatures 'corr' next to catchwords.According to Michael A. Michael, this manuscript was designed as part of a set of four
Detail of an historiated initial 'V'(ocavit) of Israelits offering sacrifice to God, at the beginning of Leviticus. Catchwords, quire signatures in upper or lower margins, guide numbers for chapter numbers, numerous corrections and corrector's signatures 'corr' next to catchwords.According to
beginning of Numbers. Catchwords, quire signatures in upper or lower margins, guide numbers for chapter numbers, numerous corrections and corrector's signatures 'corr' next to catchwords.According to Michael A. Michael, this manuscript was designed as part of a set of four