• Miniature of men in a boat on the back of a whale., Theological miscellany, including the Summa de vitiis (see Notes for contents)

in 1753 to the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Whale Peraldus England

• Detail of a miniature of a man showing an open book to an asp, shown with wings., Theological miscellany, including the Summa de vitiis (see Notes for contents)

in 1753 to the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Asp Peraldus England

• Miniature of a salamander and other reptiles., Theological miscellany, including the Summa de vitiis (see Notes for contents)

in 1753 to the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Salamander Peraldus England

• Carrying case, covered with leather, coloured green and gold, with floral decoration, and initials 'P' and 'M', for Pierre Sala and Marguerite Builloud, formed out of crossed compasses or staves.The rings on the edge of the box are intended for a chain to suspend the volume from a girdle., Petit Livre d'Amour

of crossed compasses or staves.The rings on the edge of the box are intended for a chain to suspend the volume from a girdle. A transcription of the content has been added later on paper (ff. 18-34), probably by

• Dedication and miniature of Pierre Sala dropping 'his' heart in a marguerite [Marguerite Builloud], in Pierre Sala's Petit Livre d'Amour; the face of Pierre Sala is not painted and was probably left to be painted by Jean Perréal., Petit Livre d'Amour

of Abrantes: attached to the cover at the end is an extract from a sale-catalogue, which states that the manuscript was formerly in his possession (f. 35). Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1776, d. 1839), 1st duke of Buckingham and Chandos,

• The last page of the text, with explicit, Iudica me deus (ff. 1-19); 'Tractatus de xii utilitatibus tribulacionis' (ff. 19v-31v); Theologia mystica (ff. 32-50v); Meditationes (ff. 51-55v); 'Contricio beati Bernardi' (ff. 55v-59v)

the textual contents and style of initials.Charles Burney (b. 1757, d. 1817), D.D., classical scholar.Acquired by the British Museum as part of Burney’s library from his son Charles Parr Burney in 1818. Page of text Richard Rolle; Hugo de Balma;

• null, Iudica me deus (ff. 1-19); 'Tractatus de xii utilitatibus tribulacionis' (ff. 19v-31v); Theologia mystica (ff. 32-50v); Meditationes (ff. 51-55v); 'Contricio beati Bernardi' (ff. 55v-59v)

by the textual contents and style of initials.Charles Burney (b. 1757, d. 1817), D.D., classical scholar.Acquired by the British Museum as part of Burney’s library from his son Charles Parr Burney in 1818. Detail Richard Rolle; Hugo de Balma; pseudo-Bonaventura;

• ~Masorah~ in micorgraphic design at Joshua., Duke of Sussex Bible with ~masorah magna~ and ~parva~

quarter of the 17th century): inscribed with his name, 1618 (f. 477v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), pp. 100-101, and appendix § 80-84.Birth entries in Spanish of four sons of an

• Micrographical design in the margins, at the end of Genesis and beginning of Exodus., Pentateuch with ~masorah magna~ and ~parva~

in the margins, at the end of Genesis and beginning of Exodus. Some micrographical motifs are similar to the ones in Harley 5774. ~Masorah~ in the margin written in micrographic form. 18 full-page panels of micrographical design (ff. 2v-7, 192-196).

• ~Masorah~ in micrographic design at the end of Numbers and beginning of Deuteronomy., Duke of Sussex Bible with ~masorah magna~ and ~parva~

quarter of the 17th century): inscribed with his name, 1618 (f. 477v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), pp. 100-101, and appendix § 80-84.Birth entries in Spanish of four sons of an

• ~Masorah~ in micrographic form., Pentateuch with ~masorah magna~ and ~parva~

195v).Giovanni Domenico Carretto, Italian censor (active in the first quarter of the 17th century): inscribed with his name, 1612 (f. 196); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), pp. 100-101, and appendix §

• ~Masorah~ in micrographic form., Pentateuch with ~masorah magna~ and ~parva~

195v).Giovanni Domenico Carretto, Italian censor (active in the first quarter of the 17th century): inscribed with his name, 1612 (f. 196); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), pp. 100-101, and appendix §

• Detail of a marginal decoration: a human head in the outer margin., Commentary on the Pentateuch in an abridged form

181v).Laurentius Franguellus (fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b.

• Detail of an initial-word panel with penwork decoration and pen-flourishing accompanied with a dog chasing a hare in the lower margin., Commentary on the Pentateuch in an abridged form

181v).Laurentius Franguellus (fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b.

• Detail of an initial-word panel with penwork decoration and pen-flourishing accompanied with a dog and a lion in the lower margin., Commentary on the Pentateuch in an abridged form

181v).Laurentius Franguellus (fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b.

• Detail of a marginal decoration: dog in the outer margin., Commentary on the Pentateuch in an abridged form

181v).Laurentius Franguellus (fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b.

• Detail of an initial-word panel with penwork decoration and pen-flourishing accompanied with a bird in the outer margin., Commentary on the Pentateuch in an abridged form

181v).Laurentius Franguellus (fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b.

• Detail of an initial-word panel with penwork decoration and pen-flourishing, accompanied with a bearded hybrid blowing a trumpet and carrying a shield with a fleur-de-lis, in the outer margin., Commentary on the Pentateuch in an abridged form

181v).Laurentius Franguellus (fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b.

• Detail of an initial-word panel with penwork decoration and pen-flourishing, inhabited by a dragon., Commentary on the Pentateuch in an abridged form

181v).Laurentius Franguellus (fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b.

• Text page: Isaiah 51-52., Duke of Sussex Bible with ~masorah magna~ and ~parva~

quarter of the 17th century): inscribed with his name, 1618 (f. 477v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), pp. 100-101, and appendix § 80-84.Birth entries in Spanish of four sons of an