• Miniature of Clare, Francis, and Bernardino, framed by flowers, at the beginning of a prayer; misbound, corresponding text missing., Prayer book

at the beginning of the Hours of the Passion of the Virgin (ff. 2v-3). 1 full-page miniature, framed by flowers, at the beginning of a prayer, misbound, the corresponding text missing (f. 62); 2 other miniatures of the same size

• Miniature of the Pietà, decorated initial 'D'(omine), and full foliate borders, at the beginning of the Hours of the Passion of the Virgin., Prayer book

beginning of the Hours of the Passion of the Virgin. 1 full-page miniature with full foliate borders, accompanied by a large decorated initial and a full foliate border on the facing page, at the beginning of the Hours of the

• Miniature of Margaret and the dragon, at the beginning of her suffrage., Prayer book

at the beginning of the Hours of the Passion of the Virgin (ff. 2v-3). 1 full-page miniature, framed by flowers, at the beginning of a prayer, misbound, the corresponding text missing (f. 62); 2 other miniatures of the same size

• Miniature with the Annunciation to the shepherds, and decorated initial 'D'(eus), at the beginning of Terce in the Hours of the Virgin., Book of Hours, Use of Rome

connection to printed books of hours (borders in the calendar constituted of small images; backgrounds of small miniatures covered by little points like criblée grounds in printed books) refer to Paris, where patterns of artists of the Loire Valley, especially

• Small miniatures with God the Father, Michael, John the Baptist, John the Evangelist, and foliate compartiment borders, in the suffrages., Book of Hours, Use of Rome

connection to printed books of hours (borders in the calendar constituted of small images; backgrounds of small miniatures covered by little points like criblée grounds in printed books) refer to Paris, where patterns of artists of the Loire Valley, especially

• Miniature of the Annunciation, and full foliate border, at the beginning of Matins in the Hours of the Virgin., Book of Hours, Use of Rome

Book of Hours, Use of Rome Family of Zoutelande, between 1523 and 1611: different members of the family inscribed records of births and marriages in Latin and Dutch (ff. 155-159v, 160v, 161).J. L. Van de Walle, 1762: his book-plate of

• Historiated initial 'D'(omine) with Christ in the garden of Gethsemane, and full foliate border, at the beginning of Matins in the Hours of the Virgin., Book of Hours, Use of Rome

Book of Hours, Use of Rome Family of Zoutelande, between 1523 and 1611: different members of the family inscribed records of births and marriages in Latin and Dutch (ff. 155-159v, 160v, 161).J. L. Van de Walle, 1762: his book-plate of

• Initial 'G'(racias) and partial border with pen-flourishing, at the beginning of a prayer., Book of Hours, Use of Rome

Book of Hours, Use of Rome Family of Zoutelande, between 1523 and 1611: different members of the family inscribed records of births and marriages in Latin and Dutch (ff. 155-159v, 160v, 161).J. L. Van de Walle, 1762: his book-plate of

• Miniature of the Adoration of the Magi, Virgin and child sitting in a bed, decorated initial 'D'(eus), and full foliate border, at the beginning of Sext in the Hours of the Virgin., Book of Hours, Use fo Tournai

Richard Plantagenet Temple-Nugent-Brydges-Chandos-Grenville (b. 1797, d. 1861), 2nd duke of Buckingham and Chandos; sold in 1849 to Lord Ashburnham.Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl

• Miniature of Catherine, decorated initial 'G'(aude), and full foliate borders, at the beginning of the suffrage to Catherine., Book of Hours, Use of Sarum

book-market. Book of Hours, Use of Sarum Perhaps made for a woman: the devotions in the feminine form.The name of Thomas of Canterbury has been erased throughout, and the suffrage to Thomas and rubrics referring to promises of indulgences have

• Miniature of Christ carrying the Cross, decorated initial 'D'(eus), and full foliate borders, at the beginning of sext in the Hours of the Virigin, illustrated by a cycle with the Passion of Christ., Book of Hours, Use of Sarum

Miniature of Christ carrying the Cross, decorated initial 'D'(eus), and full foliate borders, at the beginning of sext in the Hours of the Virigin, illustrated by a cycle with the Passion of Christ. A table of contents has been added

• Miniature of the Raising of Lazarus, decorated initial 'D'(ilexi), and full foliate borders, at the beginning of the Office of the Dead., Book of Hours, Use of Sarum

Miniature of the Raising of Lazarus, decorated initial 'D'(ilexi), and full foliate borders, at the beginning of the Office of the Dead. A table of contents has been added at the end in a late hand (f. 154). 13 large

• Miniature of the Virgin, decorated initial 'I'(ntroibo), and full foliate border, at the beginning of a prayer., Book of Hours, Use of Rome

Miniature of the Virgin, decorated initial 'I'(ntroibo), and full foliate border, at the beginning of a prayer. The missing miniature after f. 47 at the beginning of Lauds in the Hours of the Virgin is Stowe 1061, f. 114 (Visitation).The

• Miniature of the Nativity, decorated initial 'D'(eus), and full foliate border, at the beginning of Prime in the Hours of the Virgin., Book of Hours, Use of Rome

Miniature of the Nativity, decorated initial 'D'(eus), and full foliate border, at the beginning of Prime in the Hours of the Virgin. The missing miniature after f. 47 at the beginning of Lauds in the Hours of the Virgin is

• Miniature of Duke Richard III attacking the castle of Falais which his brother Robert had seized. In the background on the left, two men are playing chess under a tent; one of them is possibly Duke Robert., Grande Chronique de Normandie

Miniature of Duke Richard III attacking the castle of Falais which his brother Robert had seized. In the background on the left, two men are playing chess under a tent; one of them is possibly Duke Robert. The clothing suggest

• Decorated initial 'D'(olor), at the beginning of the De compunctione cordis., De compunctione cordis, De die iudicii et de resurrectione, De beatitudine animae, De paenitentia, De luctaminibus and De die iudicii; patristic excerpts

patristic excerpts Added parts of a version of a revision of the Sarum Ordinal of 1278-1279 (ff. 1-2, 83-84v).Added notes in English 14th-century hand (f. 2v).Thomas Wolsey (b. 1470/71, d. 1530), royal minister, archbishop ofYork, and cardinal: 'TC' monogram,

• Full page drawing of the Sacrifice of Isaac, with captions in Ashkenazi square script. Isaac is kneeling on the altar, Abraham is lifting the knife, but an angel prevents him from hurting his son by grabbing his knife. The same angel points to the ram caught in a bush on the left. Beneath, at the foot of the mountain, the two servants, the donkey and a dog are resting in a field., Commentary on the Pentateuch

Archiv d’Urbino, 1687, below it oval stamp perhaps of the Archiv (f. 480v); ee William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 44.Moses Panzi of Ricanati: inscribed with his name, undated (f. 1).Inscriptions,

• Full-page miniature of the menorah with caption in Ashkenazi square script., Commentary on the Pentateuch

Full-page miniature of the menorah with caption in Ashkenazi square script. Gilt edges. Hebrew characters are used instead of catchwords. Ruling is visible. After f. 217 blank, unfoliated leaf.On the dating of part 2, see Narkiss, 'The Art of the

• Miniature of the Holy Ark with two doves symbolizing the cherubs, the Tablet of Law, and the Altar, with captions in Ashkenazi square script., Commentary on the Pentateuch

Tablet of Law, and the Altar, with captions in Ashkenazi square script. Gilt edges. Hebrew characters are used instead of catchwords. Ruling is visible. After f. 217 blank, unfoliated leaf.On the dating of part 2, see Narkiss, 'The Art of

• Miniature of the basin, the table, the table of showbread, plates and dishes for incense, the musical instruments and the cleansing instruments, with captions in Ashkenazi square script., Commentary on the Pentateuch

Archiv d’Urbino, 1687, below it oval stamp perhaps of the Archiv (f. 480v); ee William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 44.Moses Panzi of Ricanati: inscribed with his name, undated (f. 1).Inscriptions,