Decorated border of arabesques, a figure of a woman in gold monochrome, an anthroporphic figure, the inscription 'G. XIII' and the arms of Gregory XIII. Italian cuttings.The present cuttings were formerly pasted into The Samuel Rogers Album and foliated as
Decorated border of arabesques, putti, two of which hold a chalice and the Host, and the arms of Gregory XIII. Italian cuttings.The present cuttings were formerly pasted into The Samuel Rogers Album and foliated as Add. 21412, ff. 46-50. In
Evangelistary) of Gregory XIII Pope Gregory XIII (Boncompagni, r. 1572-1585), Italian pope and patron: his name, arms and dragon device (ff. 98-101, 105-107); probably excised from a Gospel Lectionary of Gregory XIII (A.I.17) described in a 1714 inventory of the
Evangelistary) of Gregory XIII Pope Gregory XIII (Boncompagni, r. 1572-1585), Italian pope and patron: his name, arms and dragon device (ff. 98-101, 105-107); probably excised from a Gospel Lectionary of Gregory XIII (A.I.17) described in a 1714 inventory of the
Evangelistary) of Gregory XIII Pope Gregory XIII (Boncompagni, r. 1572-1585), Italian pope and patron: his name, arms and dragon device (ff. 98-101, 105-107); probably excised from a Gospel Lectionary of Gregory XIII (A.I.17) described in a 1714 inventory of the
Evangelistary) of Gregory XIII Pope Gregory XIII (Boncompagni, r. 1572-1585), Italian pope and patron: his name, arms and dragon device (ff. 98-101, 105-107); probably excised from a Gospel Lectionary of Gregory XIII (A.I.17) described in a 1714 inventory of the
Evangelistary) of Gregory XIII Pope Gregory XIII (Boncompagni, r. 1572-1585), Italian pope and patron: his name, arms and dragon device (ff. 98-101, 105-107); probably excised from a Gospel Lectionary of Gregory XIII (A.I.17) described in a 1714 inventory of the
Evangelistary) of Gregory XIII Pope Gregory XIII (Boncompagni, r. 1572-1585), Italian pope and patron: his name, arms and dragon device (ff. 98-101, 105-107); probably excised from a Gospel Lectionary of Gregory XIII (A.I.17) described in a 1714 inventory of the
Evangelistary) of Gregory XIII Pope Gregory XIII (Boncompagni, r. 1572-1585), Italian pope and patron: his name, arms and dragon device (ff. 98-101, 105-107); probably excised from a Gospel Lectionary of Gregory XIII (A.I.17) described in a 1714 inventory of the
Evangelistary) of Gregory XIII Pope Gregory XIII (Boncompagni, r. 1572-1585), Italian pope and patron: his name, arms and dragon device (ff. 98-101, 105-107); probably excised from a Gospel Lectionary of Gregory XIII (A.I.17) described in a 1714 inventory of the
Evangelistary) of Gregory XIII Pope Gregory XIII (Boncompagni, r. 1572-1585), Italian pope and patron: his name, arms and dragon device (ff. 98-101, 105-107); probably excised from a Gospel Lectionary of Gregory XIII (A.I.17) described in a 1714 inventory of the
Evangelistary) of Gregory XIII Pope Gregory XIII (Boncompagni, r. 1572-1585), Italian pope and patron: his name, arms and dragon device (ff. 98-101, 105-107); probably excised from a Gospel Lectionary of Gregory XIII (A.I.17) described in a 1714 inventory of the
of the Royal arms (f. 73).Henry VII (b. 1457, d. 1509), king of England and lord of Ireland adapted for him: the royal arms of England (ff. 1, 73) and the arms of his wife, Elisabeth ofYork, daughter
of the Royal arms (f. 73).Henry VII (b. 1457, d. 1509), king of England and lord of Ireland adapted for him: the royal arms of England (ff. 1, 73) and the arms of his wife, Elisabeth ofYork, daughter
of the Royal arms (f. 73).Henry VII (b. 1457, d. 1509), king of England and lord of Ireland adapted for him: the royal arms of England (ff. 1, 73) and the arms of his wife, Elisabeth ofYork, daughter
Voyages of Marco Polo in a revised version attributed to Thibault de Cépoy, admiral of the fleet for Charles's of Valois projected crusade and Jean de Cépoy, admiral of the fleet for the projected crusade of Philip VI of France
1753 to the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Decorated initial John Multon
1753 to the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Added marginal annotation John
of each statute and its number are labeled in the margin. Gothic script is used for incipits, excipits, and headings. Contemporary foliation. Catchwords at the end of each gathering. Middle of f. 228, watermark of a cross on top
first publication of the catalogue of his collection in 1869 and the second edition of 1876 (see Robinson 1876). Purchased by the Department of Prints and Drawings of the British Museum in 1895.Transferred to the Department of Manuscripts of the