(f. 15); colophon: 'Scripto per Agostino Biliotti da Antonio Sinibaldi gratis et amore Anno Domini MCCCCLXXXV' (f. 240).Abbate Canonici of Venice: his sale, 25 June 1836, lot 141. Walter Sneyd: his sale, December 1903, lot 556; bought by Yates Thompson.
(f. 15); colophon: 'Scripto per Agostino Biliotti da Antonio Sinibaldi gratis et amore Anno Domini MCCCCLXXXV' (f. 240).Abbate Canonici of Venice: his sale, 25 June 1836, lot 141. Walter Sneyd: his sale, December 1903, lot 556; bought by Yates Thompson.
(f. 15); colophon: 'Scripto per Agostino Biliotti da Antonio Sinibaldi gratis et amore Anno Domini MCCCCLXXXV' (f. 240).Abbate Canonici of Venice: his sale, 25 June 1836, lot 141. Walter Sneyd: his sale, December 1903, lot 556; bought by Yates Thompson.
(f. 15); colophon: 'Scripto per Agostino Biliotti da Antonio Sinibaldi gratis et amore Anno Domini MCCCCLXXXV' (f. 240).Abbate Canonici of Venice: his sale, 25 June 1836, lot 141. Walter Sneyd: his sale, December 1903, lot 556; bought by Yates Thompson.
(f. 15); colophon: 'Scripto per Agostino Biliotti da Antonio Sinibaldi gratis et amore Anno Domini MCCCCLXXXV' (f. 240).Abbate Canonici of Venice: his sale, 25 June 1836, lot 141. Walter Sneyd: his sale, December 1903, lot 556; bought by Yates Thompson.
(f. 15); colophon: 'Scripto per Agostino Biliotti da Antonio Sinibaldi gratis et amore Anno Domini MCCCCLXXXV' (f. 240).Abbate Canonici of Venice: his sale, 25 June 1836, lot 141. Walter Sneyd: his sale, December 1903, lot 556; bought by Yates Thompson.
frame with the winged lion of Mark and the arms of the Priuli family of Venice. Italian cutting.The present cutting is bound in an album with Add. 18196, ff. 2-89. To see this cutting in the Manuscripts Reading Room order
supporting a laurel medallion with arms probably of the Bragadin family of Venice. Scribal marginal variants and occasional additions.Marginal notes by a later reader. Partial border and initial with foliate decoration in colours and gold, with two winged putti supporting
date 'May 27th 1783', f. 1).Charles Burney (b. 1757, d. 1817), D.D., classical scholar.Acquired by the British Museum as part of Burney's library from his son Charles Parr Burney in 1818. Venetian binding Antonius Vegnatus Venice Italy, N. E. (Venice)
the date 'May 27th 1783', f. 1).Charles Burney (b. 1757, d. 1817), D.D., classical scholar.Acquired by the British Museum as part of Burney's library from his son Charles Parr Burney in 1818. Detail Antonius Vegnatus Venice Italy, N. E. (Venice)
the date 'May 27th 1783', f. 1).Charles Burney (b. 1757, d. 1817), D.D., classical scholar.Acquired by the British Museum as part of Burney's library from his son Charles Parr Burney in 1818. Detail Antonius Vegnatus Venice Italy, N. E. (Venice)
Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the British Museum from him together with 1084 other Stowe manuscripts in 1883. Decorated initial Joannes de Vitalibus Joannes de Vitalibus Venice Italy, N. E. (Venice)
Rusotas's presence in the Veneto region from 1465 onwards (Venice and Vicenza) and the watermarks's origins suggest that the manuscript was produced in Northeastern Italy in the last quarter of the 15th century.Watermarks of scales, similar to Gerhard Piccard, ~Wasserzeichen
edition with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: Paper Publications Society, 1968), no. 4803 (Venice, 1493) and 4804 (Syracuse, 1495; Venice, 1491-92, 1494).Original pagination in red ink.Piece of paper bound after f. [86] inscribed the title of
edition with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: Paper Publications Society, 1968), no. 4803 (Venice, 1493) and 4804 (Syracuse, 1495; Venice, 1491-92, 1494).Original pagination in red ink.Piece of paper bound after f. [86] inscribed the title of
written for him in 1565 by Petruccio Ubaldini (b. 1545, d. 1599), a Florentine calligrapher and writer who worked in Venice and England, from 1565 under Arundel's patronage (other manuscripts written by him are: his Italian version of 1550 of
written for him in 1565 by Petruccio Ubaldini (b. 1545, d. 1599), a Florentine calligrapher and writer who worked in Venice and England, from 1565 under Arundel's patronage (other manuscripts written by him are: his Italian version of 1550 of
written for him in 1565 by Petruccio Ubaldini (b. 1545, d. 1599), a Florentine calligrapher and writer who worked in Venice and England, from 1565 under Arundel's patronage (other manuscripts written by him are: his Italian version of 1550 of
written for him in 1565 by Petruccio Ubaldini (b. 1545, d. 1599), a Florentine calligrapher and writer who worked in Venice and England, from 1565 under Arundel's patronage (other manuscripts written by him are: his Italian version of 1550 of
written for him in 1565 by Petruccio Ubaldini (b. 1545, d. 1599), a Florentine calligrapher and writer who worked in Venice and England, from 1565 under Arundel's patronage (other manuscripts written by him are: his Italian version of 1550 of