• null, Book of Hours, Use of Rome

4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the British Museum from him together with 1084 other Stowe manuscripts in 1883. Martino da Modena Venice Italy, N. E. (Venice)

• null, Book of Hours, Use of Rome

4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the British Museum from him together with 1084 other Stowe manuscripts in 1883. Martino da Modena Venice Italy, N. E. (Venice)

• null, Book of Hours, Use of Rome

4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the British Museum from him together with 1084 other Stowe manuscripts in 1883. Martino da Modena Venice Italy, N. E. (Venice)

• null, Book of Hours, Use of Rome

4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the British Museum from him together with 1084 other Stowe manuscripts in 1883. Martino da Modena Venice Italy, N. E. (Venice)

• Illuminated white vine initial 'M'(arcus) at the start of Book 13 of of Aulus Gellius's Noctes Atticae., Noctes Atticae

Noctes Atticae Maffeo Pinelli (b. 1735, d. 1785), of Venice: inscription '7943', f. 1, upper left corner, corresponding to his inventory number, see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, no. 7943; his sale,

• Illuminated initial 'P'(lutarchus) with foliate interlace at the beginning of Book 1 of Aulus Gellius's Noctes Atticae., Noctes Atticae

Noctes Atticae Maffeo Pinelli (b. 1735, d. 1785), of Venice: inscription '7943', f. 1, upper left corner, corresponding to his inventory number, see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, no. 7943; his sale,

• The left-hand page has a drawing in the form of a hand holding a placard bearing the catchword; the right-hand page has a foliate initial 'P'(rima) at the beginning of Horace's Epistles., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

century? (f. 1).Maffeo Pinelli (b. 1735 d. 1785), of Venice: inscription '7938', f. 1, top left, corresponding to his inventory number, see, Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, p. 360: his London sale,

• Marginal drawing of a seated old man holding a round red object in his left hand, adjacent to Horace's account of the Seven Ages of Man., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

century? (f. 1).Maffeo Pinelli (b. 1735 d. 1785), of Venice: inscription '7938', f. 1, top left, corresponding to his inventory number, see, Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, p. 360: his London sale,

• Decorated initial 'H'(umano)at the beginning of Horace's Ars poetica., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

century? (f. 1).Maffeo Pinelli (b. 1735 d. 1785), of Venice: inscription '7938', f. 1, top left, corresponding to his inventory number, see, Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, p. 360: his London sale,

• Marginal marks similar to notaries' marks on a former flyleaf., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

century? (f. 1).Maffeo Pinelli (b. 1735 d. 1785), of Venice: inscription '7938', f. 1, top left, corresponding to his inventory number, see, Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, p. 360: his London sale,

• Detail of decorated initial., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

century? (f. 1).Maffeo Pinelli (b. 1735 d. 1785), of Venice: inscription '7938', f. 1, top left, corresponding to his inventory number, see, Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, p. 360: his London sale,

• null, Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

century? (f. 1).Maffeo Pinelli (b. 1735 d. 1785), of Venice: inscription '7938', f. 1, top left, corresponding to his inventory number, see, Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, p. 360: his London sale,

• Detail of decorated initial., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

century? (f. 1).Maffeo Pinelli (b. 1735 d. 1785), of Venice: inscription '7938', f. 1, top left, corresponding to his inventory number, see, Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, p. 360: his London sale,

• Detail of marginal drawing., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

century? (f. 1).Maffeo Pinelli (b. 1735 d. 1785), of Venice: inscription '7938', f. 1, top left, corresponding to his inventory number, see, Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, p. 360: his London sale,

• null, Epistolae ad familiares

blue or red. Epistolae ad familiares Probably written before 1455: an oration made to the Doge of Venice by Galeazzo Maria Sforza in that year is added in a later hand on f. 2v.Mario Maffei (b. 1463, d. 1537): with

• Decorated initial 'V'(oi) with acanthus and white vine border at the beginning of Il canzionere. The coat of arms of the Priuli family (Venice) has been painted in the lower border in the early 16th century, seemingly over an effaced earlier shield., Il canzoniere (also known as Rime sparse; ff. 1-129v); I triunfi (ff. 130-167)

beginning of Il canzionere. The coat of arms of the Priuli family (Venice) has been painted in the lower border in the early 16th century, seemingly over an effaced earlier shield. Catchwords written vertically. Guide letters.According to unpublished notes of

• Illuminated white vine-stem border and illuminated initial 'A'(ntequam), with square capitals used as display script in an unfinished four-colour sequence; at the beginning of Cicero's Philippic orations., 14 Philippic orations (ff. 1-168); Somnium scipionis (ff. 168v-178v)

perhaps including a circle in the lower half of the shield (f. 1).? A member of the Mocenigo family of Venice: with the arms, per fess ~azure~ and ~argent~, each half with a cinquefoil counter-charged (f. 1) (see Eugenio Morando

• Illuminated white vine-stem initial 'V'(ellem), and square capitals in a three-colour sequence; at the beginning of Cicero's ninth Philippic oration., 14 Philippic orations (ff. 1-168); Somnium scipionis (ff. 168v-178v)

perhaps including a circle in the lower half of the shield (f. 1).? A member of the Mocenigo family of Venice: with the arms, per fess ~azure~ and ~argent~, each half with a cinquefoil counter-charged (f. 1) (see Eugenio Morando

• null, 14 Philippic orations (ff. 1-168); Somnium scipionis (ff. 168v-178v)

perhaps including a circle in the lower half of the shield (f. 1).? A member of the Mocenigo family of Venice: with the arms, per fess ~azure~ and ~argent~, each half with a cinquefoil counter-charged (f. 1) (see Eugenio Morando

• null, 14 Philippic orations (ff. 1-168); Somnium scipionis (ff. 168v-178v)

perhaps including a circle in the lower half of the shield (f. 1).? A member of the Mocenigo family of Venice: with the arms, per fess ~azure~ and ~argent~, each half with a cinquefoil counter-charged (f. 1) (see Eugenio Morando