• Pen drawing of Nikostratis, Lord of Macedonia, and decorated initials., Erotokritos, romance in 15-syllable rhymed couplets, prededed by a table of contents (ff. 1-8)

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

• Pen drawing of Haridimos the Cretan defeating Nikostratos of Macedonia at the joust., Erotokritos, romance in 15-syllable rhymed couplets, prededed by a table of contents (ff. 1-8)

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

• Pen drawing of Rotokritos and Aretusa meeting secretly in the night., Erotokritos, romance in 15-syllable rhymed couplets, prededed by a table of contents (ff. 1-8)

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

• Pen drawing of the enraged King Iraklis holding Aretusa under the eyes of her nurse Frosini., Erotokritos, romance in 15-syllable rhymed couplets, prededed by a table of contents (ff. 1-8)

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

• Pen drawing of Frosini comforting Aretusa in their prison cell., Erotokritos, romance in 15-syllable rhymed couplets, prededed by a table of contents (ff. 1-8)

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

• Pen drawing of Vladistratos, King of Vlachia, setting siege to Athens., Erotokritos, romance in 15-syllable rhymed couplets, prededed by a table of contents (ff. 1-8)

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

• Pen drawing of Rotokritos, his skin turned black by a magic lotion, returning incognito on horse back to join the Athenian army against the Vlachs., Erotokritos, romance in 15-syllable rhymed couplets, prededed by a table of contents (ff. 1-8)

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

• Pen drawing Rotokritos leading the Athenian army to victory., Erotokritos, romance in 15-syllable rhymed couplets, prededed by a table of contents (ff. 1-8)

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

• Pen drawing of Rotokritos giving the ring to Frosini, Aretusa's nurse., Erotokritos, romance in 15-syllable rhymed couplets, prededed by a table of contents (ff. 1-8)

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

• Pen drawing of Rotokritos appearing incognito to Aretusa who collapses to the ground believing that her lover is dead and is comforted by Frosini., Erotokritos, romance in 15-syllable rhymed couplets, prededed by a table of contents (ff. 1-8)

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

• Pen drawing of Rotokritos revealing himself to the world at large., Erotokritos, romance in 15-syllable rhymed couplets, prededed by a table of contents (ff. 1-8)

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

• Detail of a decorated initial 'E'., Gospel Lectionary, imperfect

Brusa (Bursa) in Bithynia, Turkey: inscription 'Codex Prusensis' (f. 1: see Wright 1972; another manuscript from the same monastery is Venice, Biblioteca Nazionale Marciana, MS gr. I, 10 (Nanianus 3), see Summary Catalogue 1999).John Covel (b. 1638, d. 1722), chaplain

• Detail of a decorated initial 'E' and rubric in silver., Gospel Lectionary, imperfect

Brusa (Bursa) in Bithynia, Turkey: inscription 'Codex Prusensis' (f. 1: see Wright 1972; another manuscript from the same monastery is Venice, Biblioteca Nazionale Marciana, MS gr. I, 10 (Nanianus 3), see Summary Catalogue 1999).John Covel (b. 1638, d. 1722), chaplain

• null, Homilies on the Gospels for each Sunday of the ecclesiastical year

circle, respectively).Acquired by the British Museum as part of Burney’s library from his son Charles Parr Burney in 1818. Detail Nikolaos Malaxos Nikolaos Malaxos Collected by Philotheos Kokkinos, Patriarch of Constantinople Venice Italy, N. E. (Venice) or Eastern Mediterranean (Crete)

• null, Noctes Atticae

Noctes Atticae Maffeo Pinelli (b. 1735, d. 1785), of Venice: inscription '7943', f. 1, upper left corner, corresponding to his inventory number, see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, no. 7943; his sale,

• null, Noctes Atticae

Noctes Atticae Maffeo Pinelli (b. 1735, d. 1785), of Venice: inscription '7943', f. 1, upper left corner, corresponding to his inventory number, see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, no. 7943; his sale,

• White vine initial 'E'(t si) with decoration extending into the margins at the beginning of the text., Rhetorica ad Herennium (index De ratione dicendi ad Herennium)

£10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. White vine initial Pseudo-Cicero Venice Italy, N. E. (?Venice)

• Detail of a white vine initial 'E'(t si) with decoration extending into the margins at the beginning of the text., Rhetorica ad Herennium (index De ratione dicendi ad Herennium)

nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Detail Pseudo-Cicero Venice Italy, N. E. (?Venice)

• Detail of a white vine initial 'S'(uperio) and circular diagram of rainfall., Commentary on Cicero's De somno Scipionis

by Allan Stevenson, 4 vols (Amsterdam: Paper Publications Society, 1968), no. 7464 (Udine and Venice, 1461; Rome, 1464), and 7465 (Florence, 1464; Venice, 1460-67, 1470-71, 1472; Venice and Ferrara, 1471-76). White vine initials in colours and gold (ff. 1, 5,

• Decorated initial 'E'(t si nego) and full border with flowers, cornucopias, candelabras, dragon heads and a defaced coat of arms, at the beginning of the text., Rhetorica ad Herennium (index De ratione dicendi ad Herennium)

Mare at the Bodleian Library, Oxford, this manuscript was made in the 3rd quarter of the 15th century, possibly in Venice. Large initial in gold on a blue panel with foliate decoration, combined with a full border with flowers, cornucopias,