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Elegies) (ff. 1-70); followed by two short texts (ff. 70-71) Copied from the 1493 reprint of the 1487 Beroaldus edition (Venice, Simon Bevilaqua), according to Butrica.Jonathan Toup (b. 1713 d. 1785), philologer and classical editor: his sale, 10 May 1786,
Elegies) (ff. 1-70); followed by two short texts (ff. 70-71) Copied from the 1493 reprint of the 1487 Beroaldus edition (Venice, Simon Bevilaqua), according to Butrica.Jonathan Toup (b. 1713 d. 1785), philologer and classical editor: his sale, 10 May 1786,
(f. 15); colophon: 'Scripto per Agostino Biliotti da Antonio Sinibaldi gratis et amore Anno Domini MCCCCLXXXV' (f. 240).Abbate Canonici of Venice: his sale, 25 June 1836, lot 141. Walter Sneyd: his sale, December 1903, lot 556; bought by Yates Thompson.
(f. 15); colophon: 'Scripto per Agostino Biliotti da Antonio Sinibaldi gratis et amore Anno Domini MCCCCLXXXV' (f. 240).Abbate Canonici of Venice: his sale, 25 June 1836, lot 141. Walter Sneyd: his sale, December 1903, lot 556; bought by Yates Thompson.
(f. 15); colophon: 'Scripto per Agostino Biliotti da Antonio Sinibaldi gratis et amore Anno Domini MCCCCLXXXV' (f. 240).Abbate Canonici of Venice: his sale, 25 June 1836, lot 141. Walter Sneyd: his sale, December 1903, lot 556; bought by Yates Thompson.
(f. 15); colophon: 'Scripto per Agostino Biliotti da Antonio Sinibaldi gratis et amore Anno Domini MCCCCLXXXV' (f. 240).Abbate Canonici of Venice: his sale, 25 June 1836, lot 141. Walter Sneyd: his sale, December 1903, lot 556; bought by Yates Thompson.
(f. 15); colophon: 'Scripto per Agostino Biliotti da Antonio Sinibaldi gratis et amore Anno Domini MCCCCLXXXV' (f. 240).Abbate Canonici of Venice: his sale, 25 June 1836, lot 141. Walter Sneyd: his sale, December 1903, lot 556; bought by Yates Thompson.
(f. 15); colophon: 'Scripto per Agostino Biliotti da Antonio Sinibaldi gratis et amore Anno Domini MCCCCLXXXV' (f. 240).Abbate Canonici of Venice: his sale, 25 June 1836, lot 141. Walter Sneyd: his sale, December 1903, lot 556; bought by Yates Thompson.
the 1907 edition with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: The Paper Publications Society, 1968), no. 3378 (Venice, 1478 and 1479). Decorated headpieces. Large decorated initials. Plutus (ff. 1-76v); Nubes (ff. 77-171) The Minutoli-Tegrimi family, of Lucca,
the 1907 edition with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: The Paper Publications Society, 1968), no. 3378 (Venice, 1478 and 1479). Decorated headpieces. Large decorated initials. Plutus (ff. 1-76v); Nubes (ff. 77-171) The Minutoli-Tegrimi family, of Lucca,
Elegies) (ff. 1-70); followed by two short texts (ff. 70-71) Copied from the 1493 reprint of the 1487 Beroaldus edition (Venice, Simon Bevilaqua), according to Butrica.Jonathan Toup (b. 1713 d. 1785), philologer and classical editor: his sale, 10 May 1786,
Elegies) (ff. 1-70); followed by two short texts (ff. 70-71) Copied from the 1493 reprint of the 1487 Beroaldus edition (Venice, Simon Bevilaqua), according to Butrica.Jonathan Toup (b. 1713 d. 1785), philologer and classical editor: his sale, 10 May 1786,
(ff. 102-135); Sermones (index Satires) (ff. 135-181v) ? Perhaps owned by a member of the Badoeri or Emo families of Venice: with their arms, ~gules~, a lion rampant ~or~, 3 bends ~argent~ over all (f. 1); cf. King's 28; cf.
(ff. 102-135); Sermones (index Satires) (ff. 135-181v) ? Perhaps owned by a member of the Badoeri or Emo families of Venice: with their arms, ~gules~, a lion rampant ~or~, 3 bends ~argent~ over all (f. 1); cf. King's 28; cf.
(ff. 102-135); Sermones (index Satires) (ff. 135-181v) ? Perhaps owned by a member of the Badoeri or Emo families of Venice: with their arms, ~gules~, a lion rampant ~or~, 3 bends ~argent~ over all (f. 1); cf. King's 28; cf.
Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the British Museum from him together with 1084 other Stowe manuscripts in 1883. Decorated initial Joannes de Vitalibus Joannes de Vitalibus Venice Italy, N. E. (Venice)
of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414; Unknown location, formerly
of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414; Unknown location, formerly
of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414; Unknown location, formerly
of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414; Unknown location, formerly