• Text page with 'P'(lerumque) with penwork decoration., Variae (abridgement of the last five books)

(abridgement of the last five books) The Convent of Austin Friars, York: in the catalogue of 1372 (Dublin, Trinity College MS 359, ff. 5-48) no. 460.John Erghome, prior of York (c.1385): an erased inscription in the upper margin of the

• Text page with initial 'Q'(ui) with penwork decoration., Variae (abridgement of the last five books)

(abridgement of the last five books) The Convent of Austin Friars, York: in the catalogue of 1372 (Dublin, Trinity College MS 359, ff. 5-48) no. 460.John Erghome, prior of York (c.1385): an erased inscription in the upper margin of the

• Text page with quire number in arabic numerals written backwards: '610' for 16., Variae (abridgement of the last five books)

(abridgement of the last five books) The Convent of Austin Friars, York: in the catalogue of 1372 (Dublin, Trinity College MS 359, ff. 5-48) no. 460.John Erghome, prior of York (c.1385): an erased inscription in the upper margin of the

• Text page with puzzle initial 'P'(ropositi) with penwork decoration and rubric added in a later cursive script ., Variae (abridgement of the last five books)

(abridgement of the last five books) The Convent of Austin Friars, York: in the catalogue of 1372 (Dublin, Trinity College MS 359, ff. 5-48) no. 460.John Erghome, prior of York (c.1385): an erased inscription in the upper margin of the

• null, Epistolae ex Ponto

Ponto Written in Northumbria, possibly at the Benedictine abbey of St Mary, York, according to Lawrence 1994 p. 466 and Lawrence-Mathers 2003 p. 124.Unidentified owner, 13th century?: ‘hic est | bu(?) | Walteri | [..?]eff’ (f. 19, within the coloured

• null, Epistolae ex Ponto

Ponto Written in Northumbria, possibly at the Benedictine abbey of St Mary, York, according to Lawrence 1994 p. 466 and Lawrence-Mathers 2003 p. 124.Unidentified owner, 13th century?: ‘hic est | bu(?) | Walteri | [..?]eff’ (f. 19, within the coloured

• null, Epistolae ex Ponto

Ponto Written in Northumbria, possibly at the Benedictine abbey of St Mary, York, according to Lawrence 1994 p. 466 and Lawrence-Mathers 2003 p. 124.Unidentified owner, 13th century?: ‘hic est | bu(?) | Walteri | [..?]eff’ (f. 19, within the coloured

• Historiated initial 'N' of Olivetan Monks worshipping the Cross., Cuttings from a choir book

York, The Morgan Library and Museum, M725 and M1090; Paris, Musée Marmottan, Wildenstein Collection (see Levi D'Ancona, cat. no. 24); Philadelphia, Free Library of Philadelphia, Lewis E M 20:2-3, 24:10-11, 28:19, 72:11A and B, 76:49-54; Private collection, formerly New

• Music to Kyrie Eleison and St Godric's Hymns., Epistola and Apologia

Beverley] (ff. 8v-10); to Peter, Cardinal-deacon (ff. 10-11); to G[aufridus], Abbot of St. Mary of York (ff. 11-11v) and (ff. 11v-12); to Turstan, Archbishop of York (f. 12);; to R[ichard], Abbot of Fountains(ff. 12-12v); to David, King of the Scots

• Music to Kyrie Eleison and St Godric's Hymns in English., Epistola and Apologia

Beverley] (ff. 8v-10); to Peter, Cardinal-deacon (ff. 10-11); to G[aufridus], Abbot of St. Mary of York (ff. 11-11v) and (ff. 11v-12); to Turstan, Archbishop of York (f. 12);; to R[ichard], Abbot of Fountains(ff. 12-12v); to David, King of the Scots

• Decorated initial 'Q'(uae) in Ovid's Epistolae ex Ponto., Epistolae ex Ponto

both colours. Epistolae ex Ponto Written in Northumbria, possibly at the Benedictine abbey of St Mary, York, according to Lawrence 1994 p. 466 and Lawrence-Mathers 2003 p. 124.Unidentified owner, 13th century?: ‘hic est | bu(?) | Walteri | [..?]eff’ (f.

• Initial 'N'(aso) and inscription of Roger Twysden, at the beginning of Ovid's Epistolae ex Ponto., Epistolae ex Ponto

green, red, or both colours. Epistolae ex Ponto Written in Northumbria, possibly at the Benedictine abbey of St Mary, York, according to Lawrence 1994 p. 466 and Lawrence-Mathers 2003 p. 124.Unidentified owner, 13th century?: ‘hic est | bu(?) | Walteri

• Decorated initial 'R'(edditus) in Ovid's Epistolae ex Ponto., Epistolae ex Ponto

both colours. Epistolae ex Ponto Written in Northumbria, possibly at the Benedictine abbey of St Mary, York, according to Lawrence 1994 p. 466 and Lawrence-Mathers 2003 p. 124.Unidentified owner, 13th century?: ‘hic est | bu(?) | Walteri | [..?]eff’ (f.

• Decorated initial 'R'(edditus) in Ovid's Epistolae ex Ponto., Epistolae ex Ponto

both colours. Epistolae ex Ponto Written in Northumbria, possibly at the Benedictine abbey of St Mary, York, according to Lawrence 1994 p. 466 and Lawrence-Mathers 2003 p. 124.Unidentified owner, 13th century?: ‘hic est | bu(?) | Walteri | [..?]eff’ (f.

• Decorated initial 'Q'(uae) in Ovid's Epistolae ex Ponto., Epistolae ex Ponto

both colours. Epistolae ex Ponto Written in Northumbria, possibly at the Benedictine abbey of St Mary, York, according to Lawrence 1994 p. 466 and Lawrence-Mathers 2003 p. 124.Unidentified owner, 13th century?: ‘hic est | bu(?) | Walteri | [..?]eff’ (f.

• Miniature of a centaur holding a snake; below, hedgehogs collecting grapes on their spines., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

on their spines. A direct copy of the Worksop Bestiary, New York, Pierpont Morgan Library M. 81 (see ~Two East Anglian Picture Books : A Facsimile of the Helmingham Herbal and Bestiary and Bodleian Ms. Ashmole 1504~, ed. by Nicholas

• Miniature of a swallow, at the beginning of the entry for swallow., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

for swallow. A direct copy of the Worksop Bestiary, New York, Pierpont Morgan Library M. 81 (see ~Two East Anglian Picture Books : A Facsimile of the Helmingham Herbal and Bestiary and Bodleian Ms. Ashmole 1504~, ed. by Nicholas Barker

• Miniature of two serpents fighting, at the beginning of the entry for 'vipera'., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

entry for 'vipera'. A direct copy of the Worksop Bestiary, New York, Pierpont Morgan Library M. 81 (see ~Two East Anglian Picture Books : A Facsimile of the Helmingham Herbal and Bestiary and Bodleian Ms. Ashmole 1504~, ed. by Nicholas

• Miniatures of a two goats and a bull., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

A direct copy of the Worksop Bestiary, New York, Pierpont Morgan Library M. 81 (see ~Two East Anglian Picture Books : A Facsimile of the Helmingham Herbal and Bestiary and Bodleian Ms. Ashmole 1504~, ed. by Nicholas Barker (London: The

• Detail of a miniature of vultures., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

direct copy of the Worksop Bestiary, New York, Pierpont Morgan Library M. 81 (see ~Two East Anglian Picture Books : A Facsimile of the Helmingham Herbal and Bestiary and Bodleian Ms. Ashmole 1504~, ed. by Nicholas Barker (London: The Roxburgh