Your search found 1649 results in 1 resource
of the 17th century): inscribed with his name, 1612 (f. 196); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), pp. 100-101, and appendix § 80-84.Italian inscription: ‘Pentateuco Ebraico ossia li cinque libri di Moise’
of the 17th century): inscribed with his name, 1612 (f. 196); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), pp. 100-101, and appendix § 80-84.Italian inscription: ‘Pentateuco Ebraico ossia li cinque libri di Moise’
(fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b. 1801, d.
(fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b. 1801, d.
(fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b. 1801, d.
(fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b. 1801, d.
(fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b. 1801, d.
(fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b. 1801, d.
(fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b. 1801, d.
of the 17th century): inscribed with his name, 1618 (f. 477v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), pp. 100-101, and appendix § 80-84.Birth entries in Spanish of four sons of an unknown
of the 17th century): inscribed with his name, 1618 (f. 477v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), pp. 100-101, and appendix § 80-84.Birth entries in Spanish of four sons of an unknown
of the 17th century): inscribed with his name, 1618 (f. 477v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), pp. 100-101, and appendix § 80-84.Birth entries in Spanish of four sons of an unknown
Copenhagen, Det Kongelige Bibliotek, Fragment 1959/123 and former New York, Breslauer Collection (from A.II.14; see William M. Voelkle and Roger S. Wieck, ~The Bernard H. Breslauer Collection of Manuscript Illuminations~ (New York: Pierpont Morgan Library, 1992), cat. no. 91). 1
royal minister, archbishop of York, and cardinal. Harley 1197 is bound in two volumes: Vol. I (ff. 1-203), Vol. 2 (ff. 204-413). Apart from ff. 1-76v, the contents of the first volume, written by several scribes, are post- medieval and
December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,
December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,
December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,
December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,
December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,
December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,