• Calendar page for November., Psalter, with 12 Canticles, Litany, and Office of the Dead, use of Sarum

divisions (ff. 7, 22v, 32v, 41v, 51, 63, 74, 86), with the arms of Isabel, sister of Richard, duke of York, aunt of Edward IV impaled by those of her husband, Henry Bourchier, 1st earl of Essex (f. 7). 'Champ'

• Ownership inscription of Thomas Bourchier, reading 'Sir T[homas] Bourgchier'., Psalter, with 12 Canticles, Litany, and Office of the Dead, use of Sarum

divisions (ff. 7, 22v, 32v, 41v, 51, 63, 74, 86), with the arms of Isabel, sister of Richard, duke of York, aunt of Edward IV impaled by those of her husband, Henry Bourchier, 1st earl of Essex (f. 7). 'Champ'

• Section of border with floral motifs and bezants., Cuttings from a choir book

n. y1972-6; and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003),

• Section of border with floral motifs, bezants and Mount Calvary., Cuttings from a choir book

n. y1972-6; and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003),

• Historiated initial 'O' of the Adoration of the Magi, including an African king, measuring 140 x 160. On the reverse, partial two four-line staves, musical notation and text: '...regi da et m /...filio regis'., Cuttings from a Gradual

n. y1972-6; and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003),

• Historiated initial 'D' of a Memento Mori, measuring 125 x 110. On the reverse, partial four-line stave, musical notation and text: '...antur'., Cuttings from a Gradual

n. y1972-6; and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003),

• Historiated initial 'P' of the Virgin Adoring the Christ Child, measuring 250 x 210. On the reverse, partial two four-line staves, musical notation and text: '...lo tu /… Co[n]. Exulta'., Cuttings from a Gradual

n. y1972-6; and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003),

• Historiated initial 'I' of a male martyr saint, measuring 100 x 95. On the reverse, partial four-line stave, musical notation and text: '...ti eum'., Cuttings from a Gradual

n. y1972-6; and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003),

• Historiated initial 'C' of Lawrence, measuring 135 x 120. On the reverse, partial four-line stave, musical notation and text: '...tate domi /...?ium can'., Cuttings from a Gradual

n. y1972-6; and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003),

• Historiated initial 'T' of a Romanesque church with a rose window by a lake, measuring 100 x 115. On the reverse, partial four-line stave, musical notation and text: '...deficit'., Cuttings from a Gradual

n. y1972-6; and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003),

• Foliate initial 'E', measuring 75 x 75. On the reverse, partial four-line stave, musical notation and text: '...me'., Cuttings from a Gradual

n. y1972-6; and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003),

• Foliate initial 'S', measuring 75 x 80. On the reverse, partial four-line stave, musical notation and text: '…tate e'., Cuttings from a Gradual

n. y1972-6; and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003),

• Foliate initial 'S', measuring 80 x 80. On the reverse, partial four-line stave, musical notation and text: '…um no(n)'., Cuttings from a Gradual

n. y1972-6; and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003),

• Historiated initial 'I' of Augustine dressed as a Bishop enthroned blessing two groups of kneeling Augustinian canons., Cutting from a Gradual or Antiphoner (index antiphoner; antiphonal)

n. y1972-6; and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003),

• Border with hybrids and grotesques., Book of Hours, Use of Paris

Henry Stuart (b. 1725, d. 1807), Cardinal Duke of York.John Julio Clovio: inscribed 'from the library of the late Cardinal York' (f. [i]).Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1776, d. 1839), 1st duke of Buckingham and Chandos, of Stowe House, near Buckingham: inscribed

• Miniature of Matthew writing at an improvised desk under a ruined arch, inspired by a winged putto with a distant landscape of hills and towers in the background, within a painted gold architectural frame., Cutting from a Gospel Lectionary (index Evangelistary) of Gregory XIII, containing Matthew 5:6-7.

the same volume are Add. 21412, f. 98-110, Add. 35254K, N and P; Chicago, Art Institute of Chicago, 1982.438; New York, Brooklyn Museum, 11.499 and The Morgan Library and Museum, MS. 270; Philadelphia, Free library, Ms. 27:7; Texas, private collection

• Miniature of the Annunciation, decorated initial 'D'(omine), and full foliate border, at the beginning of the Hours of the Virgin., Book of Hours, Use of Paris

Henry Stuart (b. 1725, d. 1807), Cardinal Duke of York.John Julio Clovio: inscribed 'from the library of the late Cardinal York' (f. [i]).Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1776, d. 1839), 1st duke of Buckingham and Chandos, of Stowe House, near Buckingham: inscribed

• Miniature of the Coronation of the Virgin, and full foliate border, at the beginning of Compline in the Hours of the Virgin., Book of Hours, Use of Paris

Henry Stuart (b. 1725, d. 1807), Cardinal Duke of York.John Julio Clovio: inscribed 'from the library of the late Cardinal York' (f. [i]).Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1776, d. 1839), 1st duke of Buckingham and Chandos, of Stowe House, near Buckingham: inscribed

• Miniature of the Annunciation, decorated initial 'D'(omine), and full foliate border, at the beginning of the Hours of the Virgin., Book of Hours, Use of Paris

Henry Stuart (b. 1725, d. 1807), Cardinal Duke of York.John Julio Clovio: inscribed 'from the library of the late Cardinal York' (f. [i]).Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1776, d. 1839), 1st duke of Buckingham and Chandos, of Stowe House, near Buckingham: inscribed

• Miniature of the Coronation of the Virgin, and full foliate border, at the beginning of Compline in the Hours of the Virgin., Book of Hours, Use of Paris

Henry Stuart (b. 1725, d. 1807), Cardinal Duke of York.John Julio Clovio: inscribed 'from the library of the late Cardinal York' (f. [i]).Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1776, d. 1839), 1st duke of Buckingham and Chandos, of Stowe House, near Buckingham: inscribed