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Miniature with the Annunciation in the lower part and an initial with a trinitary head, at the beginning of Matins in the Hours of the Virgin. 1 fullpage miniature (f. 62v) and 11 full-page miniatures surrounding a few lines
Miniature of the Visitation, at the beginning of Lauds in the Hours of the Virgin. 1 fullpage miniature (f. 62v) and 11 full-page miniatures surrounding a few lines of text with a large decorated initials, some including human heads,
Miniature of the Nativity, at the beginning of Prime in the Hours of the Virgin. 1 fullpage miniature (f. 62v) and 11 full-page miniatures surrounding a few lines of text with a large decorated initials, some including human heads,
Miniature of the Annunciation to the Shepherds, at the beginning of Terce in the Hours of the Virgin. 1 fullpage miniature (f. 62v) and 11 full-page miniatures surrounding a few lines of text with a large decorated initials, some
Miniature of the Adoration of the Magi, at the beginning of Sext in the Hours of the Virgin. 1 fullpage miniature (f. 62v) and 11 full-page miniatures surrounding a few lines of text with a large decorated initials, some
Miniature of the Adoration of the Magi, at the beginning of Sext in the Hours of the Virgin. 1 fullpage miniature (f. 62v) and 11 full-page miniatures surrounding a few lines of text with a large decorated initials, some
Miniature of the Presentation, at the beginning of None in the Hours of the Virgin. 1 fullpage miniature (f. 62v) and 11 full-page miniatures surrounding a few lines of text with a large decorated initials, some including human heads,
Miniature of the Flight into Egypt, at the beginning of Vespers in the Hours of the Virgin. 1 fullpage miniature (f. 62v) and 11 full-page miniatures surrounding a few lines of text with a large decorated initials, some including
Miniature of the Coronation, at the beginning of Compline in the Hours of the Virgin. 1 fullpage miniature (f. 62v) and 11 full-page miniatures surrounding a few lines of text with a large decorated initials, some including human heads,
Miniature of David, at the beginning of the Penitential Psalms. 1 fullpage miniature (f. 62v) and 11 full-page miniatures surrounding a few lines of text with a large decorated initials, some including human heads, in colours and gold (ff.
Miniature of the Crucifixion, at the beginning of the Hours of the Cross. 1 fullpage miniature (f. 62v) and 11 full-page miniatures surrounding a few lines of text with a large decorated initials, some including human heads, in colours
Miniature of Pentecost, at the beginning of the Hours of the Holy Spirit. 1 fullpage miniature (f. 62v) and 11 full-page miniatures surrounding a few lines of text with a large decorated initials, some including human heads, in colours
Miniature of the Crucifixion of the 11,000, at the beginning of a prayer. 1 fullpage miniature (f. 62v) and 11 full-page miniatures surrounding a few lines of text with a large decorated initials, some including human heads, in colours
pasted onto f. 1), and his name (f. 3).Nicholas Wotton (b. c.1497, d. 1567), diplomat and dean of Canterbury and York: inscribed 'Dudum D. Nicolai wotton Decani cantuarien[sis] et eboracen[sis] in secretiori consilio R. Ma^tij^ consiliarij qui obijt xxv Januarij
of the translation by George Hermonymos, dedicated to George Neville, archbishop of York: prologue with dedication (ff. 5-6v). George Neville (b. 1432, d. 1476), administrator and archbishop of York: the presentation copy; his arms arms erroneously quartered with the arms
the Dukes of York, Gloucester and Ireland dining with Richard II. Includes the third volume of the Recueil des croniques d’Engleterre of Jean of Wavrin, preceded by a list of contents (ff. 1-9v). According to McKendrick (see McKendrick and Lowden
of the Dukes of York, Gloucester and Ireland dining with Richard II. Includes the third volume of the Recueil des croniques d’Engleterre of Jean of Wavrin, preceded by a list of contents (ff. 1-9v). According to McKendrick (see McKendrick and
version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret of York; preceded by a list of contents (ff. 1-5v) and the prologue of the translator (ff. 7-10v).Catchwords written vertically, and
version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret of York; preceded by a list of contents (ff. 1-5v) and the prologue of the translator (ff. 7-10v).Catchwords written vertically, and
version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret of York; preceded by a list of contents (ff. 1-5v) and the prologue of the translator (ff. 7-10v).Catchwords written vertically, and