• Miniature of the Pieta, at the beginning of a prayer., Miniatures added to a Book of Hours

Miniature of the Pieta, at the beginning of a prayer. 1 full-page miniature (f. 16v) and 5 full-page miniatures surrounding three or four lines of text (ff. 185v, 216v, 233v, 254v, 260v). Miniatures added to a Book of Hours

• Miniature of Michael defeating Lucifer, at the beginning of his suffrage., Miniatures added to a Book of Hours

Miniature of Michael defeating Lucifer, at the beginning of his suffrage. 1 full-page miniature (f. 16v) and 5 full-page miniatures surrounding three or four lines of text (ff. 185v, 216v, 233v, 254v, 260v). Miniatures added to a Book of

• Miniature of a Soul approaching its good angel, at the beginning of a prayer., Miniatures added to a Book of Hours

Miniature of a Soul approaching its good angel, at the beginning of a prayer. 1 full-page miniature (f. 16v) and 5 full-page miniatures surrounding three or four lines of text (ff. 185v, 216v, 233v, 254v, 260v). Miniatures added to

• Miniature of Michael defeating Lucifer, at the beginning of his suffrage., Miniatures added to a Book of Hours

Miniature of Michael defeating Lucifer, at the beginning of his suffrage. 1 full-page miniature (f. 16v) and 5 full-page miniatures surrounding three or four lines of text (ff. 185v, 216v, 233v, 254v, 260v). Miniatures added to a Book of

• Miniature of Soul approaching its good angel, at the beginning of a prayer., Miniatures added to a Book of Hours

Miniature of Soul approaching its good angel, at the beginning of a prayer. 1 full-page miniature (f. 16v) and 5 full-page miniatures surrounding three or four lines of text (ff. 185v, 216v, 233v, 254v, 260v). Miniatures added to a

• Miniature of Olympias giving birth to Alexander the Great, with two eagles on the roof of the palace (foretelling Alexander's two empires in Europe and Asia). The temple of Diana at Ephesus burns in the background as a portent of Alexander's revenge on the Persians for their invasion of Greece under Xerxes in 480 BC., Historia Alexandri Magni

grant Alexandre by Vasco da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret of York, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large

• Miniature of Christ as Man of Sorrows., Devotional miscellany

royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth of York, Henry VIII, and Catherine of Aragon. 5 small miniatures, in colours and gold (ff. 266v, 289v, 293, 297, 300v); 1 excised (f. 268). Large and

• Historiated initial 'D'(omine) with the dove of the Holy Spirit., Devotional miscellany

Hours with royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth of York, Henry VIII, and Catherine of Aragon. 5 small miniatures, in colours and gold (ff. 266v, 289v, 293, 297, 300v); 1 excised (f. 268).

• Miniature of the dead Christ and Mary., Devotional miscellany

royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth of York, Henry VIII, and Catherine of Aragon. 5 small miniatures, in colours and gold (ff. 266v, 289v, 293, 297, 300v); 1 excised (f. 268). Large and

• Miniature of Christ carrying the cross., Devotional miscellany

royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth of York, Henry VIII, and Catherine of Aragon. 5 small miniatures, in colours and gold (ff. 266v, 289v, 293, 297, 300v); 1 excised (f. 268). Large and

• Miniature of Anne and the Virgin., Devotional miscellany

royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth of York, Henry VIII, and Catherine of Aragon. 5 small miniatures, in colours and gold (ff. 266v, 289v, 293, 297, 300v); 1 excised (f. 268). Large and

• Miniature of the Seven Sorrows of the Virgin., Devotional miscellany

with royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth of York, Henry VIII, and Catherine of Aragon. 5 small miniatures, in colours and gold (ff. 266v, 289v, 293, 297, 300v); 1 excised (f. 268). Large

• Detail of a miniature of consuls administering an oath for the maintenance of liberties, at the beginning of book 2., Romuléon

arms differentiated by labels of three and five points for Edward's sons, Edward, prince of Wales, and Richard, duke of York; the royal arms on banners (f. 32), and the Yorkist badge with the motto 'Dieu est mon droit' (ff.

• Miniature of Camillius, dicator of Rome, leaving a city with his army, with a partial border and a foliate initial 'I'(state), at the beginning of book 3., Romuléon

arms differentiated by labels of three and five points for Edward's sons, Edward, prince of Wales, and Richard, duke of York; the royal arms on banners (f. 32), and the Yorkist badge with the motto 'Dieu est mon droit' (ff.

• Miniature of Hannibal and Scipio Africanus in discussion, with a partial border., Romuléon

arms differentiated by labels of three and five points for Edward's sons, Edward, prince of Wales, and Richard, duke of York; the royal arms on banners (f. 32), and the Yorkist badge with the motto 'Dieu est mon droit' (ff.

• Miniature of the senate of Rome, with a partial border and a foliate initial 'B'(ellum), at the beginning of book 7., Romuléon

arms differentiated by labels of three and five points for Edward's sons, Edward, prince of Wales, and Richard, duke of York; the royal arms on banners (f. 32), and the Yorkist badge with the motto 'Dieu est mon droit' (ff.

• Miniature of the return of Octavius with his vision of Virgin and Child on the sky and two women, with a partial border and a foliate initial 'A'(nno), at the beginning of book 9., Romuléon

arms differentiated by labels of three and five points for Edward's sons, Edward, prince of Wales, and Richard, duke of York; the royal arms on banners (f. 32), and the Yorkist badge with the motto 'Dieu est mon droit' (ff.

• Historiated initial 'C' of the Vision of Ezechiel. On the reverse, two four-line red staves, musical notation and text '...ue sub ipso /…le bant'., Cuttings from an Antiphoner (index antiphonar, antiphonal)

19796; Paris, Musée Marmottan, Wildenstein Collection, nos. 25-27; and Venice, Fondazione Giorgio Cini, no. 2111 (164); Unknown location, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection, ms. A. 6 (see Pier Luigi Mulas, 'Crivelli, Protasio', in ~Dizionario Biografico

• Historiated initial 'C' of Helen praying before the Cross. On the reverse, two four-line red staves, musical notation and text '...cut docuit /…lo'., Cuttings from an Antiphoner (index antiphonar, antiphonal)

19796; Paris, Musée Marmottan, Wildenstein Collection, nos. 25-27; and Venice, Fondazione Giorgio Cini, no. 2111 (164); Unknown location, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection, ms. A. 6 (see Pier Luigi Mulas, 'Crivelli, Protasio', in ~Dizionario Biografico

• Historiated initial 'O' of a funeral with a saint burying a man. On the reverse, two four-line red staves, musical notation and text '…meoru[m] neq[ue] /…as de pecca'., Cuttings from an Antiphoner (index antiphonar, antiphonal)

19796; Paris, Musée Marmottan, Wildenstein Collection, nos. 25-27; and Venice, Fondazione Giorgio Cini, no. 2111 (164); Unknown location, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection, ms. A. 6 (see Pier Luigi Mulas, 'Crivelli, Protasio', in ~Dizionario Biografico