Category
- Literary Manuscripts (55)
- Non-literary Manuscripts (55)
- Official Documents (government, civic, legal, religious) (0)
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- Manuscript Description (55)
Date
- 1422 – 1430 (43)
- 1431 – 1439 (23)
- 1440 – 1450 (34)
- 1451 – 1460 (8)
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Manuscripts of the West Midlands
compartment a ; 2-shaped r in final position; looped ascender on d . Also see Additions. Two-line Lombardic blue initials. Red and blue paraphs. Not medieval. Size: 250 x 170 mm. Cover of brown leather over pasteboard. Five raised bands
initial F . It is blue with a pattern of red triangles on the left leg and infilled with red leaves with a green background. Three-line initials in blue with crude brown (oxidised) and blue penwork. Place names underlined in
120 mm. Covered in red leather and fabric mitred and pasted onto pasteboard. Inside cover 'marbled' paper in red and blue. Four raised bands across the spine. Shield with supporting angels and scroll at bottom -'VIRTUTE ET FIDE' on front
with crude penwork decoration and tinted green. Underlining in red. Three-line red Lombardic capitals. Red end-line decoration. Item 3: four-line blue initial G with red penwork flourishing and grotesque head protruding into left margin. Title in red scroll. Stanzas marked
b , and l; B-shaped s in final position; 2-shaped r in final position. Body height: 3mm. Item 1: two-line blue initials, one-line red initials, red glosses, initials in text tinted red. Index signs, such as hands ff. 16v, 17v.
33 lines ruled in pencil. Several different hands writing in small and compact Secretary scripts influenced by Anglicana. Capitals in blue with red penwork. Some eleborate ascenders in brown ink (e.g. ff. 135-136). Medieval binding. Size: 230 x 150 mm.
on wodebynde it sleeþ þe cancre in þe mouþe and ouer alle'. 'Magister willelmus leche de kylingholme' is written in blue ink. Killingholme is in north east Lincolnshire, north west of Grimsby. English f. 108v Man of Signs - drawing
'Anno domini MCCCCxx' (1420). Twenty full bar borders in blue and violet, some with floral clusters (for a detailed description see Hanna 2002, p. 128-129). Three to five-line champ initials. Two-line blue initials with red penwork flourishing. Rubrics and marginalia
8-shaped s in final position; forked ascender on h and l ; elongated and spurred ascenders on top line. Two-line blue initials with red penwork flourishing. Red rubrics. Red paraphs. Eighteenth century brown calf over pasteboard. ff. iii + 90
red; couplets linked by squared red brackets formed from wiggly lines. Not medieval. Size: 155 x 100 mm. Covered in blue cloth with a dark green leather spine. Mitred and pasted onto pasteboard. Five raised bands across the spine. No
1: paraphs and some letters tinted red. Item 2: red paraphs, brown ink. Item 3: text begins with a five-line blue initial with crude red penwork and infill; two-line red initials, red paraphs, running titles underlined in red. Item 5:
closed s in final position and long s elsewhere; Body height: 1.5 mm. Ff. 3r-29v: text begins with a four-line blue initial with red penwork flourishing. Latin lines in red. Ff. 30r-31v: three-line red Lombardic capital m begins text. All
Scribe 2: ff. 200v-203v - a roughly contemporary Anglicana book hand. Paragraph marks, alternately red and blue in the South English Legendary . Two-line blue initials with red pen- work flourishes in the South English Legendary . First letter of
hooked ascender to h ; hooked descender to h ; long s in medial position. Body height: 2 mm. Two-line blue Lombardic initials with red penwork flourishing. Some words in red. Single red stroke between various words. Underlining in red.
49). Probably an Augustinian canon at Haughmond Abbey. In red: scribal numbering; titles; colophons; brackets; paraphs. Two-line red initials. Three-line blue initials with red penwork flourishing. Drawing of the Holy Face on the Vernicle. Nine lines deep over one column