red and blue with infill of leaves and vine and red and blue penwork flourishing extending into the margin begins the text. Initials with red and blue penwork. Latin quotations boxed in red. Item 2: Twelve-line red and blue initial
Bunt notes that the hand is a 'bold textura of the late r 14th century' (1985, p. 3). Two-line blue or blue and green initials with red penwork mark new sections of the poem. Not contemporary. Rebound in 1969. Letter
Formata hand. Item 1: 'Cha mpe initials (gold on blue and purple with white tracery) ff. 1, 4, 93v, 126v, 128, 141' (Mynors and Thomson 1993, p. 69). Item 2: blue initials with red penwork flourishing. Late nineteenth-century binding. Parchment
ff. 13r-20v: three-line blue initials with red penwork flourishing along margin (first letter of each Psalm). One-line red and blue Lombardic capitals. Red underlining. Text 3, ff. 21r-25v: three-line blue initial with red penwork begins text. Two-line blue initials with
red initial with blue penwork e.g. f. 148v. F. 27r - five-line red and blue initial O infilled with leaves outlined in red and infilled with blue, penwork surrounding initial in blue and red infilled alternately with blue and red.
yogh; 2-shaped r . Body height: 2mm. Each item started by a two/three-line gold initial on a quartered rose and blue ground with white filigree infill with a spray growing from ascenders and descenders of black lines and carrying a
position. Body height 1.5-2mm. Eleven-line blue initial I with red penwork extending along left and top margin begins first text. Other texts begin with three-line initials with fine red penwork e.g. f. 9r. Two-line blue initials with red penwork throughout.
England Oxford Bodleian Library Laud Misc. 601 SC 1491 s. xiv ex English Scribal Dialect: South East Gloucestershire. Linguistic Atlas Grid Reference: 393 198, LP 6980 (McIntosh, Samuels and Benskin 1986, p. 196). A late fourteenth-century, c. 1374-1400,
throughout, see Ker 1963, pp. xvi-xvii. Item 1: alternate red and blue initials at each quatrain. Two-line blue initials with red penwork to begin introduction to text. Four-line blue initial with red penwork to begin text proper. Other texts: decoration
colophon in red. Item 2 - in the margin are five rough pictures of bleeding wounds. Item 3 - two-line blue lombards, some letters tinted red, red paraphs. Item 4 - Prologue, first column and a half, in red. Not
for the first one, 'Advent Sonday' (brown), rubrication throughout. Red paraphs throughout. F. 1r: initial G of 'Go de' - blue with red flourishing. Other first letters are red. Nota bene: hand - ff. 60r, 97v. Not medieval. Size: 230
brown ink in an early fourteenth-century Anglicana hand. Body height: 2 mm. Two-line blue initials with red penwork flourishing - swirls rather than foliate. Two-line red and blue paraphs. Not medieval. Size: 310 x 190 mm. Covered in dark brown/black
printed in Brown 1927, fr ontispiece. Purple, blue and gold border with miniature of St. Andrew, in blue, bound to a saltire cross, on a gold ground in the initial, p. 1. Four-line blue initials with red penwork at the
was written by one scribe, apart from some lines on f. 20r, who wrote in an 'unpractised Anglicana hand'. Large blue initial with red penwork extending along the left margin and top of the leaf on f. 3r, St. Michael.
fairly large elongated leaves - orange, blue, pink (not rose), dark pink/red/burgundy, white circles. Border Artist 2: ff. 5r, 7r-8r, 62r-93v, 98v-118r, 124r, 125v, 126r, 128v, 129r, 135r-143r, 163v. Characteristics: gold bar and blue bar with initial decorated with serrated
Scribe 2: Item 3 is written in a contemporary business hand. Red paraphs to f. 16v. F. 17r - historiated blue initial A - head of St. Anselm? ff. 17-32v - one-line red initials, red paraphs, two-line red initials, hands
'reproduce features of a dignified book hand on the basis of an engrossing hand, with upright and square proportions'. Three-line blue initial with red penwork extending into left margin on initial of each saint's life. First letter of each line
red and placed within a ruled column by scribes 1, 3 and 5 but not by scribes 2 and 4. Blue initials with red penwork flourishing, all by the same artist, eg. ff. 140 vb, 324r-v. Not medieval. A second
Formata, ff. 52v. In red: paraphs, two-line red initials, letters frequently tinted, extended ascenders on top line. One five-line initial, blue and red, f. 1r. Spaces for five-line initials: ff. 23r, 33v, 39v, 43v, 47v. Spaces for two-line initials: ff.
Three-line blue initials with red penwork extending into border. Red and blue paraphs. Item 4: four/five-line initial A in blue as before. Red and blue paraphs. Two-line blue initials with red penwork. Item 5: fourteen-line initial I in blue with