Your search found 156 results in 1 resource
of an ecclesiastical writ dated in 540, 16th century (f. 1). John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator: inscribed with his name (f. 1); listed in the 1609 catalogue of his collection, no. 399
of an ecclesiastical writ dated in 540, 16th century (f. 1). John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator: inscribed with his name (f. 1); listed in the 1609 catalogue of his collection, no. 399
Cantuarien[sis]' (f. 1).John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator: inscribed with his name (f. 1); listed in the 1609 catalogue of his collection, no. 38 (see ~The Lumley Library~, 1956); passed to Henry, prince
Cantuarien[sis]' (f. 1).John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator: inscribed with his name (f. 1); listed in the 1609 catalogue of his collection, no. 38 (see ~The Lumley Library~, 1956); passed to Henry, prince
Cantuarien[sis]' (f. 1).John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator: inscribed with his name (f. 1); listed in the 1609 catalogue of his collection, no. 38 (see ~The Lumley Library~, 1956); passed to Henry, prince
Cantuarien[sis]' (f. 1).John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator: inscribed with his name (f. 1); listed in the 1609 catalogue of his collection, no. 38 (see ~The Lumley Library~, 1956); passed to Henry, prince
very similar to those reproduced from Venice, Marciana MS 516 in Pneumatics, Hall, pp. 121-41. Simple red foliate headpieces (f. 1, 27). Red initials, many with foliate penwork decoration. Numerous diagrams, many in combinations of ink drawings and yellow, blue
very similar to those reproduced from Venice, Marciana MS 516 in Pneumatics, Hall, pp. 121-41. Simple red foliate headpieces (f. 1, 27). Red initials, many with foliate penwork decoration. Numerous diagrams, many in combinations of ink drawings and yellow, blue
very similar to those reproduced from Venice, Marciana MS 516 in Pneumatics, Hall, pp. 121-41. Simple red foliate headpieces (f. 1, 27). Red initials, many with foliate penwork decoration. Numerous diagrams, many in combinations of ink drawings and yellow, blue
the prologue to the commentary on Matthew. 2 historiated initials, in colours and gold (ff. 1, 165), each accompanied by a full border, the second incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue
1757. 2 historiated initials, in colours and gold (ff. 1, 165), each accompanied by a full border, the second incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with
commentary on III John. 2 historiated initials, in colours and gold (ff. 1, 165), each accompanied by a full border, the second incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing,
Text page at the beginning of Abbo of St-Germain's ~Bella Parisiacae urbis~, book 3, with red initial and highlights. Ruled in hard-point. Glosses to Bede and Abbo. A variety of small marginal marks between ff. 1-71v; corrections and erasures
Anitphon with neumes. ff. 69-72 are fragments from the same manuscript as Stowe 1061 f. 125. Musical notation in many fragments.Mostly removed from bindings.ff. 1-21v; 24-47v; 51-57v; 61-63v; 65; 67-68v; 73 are various fragments, including of the Laws of
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘13 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
Church calendar (ff. 2-7v).f. 1 is a 13th-century text with initials in green, red, and red with green penwork decoration.Basan also wrote Hanover, Kestner Museum MS WM XXIa 36; parts of York, Minster Lib., MS Add. 1; Additional 34890; Florence,
Church calendar (ff. 2-7v).f. 1 is a 13th-century text with initials in green, red, and red with green penwork decoration.Basan also wrote Hanover, Kestner Museum MS WM XXIa 36; parts of York, Minster Lib., MS Add. 1; Additional 34890; Florence,
Antiphon for the office of Peter and Paul, with neumes. ff. 69-72 are fragments from the same manuscript as Stowe 1061 f. 125. Musical notation in many fragments.Mostly removed from bindings.ff. 1-21v; 24-47v; 51-57v; 61-63v; 65; 67-68v; 73 are
Toledo, Prognosticon futuri saeculi, with interlinear Latin glosses and 1 Old English gloss on f. 69 (ff. 1v-79v);Aldhelm, bishop of Sherborne (c. 705-709), Aenigmata, with interlinear and marginal Latin and 75 Old English glosses (ff. 79v-103v);Caelius Firmianus Symposius, 'Enigmata Simphosii'
Sherbonne. Contains:Julian of Toledo, Prognosticon futuri saeculi, with interlinear Latin glosses and 1 Old English gloss on f. 69 (ff. 1v-79v);Aldhelm, bishop of Sherborne (c. 705-709), Aenigmata, with interlinear and marginal Latin and 75 Old English glosses (ff. 79v-103v);Caelius Firmianus