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(formerly in the diocese of Langes), last quarter of the 17th century: inscribed 'Ex lib. monasterii St. joannis Reomensis' (ff. 1, 45v; cf. f. 31).Unidentified French owner, 18th century: inscribed 'fournier'(?) (f. 2).Unidentified French owner, 18th century: with a two-line
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘20 die mensis Januarii, A.D. 1721/22’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
words in capital letters (now darkened to a silvery black, due to oxidisation). On the fly-leaf at the beginning (f. 1) is a paragraph, in a 15th cent. hand, on the title 'Venerable' applied to Bede, to which is attached,
White vine initial 'N'(unc), and 'champ' iniitals: 'A'(d) and 'Q'(uare). Severely trimmed on lower margin. White vine initials in gold and colours at the beginning of each book (ff. 8v, 18v, 27v, 44, 56v, 71, 79v, 90, 104v, 113).
collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘11 die Martij, A.D. 1723/4’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
Text page of the beginning of Gregory the Great' 'De cura pastoral'.i The manuscript includes:Gregory the Great, De cura pastorali (ff. 1-97);Ambrose, Libellus de dignitate sacerdotali (ff. 97v-106);Ambrose, De Helia et ieiunio (ff. 106v-13);Augustine, 'Sermo ad episcopos' (ff. 132-134);The
ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with
decoration. Large and small initials in red, green, or brown, some with penwork decoration, one extending into the margin (f. 1). Highlighting of letters in red. Miscellany of historical and romantic works, including Historia regum Britanniae (index Gesta Britonum), Apollonius
decoration. Large and small initials in red, green, or brown, some with penwork decoration, one extending into the margin (f. 1). Highlighting of letters in red. Miscellany of historical and romantic works, including Historia regum Britanniae (index Gesta Britonum), Apollonius
letters between Alexander and Dindimus, king of the Brahmins) (ff. 78v-94v);'Parva recapitulatio de eodem Alexandro et de suis' (ff. 94v-98). 1 full-page ink drawing in colours preceding the text (f. 1v). Initials in green, some with penwork decoration in red,
letters between Alexander and Dindimus, king of the Brahmins) (ff. 78v-94v);'Parva recapitulatio de eodem Alexandro et de suis' (ff. 94v-98). 1 full-page ink drawing in colours preceding the text (f. 1v). Initials in green, some with penwork decoration in red,
the office for Catherine (ff. 108-109). Large initial with partial border in colours and gold, at the beginning of Psalm 1 (f. 8). Large puzzle intial in red and blue with red and blue penwork decoration extending to form a
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with
ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with
ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with
ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with
ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with
ink or with colours, on most pages, illustrating the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with