• Initial 'E'(cce) with foliate decoration., Enarrationes in Psalmos (Volume 3)

'T[er]tia p[ar]s psalt[er]ii Ernulphi ep[iscop]i s[ecundu]m Aug.', and 'Liber de claust[r]o Roffens[i]', 14th century (f. 1); included in the Rochester library catalogue of 1122-1123, no. 1 as 'Expositionem eiusdem super psalterium in iii voluminibus'; and in the catalogue of 1202,

• Anthropomorphic initial 'Q'(uantium) with a man, and two dogs., Enarrationes in Psalmos (Volume 3)

'T[er]tia p[ar]s psalt[er]ii Ernulphi ep[iscop]i s[ecundu]m Aug.', and 'Liber de claust[r]o Roffens[i]', 14th century (f. 1); included in the Rochester library catalogue of 1122-1123, no. 1 as 'Expositionem eiusdem super psalterium in iii voluminibus'; and in the catalogue of 1202,

• Decorated initial 'M'(agnus), at the beginning of the Confessiones of Augustine., Confessiones, De heresibus

the 'Confessiones' preceded by a fragment of 'Retractationes' begins on f. 1, but is broken off and repeated on f. 2v; ff. 1v-2 are blank.Written by three hands (Hand 1: ff. 1-116, Hand 2: ff. 117-128, Hand 3: ff. 129-184).Catchwords

• Decorated initial 'C'(onfessionum) and 'M'(agnus) at the beginning of Augustine's Confessiones., Confessiones, De heresibus

the 'Confessiones' preceded by a fragment of 'Retractationes' begins on f. 1, but is broken off and repeated on f. 2v; ff. 1v-2 are blank.Written by three hands (Hand 1: ff. 1-116, Hand 2: ff. 117-128, Hand 3: ff. 129-184).Catchwords

• Decorated initial 'P'(er), at the beginning of book 4 of Augustine's Confessiones., Confessiones, De heresibus

the 'Confessiones' preceded by a fragment of 'Retractationes' begins on f. 1, but is broken off and repeated on f. 2v; ff. 1v-2 are blank.Written by three hands (Hand 1: ff. 1-116, Hand 2: ff. 117-128, Hand 3: ff. 129-184).Catchwords

• Decorated initial 'C'(onfessionum), at the beginning of a fragment of 'Retractationes' of Augustine., Confessiones, De heresibus

the 'Confessiones' preceded by a fragment of 'Retractationes' begins on f. 1, but is broken off and repeated on f. 2v; ff. 1v-2 are blank.Written by three hands (Hand 1: ff. 1-116, Hand 2: ff. 117-128, Hand 3: ff. 129-184).Catchwords

• Added list of names, including sovereigns of England from William the Conqueror and English and Norman bishops and abbots., Confessiones, De heresibus

the 'Confessiones' preceded by a fragment of 'Retractationes' begins on f. 1, but is broken off and repeated on f. 2v; ff. 1v-2 are blank.Written by three hands (Hand 1: ff. 1-116, Hand 2: ff. 117-128, Hand 3: ff. 129-184).Catchwords

• Decorated initial 'S'(ymoniaci) at the beginning of Augustine's De heresibus., Confessiones, De heresibus

the 'Confessiones' preceded by a fragment of 'Retractationes' begins on f. 1, but is broken off and repeated on f. 2v; ff. 1v-2 are blank.Written by three hands (Hand 1: ff. 1-116, Hand 2: ff. 117-128, Hand 3: ff. 129-184).Catchwords

• null, Enarrationes in Psalmos (Volume 2)

'Liber de claust[r]o Roffens[i]', and 'S[ecund]a p[ar]s psalt[er]ii s[ecundu]m Aug. Arnulphi p[ri]oris', 14th century (f. 1); included in the Rochester library catalogue of 1122-1123, no. 1 as 'Expositionem eiusdem super psalterium in iii voluminibus'; and in the catalogue of 1202,

• null, Enarrationes in Psalmos (Volume 2)

'Liber de claust[r]o Roffens[i]', and 'S[ecund]a p[ar]s psalt[er]ii s[ecundu]m Aug. Arnulphi p[ri]oris', 14th century (f. 1); included in the Rochester library catalogue of 1122-1123, no. 1 as 'Expositionem eiusdem super psalterium in iii voluminibus'; and in the catalogue of 1202,

• null, Enarrationes in Psalmos (Volume 2)

'Liber de claust[r]o Roffens[i]', and 'S[ecund]a p[ar]s psalt[er]ii s[ecundu]m Aug. Arnulphi p[ri]oris', 14th century (f. 1); included in the Rochester library catalogue of 1122-1123, no. 1 as 'Expositionem eiusdem super psalterium in iii voluminibus'; and in the catalogue of 1202,

• Detail of a historiated initial 'M'(editation) of two men attacking a third with a stone, at the beginning of Augustine's commentary on Psalm 148. Heslop 2008 argues that this composition derives from the illustrations in Psalms 13 and 52 of the Utrecht Psalter, and that the composition shows the Christian soul ('everyman') being dragged from the period of persecution, on the left, across Easter to a place of protection on the right side., Enarrationes in Psalmos (Volume 3)

'T[er]tia p[ar]s psalt[er]ii Ernulphi ep[iscop]i s[ecundu]m Aug.', and 'Liber de claust[r]o Roffens[i]', 14th century (f. 1); included in the Rochester library catalogue of 1122-1123, no. 1 as 'Expositionem eiusdem super psalterium in iii voluminibus'; and in the catalogue of 1202,

• Zoomorphic initial 'P'(salmus) with display script, at the beginning of Augustine's commentary to Psalm 50., Enarrationes in Psalmos (Volume 2)

'Liber de claust[r]o Roffens[i]', and 'S[ecund]a p[ar]s psalt[er]ii s[ecundu]m Aug. Arnulphi p[ri]oris', 14th century (f. 1); included in the Rochester library catalogue of 1122-1123, no. 1 as 'Expositionem eiusdem super psalterium in iii voluminibus'; and in the catalogue of 1202,

• Decorated initial 'D'(ici) at the beginning of the Enchiridion of Augustine., Enchiridion, De bono mortis, De corpore et sanguine Domini

(ff. 44v-62v) Lanfranc, De corpore et sanguine Domini (ff. 62v-89). Misbound at the beginning: f. 2 should be before f. 1, and ff. 12-19 before 4-11.Quire signatures. Decorated initials in green and red, at the beginning of major text divisions

• Simple initial 'O'(mnis) with a face in Pierre Tudebode's Historia de Hierosolymitana itinere., Historia de Hierosolymitana itinere

Simple initial 'O'(mnis) with a face in Pierre Tudebode's Historia de Hierosolymitana itinere. 1 initial in red with arabesque motifs (f. 1). Initials in red or brown with some penwork decoration, including dots, lines, simple spiralling extensions and once with

• Historiated initial 'I'(nter) of the four Evangelists with their symbols, with a full border containing two peacocks, a bird and arms of Grey, at the beginning of the De consensu evangelistarum of Augustine., De consensu evangelistarum, De musica

note (f. 12v) and bifolium signatures perhaps in the same hand. 1 historiated initial in colours and gold with full border, at the beginning of the text (f. 1). Initials in red with blue pen-flourishing, or in blue with red

• Detail of historiated initial 'D'(ixim[us]) of Dunstan, seated at a forge, pinching the devil's nose with a pair of tongs., Canterbury Passionale (Lives of the Saints), imperfect, including a life of Dunstan and of Anselm of Canterbury

added texts of the 13th and 14th centuries (~jocalia~) with no decorative elements. 1 large historiated initial in colours of Dunstan pinching the devil's nose (f. 15v). 1 smaller initial in colours with foliate and zoomorphic motifs (f. 21v). Small

• Historiated initial 'D'(ixim[us]) of Dunstan, seated at a forge, pinching the devil's nose with a pair of tongs., Canterbury Passionale (Lives of the Saints), imperfect, including a life of Dunstan and of Anselm of Canterbury

added texts of the 13th and 14th centuries (~jocalia~) with no decorative elements. 1 large historiated initial in colours of Dunstan pinching the devil's nose (f. 15v). 1 smaller initial in colours with foliate and zoomorphic motifs (f. 21v). Small

• Detail of decorated initial 'D'(efuncto) at the beginning of Book II of Eadmer's Life of Anselm of Canterbury., Canterbury Passionale (Lives of the Saints), imperfect, including a life of Dunstan and of Anselm of Canterbury

added texts of the 13th and 14th centuries (~jocalia~) with no decorative elements. 1 large historiated initial in colours of Dunstan pinching the devil's nose (f. 15v). 1 smaller initial in colours with foliate and zoomorphic motifs (f. 21v). Small

• Alchemical recipe, added in the ? 15th century., Apocalypse (in Wycliffe translation), with commentary

with penwork decoration (e.g. f. 97v) Apocalypse (in Wycliffe translation), with commentary Various inscriptions (ff. 1, 2, 109, and in margins), including alchemical recipe (f. 1); 15th century. Mathew Goodryk: inscribed with his name, early 16th century (f. 109v).David Norkin