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rerum (ff. 33-48v), with letters between Isidore and Braulio (ff. 1v-3) Inscribed on a small parchment fragment affixed to f. 1 'Anno dominice incarnationis .m.c.xxxvi.' (f. 1).Added diagram in a 15th-century hand (f. 41v). Charles Spencer (b. 1674, d. 1722),
rerum (ff. 33-48v), with letters between Isidore and Braulio (ff. 1v-3) Inscribed on a small parchment fragment affixed to f. 1 'Anno dominice incarnationis .m.c.xxxvi.' (f. 1).Added diagram in a 15th-century hand (f. 41v). Charles Spencer (b. 1674, d. 1722),
collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley, ‘18 die Januarij, A.D. 1723/4’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
rerum (ff. 33-48v), with letters between Isidore and Braulio (ff. 1v-3) Inscribed on a small parchment fragment affixed to f. 1 'Anno dominice incarnationis .m.c.xxxvi.' (f. 1).Added diagram in a 15th-century hand (f. 41v). Charles Spencer (b. 1674, d. 1722),
at the beginning of the argumentum for 1 Corinthians. The first volume of this Bible is Harley 2798.A part of the annals that used to be part of the Arnstein Bible has been rediscovered at Darmstadt, Hessische Landesbibliothek, Ms. 4128.Decorated
with clasps at the beginning of 1 Corinthians. The first volume of this Bible is Harley 2798.A part of the annals that used to be part of the Arnstein Bible has been rediscovered at Darmstadt, Hessische Landesbibliothek, Ms. 4128.Decorated quire
of a dragon at the beginning of 1 Thessalonians. The first volume of this Bible is Harley 2798.A part of the annals that used to be part of the Arnstein Bible has been rediscovered at Darmstadt, Hessische Landesbibliothek, Ms. 4128.Decorated
at the beginning of the argumentum to 1 Timothy. The first volume of this Bible is Harley 2798.A part of the annals that used to be part of the Arnstein Bible has been rediscovered at Darmstadt, Hessische Landesbibliothek, Ms. 4128.Decorated
in a subsidiary medallion. ff. [ii] and [145] are paper flyleaves pasted to parchment ones.Musical notation.Ruled in black ink.Marginal annotations. 1 full-page miniature in colours and gold of the Crucifixion with the Virgin Mary and John the Evangelist, with a
[ii] and [145] are paper flyleaves pasted to parchment ones.Musical notation.Ruled in black ink.Marginal annotations. 1 full-page miniature in colours and gold of the Crucifixion with the Virgin Mary and John the Evangelist, with a full border inhabited by birds
canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning of Psalm 101 (f. 40). Large initials in red or some
canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning of Psalm 101 (f. 40). Large initials in red or some
canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning of Psalm 101 (f. 40). Large initials in red or some
canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning of Psalm 101 (f. 40). Large initials in red or some
canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning of Psalm 101 (f. 40). Large initials in red or some
canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning of Psalm 101 (f. 40). Large initials in red or some
canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning of Psalm 101 (f. 40). Large initials in red or some
canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning of Psalm 101 (f. 40). Large initials in red or some
canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning of Psalm 101 (f. 40). Large initials in red or some
canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning of Psalm 101 (f. 40). Large initials in red or some