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probably the 'first' version (BHL 3181t); we thank Samatha Herrick for this information.Amperesands.Decorated quire signatures.Offset of the original binding (f. 1). Large historiated initials in colours (ff. 190, 191, 206). Large initials in red, some with animals or hybrids, all
probably the 'first' version (BHL 3181t); we thank Samatha Herrick for this information.Amperesands.Decorated quire signatures.Offset of the original binding (f. 1). Large historiated initials in colours (ff. 190, 191, 206). Large initials in red, some with animals or hybrids, all
probably the 'first' version (BHL 3181t); we thank Samatha Herrick for this information.Amperesands.Decorated quire signatures.Offset of the original binding (f. 1). Large historiated initials in colours (ff. 190, 191, 206). Large initials in red, some with animals or hybrids, all
in 1464 to the Hospital of St Nicholas, Cues on the Moselle: inscription (f. 1). The Hospital of St Nicholas, Cues on the Moselle: inscription (f. 1). Nathaniel Noel; sold to Harley between 1717 and 1718. The Harley Collection, formed
3 is Harley 2802, October-December.Ampersands.Decorated quire signatures. Very large zoomorphic and/or inhabited initials in colours on a coloured ground (ff. 1, 228). Large historiated or anthropomorphic initials in colours (ff. 6, 39v, 43, 46, 61v, 143, 149v, 162v, 207v). Large
3 is Harley 2802, October-December.Ampersands.Decorated quire signatures. Very large zoomorphic and/or inhabited initials in colours on a coloured ground (ff. 1, 228). Large historiated or anthropomorphic initials in colours (ff. 6, 39v, 43, 46, 61v, 143, 149v, 162v, 207v). Large
3 is Harley 2802, October-December.Ampersands.Decorated quire signatures. Very large zoomorphic and/or inhabited initials in colours on a coloured ground (ff. 1, 228). Large historiated or anthropomorphic initials in colours (ff. 6, 39v, 43, 46, 61v, 143, 149v, 162v, 207v). Large
probably the 'first' version (BHL 3181t); we thank Samatha Herrick for this information.Amperesands.Decorated quire signatures.Offset of the original binding (f. 1). Large historiated initials in colours (ff. 190, 191, 206). Large initials in red, some with animals or hybrids, all
probably the 'first' version (BHL 3181t); we thank Samatha Herrick for this information.Amperesands.Decorated quire signatures.Offset of the original binding (f. 1). Large historiated initials in colours (ff. 190, 191, 206). Large initials in red, some with animals or hybrids, all
probably the 'first' version (BHL 3181t); we thank Samatha Herrick for this information.Amperesands.Decorated quire signatures.Offset of the original binding (f. 1). Large historiated initials in colours (ff. 190, 191, 206). Large initials in red, some with animals or hybrids, all
[inceptus est liber] ?' (f. 1): see Cohen-Mushlin 1990.The Augustinian monastery of St Mary, outside of Worms: 17th-century inscription 'Hic liber pertinet ad Ecclesiam Beatae Mariae Virginis in Suburbio Wormatiensis', signed 'J. G.' (f. 1). J. G. might be Joannes
[inceptus est liber] ?' (f. 1): see Cohen-Mushlin 1990.The Augustinian monastery of St Mary, outside of Worms: 17th-century inscription 'Hic liber pertinet ad Ecclesiam Beatae Mariae Virginis in Suburbio Wormatiensis', signed 'J. G.' (f. 1). J. G. might be Joannes
Coloured initials. This manuscript is the unique copy of the poems of Robert Partes: see Cornog 1937. Initials in red, blue, or green, some with simple penwork decoration. Highlighting of letters in red. Verses (ff.1-23); Floridus Aspectus Perhaps written
Ricardi ...ham monachi' and 'ecc[lesi]e xp[ist]I cantuar[ie]', with a title 'Expo[s]it[i]o s[anc]ti du[n]stani sup[er] regula[m] s[anc]ti B[e]n[e]d[ic]ti', 14th century (f. 1), and a shelfmark 'D. III. g. XII' with a title 'Expositio su[per] Reg[u]lam beati Benedicti. nova', 12th century (f.
Ricardi ...ham monachi' and 'ecc[lesi]e xp[ist]I cantuar[ie]', with a title 'Expo[s]it[i]o s[anc]ti du[n]stani sup[er] regula[m] s[anc]ti B[e]n[e]d[ic]ti', 14th century (f. 1), and a shelfmark 'D. III. g. XII' with a title 'Expositio su[per] Reg[u]lam beati Benedicti. nova', 12th century (f.
Ricardi ...ham monachi' and 'ecc[lesi]e xp[ist]I cantuar[ie]', with a title 'Expo[s]it[i]o s[anc]ti du[n]stani sup[er] regula[m] s[anc]ti B[e]n[e]d[ic]ti', 14th century (f. 1), and a shelfmark 'D. III. g. XII' with a title 'Expositio su[per] Reg[u]lam beati Benedicti. nova', 12th century (f.
Ricardi ...ham monachi' and 'ecc[lesi]e xp[ist]I cantuar[ie]', with a title 'Expo[s]it[i]o s[anc]ti du[n]stani sup[er] regula[m] s[anc]ti B[e]n[e]d[ic]ti', 14th century (f. 1), and a shelfmark 'D. III. g. XII' with a title 'Expositio su[per] Reg[u]lam beati Benedicti. nova', 12th century (f.
Ricardi ...ham monachi' and 'ecc[lesi]e xp[ist]I cantuar[ie]', with a title 'Expo[s]it[i]o s[anc]ti du[n]stani sup[er] regula[m] s[anc]ti B[e]n[e]d[ic]ti', 14th century (f. 1), and a shelfmark 'D. III. g. XII' with a title 'Expositio su[per] Reg[u]lam beati Benedicti. nova', 12th century (f.