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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

1776 results from this resource . Displaying 21 to 40

with foliate motifs and clasps, occasionally with grotesques and animals, once with a bearded head, for the prologue and books 1, 2, 5 and 8 (ff. 2v, 3, 13v, 38v, 74). 2 large initials in red, with arabesque motifs in

head, David playing the harp, and David beheading Goliath, at the beginning of Psalm 1. According to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of

head, David playing the harp, and David beheading Goliath, at the beginning of Psalm 1. According to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of

head, David playing the harp, and David beheading Goliath, at the beginning of Psalm 1. According to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of

Pseudo-Ambrose's De conflictu vitiorum atque virtutum. Part 1 includes capitula to Enchiridion (ff. i-iiv). According to the unpublished notes of Michael Gullick, written in the Christ Church script, probably by the scribe of Cambridge University Library, Kk.1.17 and Cambridge, Corpus

of John Chrysostom's De muliere Chananaea. Part 1 includes capitula to Enchiridion (ff. i-iiv). According to the unpublished notes of Michael Gullick, written in the Christ Church script, probably by the scribe of Cambridge University Library, Kk.1.17 and Cambridge, Corpus

to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in Cathedral Library, Winchester; 2.

to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in Cathedral Library, Winchester; 2.

of Psalm 51. According to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in

to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in Cathedral Library, Winchester; 2.

at the beginning of Psalm 68. According to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester

to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in Cathedral Library, Winchester; 2.

painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in Cathedral Library, Winchester; 2. the calendar roundels

According to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in Cathedral Library, Winchester;

of Psalm 101, 'D[omi]ne exaudii orationem mea[m]'. According to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the

the incipit of Psalm 101, 'D[omi]ne exaudii orationem mea[m]'. According to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty

1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in Cathedral Library, Winchester; 2. the calendar

to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in Cathedral Library, Winchester; 2.

1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in Cathedral Library, Winchester; 2. the calendar

to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in Cathedral Library, Winchester; 2.

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 29 June 2024), https://www.manuscriptsonline.org/search/results?ft=t&kw=1&sdf=1187&sdt=1217&sr=ci&st=20