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subsequently for £2 9s. 6d. (Egerton MSS 710-730). 1 large initial in gold on a red and blue ground with decorated extensions developing into a full border with red foliate pen-flourishing (f. 1). Smaller and small initials in blue with
Coloured drawings of the Last Judgement and Creation of Eve. Beginning with a list of contents, prohemium and prologue (ff. 1-3v). Quire marks.f. 1* is a paper fragment pasted onto f. [iv].f. 47 is a ruled leaf with later
Coloured drawing of the Temptation of Eve by the serpent. Beginning with a list of contents, prohemium and prologue (ff. 1-3v). Quire marks.f. 1* is a paper fragment pasted onto f. [iv].f. 47 is a ruled leaf with later
Coloured drawings of Adam and Eve at work, and Noah's Ark. Beginning with a list of contents, prohemium and prologue (ff. 1-3v). Quire marks.f. 1* is a paper fragment pasted onto f. [iv].f. 47 is a ruled leaf with
occasionally with script in later medieval hands.The manuscript has been intensely used.Ampersands. 1 large puzzle initial in red and green with penwork decoration in red (f. 1).1 large initial in blue with reserved designs and penwork decoration including arabesque
Samuel Knott (d. 1687), rector of Combe Raleigh, Devon (1661-1668), antiquary and collector of manuscripts: inscribed with his name (f. 1). The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford and Mortimer, politician, and
auzem dir' (ff. 30-30v). 1 large initial in red and blue with red and blue penwork decoration (f. 1). 4 smaller initials in red with blue penwork decoration or in blue with red penwork decoration (ff. 1 (x 2), 10v,
the Celestine monastery of Ste-Croix d’Offémont is Paris, Bibliothèque nationale de France, lat. 10898. 1 large zoomorphic initial in red, green, silver, and gold (f. 1). 4 large foliate initials (ff. 6v, 17, 25v, 64v), and simpler initials, in red,
the Celestine monastery of Ste-Croix d’Offémont is Paris, Bibliothèque nationale de France, lat. 10898. 1 large zoomorphic initial in red, green, silver, and gold (f. 1). 4 large foliate initials (ff. 6v, 17, 25v, 64v), and simpler initials, in red,
pp. 74-77. 1 historiated initial of two bishops in green, red, and brown on a blue ground (f. 1). 2 large initials with animals or animals heads in red, green, and brown, or also with blue (ff. 1, 18v). Simple
pp. 74-77. 1 historiated initial of two bishops in green, red, and brown on a blue ground (f. 1). 2 large initials with animals or animals heads in red, green, and brown, or also with blue (ff. 1, 18v). Simple
the last gathering. 1 large initial in red and yellow with foliate decoration, damaged (f. 1). Simple initials in red (most oxidised) or brown, some in both colours. 1 marginal drawing (f. 8v). Line fillers in red. 1 large leadpoint
the Celestine monastery of Ste-Croix d’Offémont is Paris, Bibliothèque nationale de France, lat. 10898. 1 large zoomorphic initial in red, green, silver, and gold (f. 1). 4 large foliate initials (ff. 6v, 17, 25v, 64v), and simpler initials, in red,
the Celestine monastery of Ste-Croix d’Offémont is Paris, Bibliothèque nationale de France, lat. 10898. 1 large zoomorphic initial in red, green, silver, and gold (f. 1). 4 large foliate initials (ff. 6v, 17, 25v, 64v), and simpler initials, in red,
geometric pattern and foliage, at the beginning of the prologue to Hypognosticon. 1 foliate initial in colours, at the beginning of the prologue Hypognosticon (f. 2) and 1 large puzzle initial with penwork decoration in green, blue and red, at
the folio. 2 historiated initials in colours (ff. 1, 2). Small simple initials in red, green, or blue. Epistola de vita S. Dunstani; Life of St Dunstan The Benedictine cathedral priory of Christ Church, Canterbury (see f. 2; Gameson 1999
'E'(l) with a marginal drawing of Saul on a throne holding a sceptre. 1 full-page ink drawing with a red wash of Christ in Majesty (f. 1). Large initials in gold on blue grounds with white filigree, with pen-flourishing in
15th-century inscription identifies the book as belonging to the nuns of Derby Priory. 1 full-page ink drawing with a red wash of Christ in Majesty (f. 1). Large initials in gold on blue grounds with white filigree, with pen-flourishing in
Ink drawing of Christ in Majesty, with angels. 1 full-page ink drawing with a red wash of Christ in Majesty (f. 1). Large initials in gold on blue grounds with white filigree, with pen-flourishing in red and blue extending into
the Virgin with the Child. 1 miniature and a titlepiece with heraldic decoration, in colours and gold (ff.1v- 2). Display script. Commission from Aloysio Mocenico, Doge of Venice, to Ursato Manulesso, delegating the Government of Padua to him Ursato Manulesso: